"Where Is the Feeling?" is a song by Australian singer-songwriter Kylie Minogue from her fifth studio album, Kylie Minogue (1994). The song was written by Wilf Smarties and Jayn Hanna, while production was handled by Brothers in Rhythm. It was released on 10 July 1995 as the third and final single from the album, by Deconstruction and Mushroom Records, seven months after the release of the second single. A new version was recorded for the single release, featuring spoken vocals by Minogue.
"Growing on Me" is a song by British rock band the Darkness from their 2003 debut album, Permission to Land. It was released as the second single on 16 June 2003, peaking at number 11 on the UK Singles Chart. It also charted at number 42 and 46 in Ireland and Australia, respectively.
"Bent" is a song by American alternative rock band Matchbox Twenty. The rock ballad was shipped to radio on April 17, 2000, as the lead single from their second album, Mad Season, and was given a commercial release in the United States on July 5, 2000. "Bent" became the band's first and only song to top the US Billboard Hot 100, reaching number one on the chart dated July 22, 2000, and spending one week at the position. The song also topped the RPM 100 Hit Tracks chart in Canada for five nonconsecutive weeks.
"Don't Call Me Baby" is a song by Australian house music duo Madison Avenue, released as the first single from their only studio album, The Polyester Embassy (2000). Written by Cheyne Coates, Andy Van Dorsselaer, Duane Morrison, and Giuseppe Chierchia, the song includes a bassline sample from "Ma Quale Idea" by Italo disco artist Pino D'Angiò, which in turn is based on "Ain't No Stoppin' Us Now" by McFadden & Whitehead.
"Breathe" is a song by American rapper Fabolous, released as the lead single from third studio album, Real Talk (2004). The song reached number 10 on the US Billboard Hot 100 chart in November 2004 and became a top-40 hit in several countries worldwide.
"Dance with Me" is a song by American R&B singer Debelah Morgan, released on June 19, 2000, as the first single from Morgan's third studio album of the same name. Morgan co-wrote the song with its producer Giloh Morgan, with Richard Adler and Jerry Ross receiving songwriting credits for the reworking of their composition "Hernando's Hideaway". Lyrically, "Dance with Me" revolves around the protagonist's declaration that she only wants to dance with her lover that night.
"I Don't Want a Lover" is the debut single of Scottish band Texas, taken from their first album, Southside (1989). The music starts with blues slide guitar followed by a throbbing rhythm section before the vocals break in. It was released in January 1989 and peaked at number eight on the UK Singles Chart.
"Last Request" is the debut single by Scottish singer-songwriter Paolo Nutini, from his 2006 debut album, These Streets. The song was released on 3 July 2006, and peaked at number five on the UK Singles Chart and number 15 on the Italian Singles Chart. The song's lyrics describe a person who knows his relationship is over, but he wants to have one last time with his partner.
"Don't Want to Forgive Me Now" is a song by Scottish band Wet Wet Wet, released as the third single from their sixth studio album, Picture This (1995), on 5 June 1995. It reached number seven on the UK Singles Chart and reached the top 20 in Iceland and Ireland. Marti Pellow recorded his own version of the song for inclusion on his 2002 album Marti Pellow Sings the Hits of Wet Wet Wet & Smile.
"Only When I Sleep" is a song by Celtic folk rock band The Corrs, released in September 1997 as the first single from their second album, Talk on Corners (1997). The song focuses on being in love with someone in your dreams, not anyone in reality. The track was also included on The Corrs' album Dreams: The Ultimate Corrs Collection in 2006. The single managed to peak at number 10 on the Irish Singles Chart, number 34 on the Australian Singles Chart, and number 58 on the UK Singles Chart.
"Angel" is a song by Irish folk rock band the Corrs, the second single released from their fourth studio album, Borrowed Heaven (2004). The song is a tribute to the band members' mother, Jean, who died in 1999. "Angel" was first released in Australia on 23 August 2004 and was issued in the United Kingdom the following month. The song peaked at number 16 on the UK Singles Chart, number 14 in Hungary, and number 19 in Ireland.
"The One I Love" is a song by British singer-songwriter David Gray. It was released on 29 August 2005 as the first single from his seventh studio album, Life in Slow Motion (2005). The song was produced by Marius de Vries and is Gray's second-highest achievement on the UK Singles Chart, peaking at number eight. Worldwide, the song reached number six in Ireland and number 31 in New Zealand. The single was released as a two-CD single and 7-inch vinyl set.
"Hospital Food" is a song by British singer-songwriter David Gray, released on 28 November 2005 as the second single from his seventh studio album, Life in Slow Motion (2005). The song was produced by producer Marius de Vries and received generally negative reviews upon its release. "Hospital Food" peaked at number 34 on the UK Singles Chart and remains Gray's last single to reach the UK top 40.
"Talula" is a song by American singer-songwriter Tori Amos, released as the second single from her third studio album, Boys for Pele (1996). It reached number 22 on the UK Singles Chart and appeared in the Jan de Bont film Twister.
"Into Your Arms" is a 1989 song by Australian duo Love Positions, consisting of Robyn St. Clare and Nic Dalton.
"Obsesión" is a song by Dominican-American bachata band Aventura with Judy Santos as the female vocalist. It was included on their second studio album, We Broke the Rules (2002), and an English-language version was made for the same album. The song achieved success in many countries, topping many international charts. In France, the song held the French Singles Chart's number-one slot for seven weeks, and as of August 2014, it was the 19th-best-selling single of the 21st century in France, with 565,000 units sold. A radio remix of the song was added to the 2004 special edition version of Love & Hate, which was exclusively released in Italy.
"What Can I Do" is a song by Irish band the Corrs, from their second and breakthrough album, Talk on Corners (1997). The song was originally released in January 1998, but its moderate charting success was limited, due to the time of the shooting of the video. The song was later re-released in August the same year in remixed form by Tin Tin Out, which generated more attention, reaching number three in the United Kingdom. The song received generally favorable reviews from music critics, though some felt it was not as strong as their previous songs. An accompanying music video was released, which was shot in New Zealand during their world tour.
"Irresistible" is a song by Irish pop rock group the Corrs. It was released in September 2000 as the second single taken from their third studio album In Blue (2000). The song was written by the Corrs and co-written and produced by Robert John "Mutt" Lange. "Irresistible" is a pop song with lyrics about desiring lifelong love. It received mixed reviews from music critics; some called it a pop hit, while others deemed it weak. The song was a moderate success, reaching number eight in New Zealand, number 20 in the United Kingdom, and the top 40 in several other countries, including Australia, France, and Ireland.
"Give Me a Reason" is a song by Irish pop rock group the Corrs. It was released in February 2001 as the third single taken from their third studio album In Blue (2000). The song was written and produced by the Corrs. "Give Me a Reason" is a dance-pop song, and received favourable reviews from music critics. The song reached number 27 in the United Kingdom and number 13 in New Zealand.
"Like Glue" is a song by Jamaican dancehall artist Sean Paul, from his second album Dutty Rock (2002). The song was produced by Tony "CD" Kelly, and written by Kelly and Sean Paul. Lyrics from "Like Glue" were originally the intro to "Gimme the Light" until Sean Paul expanded it and made it into a full song. Lyrically, the song refers to how Sean Paul does not care what people say and that he has to stick to his girlfriends "like glue".
