Jean E. Evans (born August 14, 1927) is an American blues and jazz singer, pianist, and composer. She is noted most for her musical collaboration with husband Jimmy Cheatham, with whom she formed the Sweet Baby Blues Band in 1984. Her autobiography, Meet Me With Your Black Drawers On: My Life In Music, was published in 2006. [1] [2] [3]
Cheatham was born and grew up in Akron, Ohio, the first child [a] of Elizabeth (née Smart) and Ernest Evans. [4] [5] At the age of five, she started having lessons on her aunt's newly-acquired piano, which was soon moved to Cheatham's home when it transpired that she had a talent for music her aunt lacked. [6] Not long after, she began playing for services at the church her family attended. [7] Throughout her school years, Cheatham's piano teacher also took her to play at weddings and social events, as well as to give recitals. [8]
Cheatham first played jazz music when, aged 14, she was asked to join a local 15-piece rehearsal orchestra. While still in high school, she began playing in smaller groups, [9] and found herself in demand professionally as most younger musicians were drafted into the US Army during World War II. In 1944, she was accepted as a student at the University of Akron, [10] but was unable to complete more than one year for financial reasons. [9] [11]
Writing in the Los Angeles Times in 1992, Dirk Sutro (author of Jazz for Dummies) noted that "Jeannie Cheatham remains one of the under-appreciated greats of jazz and blues, both for her spare, tasteful piano playing, which ranges from boogie-woogie to Monk ‑ish surprises, and for her earthy but sensuous voice." [12]
In 2006, Jeannie and Jimmy Cheatham received a lifetime achievement award at the San Diego Music Awards, [13] and in November 2022, were inducted into the San Diego Music Hall of Fame. [14]
Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.
Marcia Ball is an American blues singer and pianist raised in Vinton, Louisiana.
Jean Ethel "Jeannie" Lewis is an Australian musician and stage performer whose work covers many different styles such as folk, jazz, Latin, blues, opera, rock and fusion. Her music often includes a strong social consciousness and political statements. Australian musicologist, Ian McFarlane, described her as "one of the most enigmatic and expressive, yet underrated singers Australia has ever produced... Always able to adapt her emotional and dramatic voice to suit a range of moods and styles."
Elizabeth LaCharla Wright professionally known as Lizz Wright, is an American jazz and gospel singer.
Karrin Allyson is an American jazz vocalist. She has been nominated for five Grammy Awards and has received positive reviews from several prominent sources, including the New York Times, which has called her a "singer with a feline touch and impeccable intonation."
James Rudolph Cheatham was an American jazz trombonist and teacher, who played with Chico Hamilton, Ornette Coleman, Thad Jones, Mel Lewis, Lionel Hampton, Frank Foster, and Duke Ellington.
Charles McPherson is an American jazz alto saxophonist born in Joplin, Missouri, United States; raised in Detroit, Michigan; and now lives in San Diego, California. He worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.
The Dealer is a 1966 album by jazz drummer/bandleader Chico Hamilton. It was first released by Impulse! Records (AS-9130) and has been subsequently reissued on CD with the addition of bonus tracks from Chic Chic Chico, Definitive Jazz Scene Vol. 3 and Passin' Thru. The bonus tracks feature different line-ups to that of the album, including Charles Lloyd and Gábor Szabó. The bonus track, "El Toro" is also featured on the Impulsive! Unmixed compilation.
Richard MacQueen Wellstood was an American jazz pianist.
John Calvin Jackson was an American jazz pianist, composer, and bandleader.
Nicole Mitchell is an American jazz flautist and composer who teaches jazz at the University of Virginia. She is a former chairwoman of the Association for the Advancement of Creative Musicians (AACM).
Rosetta Reitz was an American feminist and jazz historian who searched for and established a record label producing 18 albums of the music of the early women of jazz and the blues.
Jane Wing-Chi Lui is an American singer-songwriter and multi-instrumentalist based in Southern California.
Jeannie Gayle Pool is an American composer, musicologist, filmmaker, producer, and lecturer. An expert on and advocate for women in classical and popular music, she founded the International Congress on Women in Music, has published books and articles, and has had compositions performed internationally.
Rickey Woodard is an American jazz saxophonist.
Jim French is an American avant-garde jazz saxophonist. He has performed with Diamanda Galás and Henry Kaiser as well as frequently collaborated with post-hardcore group Three Mile Pilot. Recognized for his virtuoso saxophone playing, French is also known to have created most of the instruments he plays, such as the "Frenchophone," and for crafting custom mouthpieces for prominent artists such as Pharoah Sanders.
Alicia Previn is an American violinist, songwriter, recording artist and author. She is the daughter, along with sister Claudia Previn, of André Previn KBE, the conductor of the Houston, Pittsburgh, and London Symphony Orchestras and the Royal Philharmonic Orchestra, and American jazz singer Betty Bennett.
Amtrak Blues is an album by the American blues and jazz musician Alberta Hunter, released in 1980. The album was nominated for a W. C. Handy Award, in the "Traditional Blues Album" category; Hunter won the 1980 award for best "Traditional Blues Female Artist".
William John Crump was an American jazz musician, who played alto and tenor saxophone, clarinet, flute, and oboe. He is remembered today mainly as one of the 57 musicians pictured in Art Kane's 1958 photograph A Great Day in Harlem, which appeared in the January 1959 issue of Esquire magazine. At the time, Crump was playing in house bands at the Apollo Theater and Savoy Ballroom in Harlem, New York.
The New York Conservatory of Modern Music was a music school in New York City, founded soon after World War II by principal Alfred Francis Sculco, a professional trumpeter from Westerly, Rhode Island who attended the Juilliard School, and played with the big bands of Count Basie, Tommy Dorsey, Benny Goodman, and Harry James.
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