The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
The Planetary Collegium is an international research platform that promotes the integration of art, science, technology, and consciousness research, under the rubric of technoetic arts. It is currently based in Plymouth University. The Collegium's Hub is the Centre for Advanced Inquiry in Integrative Arts (CAiiA), and it has had nodes in Zurich, Milan, Lucerne, Trento, Kefalonia, and currently in Shanghai. The founding President is Professor Roy Ascott.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey as co-directors of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.
Irene Barberis, is an Australian artist, based in Melbourne and London. She is a painter primarily, working also with installation, drawing, and new media art. She is also the founding director of an international arts research centre, and is an international curator and writer.
Hybrid art is a contemporary art movement in which artists work with frontier areas of science and emerging technologies. Artists work with fields such as biology, robotics, physical sciences, experimental interface technologies, artificial intelligence, and information visualization. They address the research in many ways such as undertaking new research agendas, visualizing results in new ways, or critiquing the social implications of the research. The worldwide community has developed new kinds of art festivals, information sources, organizations, and university programs to explore these new arts.
Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.
Jill Orr is a contemporary artist based in Melbourne, Australia, whose works have been exhibited around the world.
Amanda McDonald Crowley is a New York-based Australian curator and arts administrator who has created exhibitions and events focused on new media art, contemporary art, and transdisciplinary work. She has served as the executive director of Eyebeam Art + Technology Center in New York City and as the artistic director at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
Tiffany Holmes is an American new media artist and educator. She is based in Chicago, Illinois.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Alice Lang is an Australian contemporary artist. She works and lives in Los Angeles, CA. Lang has mounted many solo exhibitions of her work, and participated extensively in group exhibitions. She has held residencies in Canada, New York, and Los Angeles.
Natasha Johns-Messenger is an Australian conceptual artist and filmmaker, who has lived and worked in New York since winning the Green Card lottery in 2005. Johns-Messenger is best known for her large-scale site-determined installations that examine spatial perception and light. Her work is a complex process of imitation, illusion and trickery, often activated by architectural interventions and optical physics.
Lisa Park is an interdisciplinary artist living in New York City and Seoul, South Korea.
Addie Wagenknecht is an American artist and researcher living in New York City and Austria. Her work deals primarily with pop culture, feminist theory, new media and open source software and hardware. She frequently works in collectives, which have included Nortd Labs, F.A.T. lab, and Deep Lab. She has received fellowships and residencies from Eyebeam, Mozilla, The Studio for Creative Inquiry at Carnegie Mellon University and CERN.
Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.
Barbara Sykes into a family of artists, designers and inventors. Since childhood, she has produced work in a variety of different art forms. In 1974, she became one of Chicago’s pioneering video and new media artists and, later to include, independent video producer, exhibition curator and teacher. Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her early works broke new grounds in Chicago’s emerging New Media Art scene, and continue to inspire women to explore experimental realms. With a passion for community, she fostered significant collaborations with many institutions that include but are not limited to University of Illinois, School of the Art Institute of Chicago, Columbia College, Center for New Television, and (art)n laboratory. These collaborations became exemplary for the showcasing of new media work. The wave of video, new media and computer art that she pioneered alongside many other seminal early Chicago New Media artists persists as a major influence for artists and educators today. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, Metropolitan Museum of Art , Museum of the Art Institute (Chicago), The Metropolitan Museum of Art and SIGGRAPH. Sykes’s tapes have been broadcast in Sweden, Italy, Puerto Rico and extensively throughout in the USA, including “The Independents,” PBS national broadcast, 1985, and national cablecast,1984. Media Burn has a selection of her tapes online and over 200 of her raw footage, master edits, dubs and compilation tapes in their archives. Select grants include a National Endowment for the Arts and American Film Institute Regional Fellowship, Evanston Art Council Cultural Arts Fund and several Illinois Arts Council grants.
Wendy Murray is a visual artist and arts educator, formerly known as Mini Graff. Under her former persona, Murray worked as an urban street poster artist between 2003–2010, working in and around the city's urban fringe. Since 2014, Murray's art expanded into traditional forms of drawing and artist book design, whilst still engaging with social and political issues through poster making. Murray's use of letraset transfers, accompanied with vibrant colours and fluorescent inks, references the work of studios from the 1960s through to the 1980s, including the community-based Earthworks Poster Collective and Redback Graphix. The 2018 collaboration with The Urban Crew, a 17 person collective of socially engaged geographers, planners, political scientists and sociologists, resulted in the Sydney – We Need to Talk! artist book, addressing issues of development, transport congestion, housing affordability and commercialisation of public space.
Alina Mnatsakanian is an Iranian-American-Swiss artist of Armenian descent, known for her conceptual installations in various media and her style of painting and drawing called Marks. Identity, borders and injustice are her preferred themes.
Mel O’Callaghan is an Australian-born contemporary artist who works in video, performance, sculpture, installation, and painting. Her work has been exhibited in solo and group exhibitions around the world and received a number of awards for her artistic practice, and her work is held in a various collections in Australia and France.
