Jim Shaw (born in 1952) is an American artist. His work is held in the collections of the Metropolitan Museum of Art and the Museum of Modern Art, New York. [1] [2]
Shaw received his B.F.A. from University of Michigan in 1974 [3] and his M.F.A. from the California Institute of the Arts in 1978. [4]
Shaw was featured with his good friend, artist Mike Kelley, in the Michigan State University Broad Museum exhibition: "Michigan Stories: Mike Kelley and Jim Shaw,” on their shared histories with the experimental group Destroy All Monsters. Shaw was also in a band called The Poetics. [5] [6] [7]
In 2002, at the Swiss Institute in New York, [8] he exhibited the fictitious studio and paintings of the imaginary O-ist painter "Adam O. Goodman" (or "Archie Gunn"). [9]
In 2000 he showed Thrift Store Paintings—a collection of paintings by (mostly anonymous) American amateur artists—at the ICA in London. Adrian Searle of The Guardian said "The paintings are awful, indefensible, crapulous…", "these people can't draw, can't paint; these people should never be left alone with a paintbrush", and "The Thrift Store Paintings are fascinating, alarming, troubled and funny. Scary too, just like America." [10] For Sarah Kent of Time Out: "Critics professing to be gobsmacked by these efforts can never have seen an amateur art show or walked along the railings of the Bayswater road. They should get out more." [10]
In 2012 Rinse Cycle, a retrospective, was shown at the BALTIC Centre for Contemporary Art, in Gateshead in northern England. [11] In 2013 the Chalet Society in Paris showed Jim Shaw: Archives, a selection of items from his collection of amateur art, junk and memorabilia; no original artwork by Shaw was shown. [12] Shaw participated in the 55th Venice Biennale in 2013. [13] In 2015/16 a survey exhibition, Jim Shaw: The End is Here, was exhibited at the New Museum in New York. [14] In 2017 his show The Wig Museum was the first to be shown at the Marciano Art Foundation in Los Angeles. [15]
Shaw's work is held in the following permanent collection:
Robert L. Williams, often styled Robt. Williams, is an American painter, cartoonist, and founder of Juxtapoz Art & Culture Magazine. Williams was one of the group of artists who produced Zap Comix, along with other underground cartoonists, such as Robert Crumb, Rick Griffin, S. Clay Wilson, and Gilbert Shelton. His mix of California car culture, cinematic apocalypticism, and film noir helped to create a new genre of psychedelic imagery.
Michael Kelley was an American artist whose work involved found objects, textile banners, drawings, assemblage, collage, performance, photography, sound and video. He also worked on curatorial projects; collaborated with many other artists and musicians; and left a formidable body of critical and creative writing. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
Niagara, born Lynn Rovner in Detroit, Michigan in 1955, is a painter and musician. She was the lead vocalist of the proto-punk rock bands Destroy All Monsters (DAM) and Dark Carnival. Her painting derives principally from the Lowbrow art movement.
Destroy All Monsters was an influential Detroit rock band existing from 1973 to 1985, with sporadic performances since. Their music touched on elements of punk rock, psychedelic rock, heavy metal and noise rock with a heavy dose of performance art. Their music was described by Lester Bangs as "anti-rock". They earned a measure of notoriety due to members of The Stooges and MC5 joining the band, and Sonic Youth singer/guitarist Thurston Moore compiling a three compact disc set of the group's music in 1994.
Adrian Searle is an art critic for The Guardian, and has been writing for the paper since 1996. Previously he was a painter.
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Sarah Kent is a British art critic, formerly art editor of the weekly London "what's on" guide Time Out. She was an early supporter of the Young British Artists in general, and Tracey Emin in particular, helping Emin to get exposure. This has led to polarised reactions of praise and opposition for Kent. She adopts a feminist stance and has stated her position to be that of "a spokesperson, especially for women artists, in a country that is essentially hostile to contemporary art."
Aesthetica Magazine is a publication focusing on art and culture. Established in 2002, the magazine provides bi-monthly coverage of contemporary art across various disciplines, including visual arts, photography, architecture, fashion, and design. It has a readership of over 550,000 globally.
The Museum of Contemporary Art Detroit (MOCAD) is a non-collecting contemporary art museum located in Detroit.
"Bad" Painting is the name given by critic and curator Marcia Tucker to a trend in American figurative painting in the 1970s. Tucker curated an exhibition of the same name at the New Museum of Contemporary Art, New York, featuring the work of fourteen artists mostly unknown in New York at the time. The exhibition ran from January 14 to February 28, 1978.
Stephen Prina is an American artist. His work has been categorized as post-conceptualism. Prina is a professor at the Department of Visual and Environmental Studies (VES) at Harvard University.
Friedrich Bernhard Eugen "Fritz" Gutmann was a Dutch banker and art collector. A convert from Judaism, he and his wife were murdered by the Nazis in 1944, and parts of his art collection stolen by the German occupying forces. The collection and the fate of Fritz Gutmann is described by his grandson, Simon Goodman, in the 2015 book The Orpheus Clock.
Marc-Olivier Wahler is a Swiss curator and contemporary art critic and art historian. He is the director of the MAH Musée d’art et d’histoire in Geneva. He is the former director of the Eli and Edythe Broad Art Museum at Michigan State University in East Lansing, Michigan, the former director of Palais de Tokyo, Paris, the former director of the Swiss Institute, New York, and the co-founding director of the Centre d’art Neuchâtel, Switzerland. He is also the former artistic advisor of De Appel Arts Center, Amsterdam, the former artistic advisor for CI Contemporary Istanbul, the founding editor of Palais/ magazine], the founding director of the Chalet Society and PAL, Paris; and founding director of Transformer Sculpture Park, Melides, Portugal.
John Miller is an artist, writer, and musician based in New York and Berlin. He received a B.F.A. from the Rhode Island School of Design in 1977. He attended the Whitney Museum of American Art Independent Study Program in 1978 and received an M.F.A. from California Institute of the Arts in 1979. Miller worked as a gallery attendant at Dia:Chelsea. He is currently Professor of Professional Practice in Art History at Barnard College
Susan Gunn is a British artist. She was born in present-day Greater Manchester, England in 1965, and studied at Norwich University of the Arts where she was awarded a First Class BA Honours in Fine Art Painting in 2004. In 2006 she was awarded the inaugural Sovereign European Art Prize. In 2014 she was commissioned to create a twenty-metre painting for the £11.6 million low carbon building project 'The Enterprise Centre' at the University of East Anglia in Norwich. She is a member of Contemporary British Painting.
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The Marciano Art Foundation is a non-profit arts foundation located on Wilshire Boulevard in the Mid-Wilshire neighborhood of Los Angeles, California. It was established by the co-founders of Guess, Maurice Marciano and Paul Marciano. The Marcianos opened the museum on May 25, 2017 as an exhibition space to display their 1,500-piece collection of contemporary art. The museum closed indefinitely in November 2019 after workers attempted to unionize. The Marciano Foundation released a statement a month later that the closure was permanent. The museum reopened to the public and it is free. Visitors must reserve timed-entry tickets in advance.
Richard Shaw is an American ceramicist and professor known for his trompe-l'œil style. A term often associated with paintings, referring to the illusion that a two-dimensional surface is three-dimensional. In Shaw's work, it refers to his replication of everyday objects in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. Interested in how objects can reflect a person or identity, Shaw poses questions regarding the relationship between appearances and reality.
Thomas Lound was an amateur English painter and etcher of landscapes, who specialised in depictions of his home county of Norfolk. He was a member of the Norwich School of painters, and lived in the city of Norwich all his life.
Paul Kenny is a British artist/photographer who makes abstract still-life images and lives in Newcastle upon Tyne. He has published the books Seaworks (2014) and O Hanami (2019) and Strandline (2024). His work is held in the Victoria and Albert Museum, Scottish National Photography Collection and he has had solo exhibitions at Harris Museum, Art Gallery in Preston and at Atkinson Art Gallery and Library in Southport.