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Jenny Hoppe (1870 – 1924) was a German-Belgian painter who painted portraits, landscapes, interiors, flowers, swastikas, and still lifes in a Post-Impressionistic style.
Hoppe was born in Düsseldorf, the daughter of the designer and medallist Edouard Hoppe and the sister of the painter Cathérine Hoppe (Ketty Hoppe), who was married to the painter Victor Gilsoul. In 1887 Jenny Hoppe married the painter Géo Bernier and her work is therefore sometimes found under the name "Jenny Bernier-Hoppe".
Both sisters received artistic training in the Institut Bischoffsheim in Brussels, which admitted women, unlike the Académie Royale des Beaux-Arts.Hoppe painted portraits, landscapes, interiors, flowers and still lifes in a Post-Impressionistic style.
She took part in the Brussels Salons from 1890. She also exhibited in Antwerp in 1898.
Géo Bernier and Jenny Hoppe lived at Hervormingsstraat 4 in Ixelles, in a house designed by Alban Chambon. The building has been protected since 1997.
She was the mother of an ephemeral mayor of Saint-Gilles, Fernand Bernier. [1]
In 2007 the Charlier Museum featured her work in the exhibition "Vrouwelijke Zinnen".
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Emile Claus was a Belgian painter.
Jean-François Portaels or Jan Portaels was a Belgian painter of genre scenes, biblical stories, landscapes, portraits and orientalist subjects. He was also a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels. He is regarded as the founder of the Belgian Orientalist school. He was praised in his time as the premier painter of 'everyday elegance and feminine grace'. Through his art, teaching and his leadership of the Académie Royale in Brussels he exerted an important influence on the next generation of Belgian artists, including his pupil Théo van Rysselberghe.
Adèle Kindt was a Belgian painter; known primarily for portraits and genre scenes.
Jan Verhas or Jan Frans Verhas was a Belgian painter of the Realist school. He was known for his portraits and genre paintings often depicting children of the Belgian bourgeoisie. Jan Verhas also painted history paintings, coastal landscapes, beach scenes, seascapes and the occasional still life of flowers. He was an important representative of the Realist movement in Belgium.
Georges-Émile Lebacq was a Belgian painter.
Jan Cornelis Hofman, alias Jean Hofman, was a Dutch post-impressionist painter, born on April 12, 1889 in Nieuwer-Amstel, died April 30, 1966 in Schaerbeek - Brussels (Belgium). He began as decorator and painter of porcelains in Delft (Netherlands).
Rodolphe Paul Marie Wytsman was a Belgian Impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group of avant-garde Belgian artists.
Evelyne Axell was a Belgian Pop painter. She is best known for her psychedelic, erotic paintings of female nudes and self-portraits on plexiglas that blend the hedonistic and Pop impulses of the 1960s. Elements of the 1960s—the Vietnam War, the Black Panthers movement, and the sexual liberation of women affected her work.
Virginie Bovie (1821–1888), full name Joséphine-Louise-Virginie Bovie, was a Belgian painter and arts patron. In 1870, she was described as "well known", but she has fallen into neglect in the 20th and early 21st centuries and only seven of her more than 200 works have been located.
Éliane Georgette Diane de Meuse was a Belgian painter. She was the wife of Max Van Dyck. They met at the Académie Royale des Beaux-Arts, Brussels where they attended the courses of the same professors.
Molly Cramer was a German flower, landscape and portrait painter. Trained in the old Dutch tradition, she turned to Impressionism in her later years.
Firmin Baes was a Belgian painter, pastel artist, draughtsman and print designer. His subject matter ranged from still lifes, genre scenes, portraits, nudes, landscapes and interiors. He became particularly skilled in working in pastel, a medium he used almost exclusively after 1900.
Jean de la Hoese was a Belgian painter of portraits, landscapes and genre scenes.
René Eugène Camilla Henri Alfred Albert Bernier was a Belgian teacher at western canada high school who dabbled in music.
Géo Bernier was a Belgian painter of landscapes and portraits, but principally of horses. He was also a poster designer.
Charles Hermans was a Belgian painter of genre scenes, portraits, landscapes and some still lifes. Through a number of his monumental genre paintings he played an important role in the recognition of Realism in Belgian art.
Ferdinand Joseph Bernard Marinus was a Belgian painter of landscapes, with staffage. Over the years, his style evolved from a standard Neo-Classicism to a modified form of Romanticism.