Jennifer Jane Tiramani (born 16 August 1954) is a British costume, stage and production designer. Since 2012 she has been principal of the School of Historical Dress in London. [1]
Tiramani was born on 16 August 1954, the daughter of Fredo Paulo Tiramani and Barbara Doreen Tiramani née King. She attended Dartford Grammar School for Girls. She completed a foundation course at the Central School of Art and Design in London and then received a first class diploma in Theatre Design from Trent Polytechnic in 1976. [2]
From 1980 to 1997, Tiramani was an associate designer at the Theatre Royal Stratford East. From 1997 to 2002 she held the same position at Shakespeare's Globe in Southwark, and from 2003 to 2005 was director of theatre design there. [1] From 2008 to 2011 she was a visiting professor at the School of Art and Design of Nottingham Trent University. [1]
As an expert on Elizabethan and Jacobean clothing she evaluated the Sanders portrait of William Shakespeare [3] and was an advisor to the Searching for Shakespeare exhibition at the National Portrait Gallery in 2006. [1]
Tiramani has designed opera costumes for productions including Orlando for the Opéra de Lille in 2010, La Clemenza di Tito at the Festival International d'Art Lyrique d'Aix-en-Provence in 2011 and Anna Bolena at the Metropolitan Opera of New York in 2012. [1] [4]
Year | Plays | Theatre of Performance | Accolades |
---|---|---|---|
2003 | Twelfth Night | Shakespeare's Globe, London | Won Laurence Olivier Award for Best Costume Design |
2007 | Design work from 1997 to 2005 | Shakespeare's Globe | Won Sam Wanamaker Award together with Claire van Kampen and Mark Rylance, for pioneering work in Shakespearean theatre |
2014 | Twelfth Night | Apollo Theatre, London | Nominations for Drama Desk Award for Outstanding Costume Design and Laurence Olivier Award for Best Costume Design |
2014 | Twelfth Night | Belasco Theatre, Broadway | Won at the 2014 Tony Awards the Tony Award for Best Costume Design in a Play, Nomination for Outer Critics Circle Award for Best Costume Design |
Julie Taymor is an American director and writer of theater, opera and film. Since her stage adaptation of The Lion King debuted in 1997, 24 global productions have been seen by more than 100 million people in over 100 cities in 20 countries, on every continent except Antarctica, and its worldwide gross exceeds that of any entertainment title in box office history. The Lion King also received 11 Tony Award nominations, earning Taymor Tony Awards for Best Director and Costume Designer, and was honored with more than 70 major arts awards worldwide.
Sir Cecil Walter Hardy Beaton, was a British fashion, portrait and war photographer, diarist, painter, and interior designer, as well as an Oscar–winning stage and costume designer for films and the theatre.
Edith Head was an American costume designer who won a record eight Academy Awards for Best Costume Design between 1949 and 1973, making her the most awarded woman in the Academy's History. Head is considered to be one of the greatest and most influential costume designers in film history.
Costume design is the creation of clothing for the overall appearance of a character or performer. Costume may refer to the style of dress particular to a nation, a class, or a period. In many cases, it may contribute to the fullness of the artistic, visual world which is unique to a particular theatrical or cinematic production. The most basic designs are produced to denote status, provide protection or modesty, or provide visual interest to a character. Costumes may be for a theater, cinema, or musical performance but may not be limited to such. Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes.
Alexandra Byrne is an English costume designer. Much of her career has focused on creating costumes for period dramas. These films include Persuasion (1995), Hamlet (1996), Elizabeth (1998), Finding Neverland (2004), The Phantom of the Opera (2004), Elizabeth: The Golden Age (2007), Mary Queen of Scots (2018), The Aeronauts (2019), and Emma. (2020). Byrne's costume design work has earned her six Oscar nominations, and she won the award for Elizabeth: The Golden Age.
Doris Clare Zinkeisen was a Scottish theatrical stage and costume designer, painter, commercial artist, and writer. She was best known for her work in theatrical design.
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Margaret Layton's jacket is a surviving example of English Jacobean embroidery, significant because it appears in a portrait which has also survived. The jacket was originally owned and worn by Margaret Layton (1579–1641), wife of Francis Layton (1577–1661) who was one of the Yeomen of the Jewel House during the reigns of James I, Charles I and, briefly, Charles II. Embroidered linen jackets were worn as informal dress, and were particularly popular among wealthy women in the late sixteenth and early seventeenth centuries. This jacket is exquisitely decorated with flowers, birds and butterflies, embroidered in coloured silks, coiled tendrils of silver-gilt plaited braid stitch and silver-gilt sequins. The edges of the jacket are trimmed with silver and silver-gilt bobbin lace and silver-gilt spangles.
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