Johann Evangelist Haydn (December 23, 1743 – May 10, 1805) was a tenor singer of the classical era; the younger brother of the composers Joseph Haydn and Michael Haydn. He was often called "Hansl", a diminutive form of "Johann".
Tenor is a male voice type in classical music whose vocal range lies between the countertenor and baritone. The tenor's vocal range extends up to C5. The low extreme for tenors is roughly A♭2 (two A♭s below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.
Franz Joseph Haydn was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Johann was the eleventh child of Mathias Haydn and Anna Maria Koller Haydn (Joseph was second, and Michael sixth). His career training may have been mixed. According to Albert Christoph Dies, an early biographer of Joseph Haydn, Johann followed his older brothers in serving as a choirboy in St. Stephen's Cathedral in Vienna. [1] However, Rosemary Hughes indicates [2] that Johann was also trained in the profession of his father Mathias, namely that of wheelwright.
Mathias Haydn was the father of two famous composers, Joseph and Michael Haydn. He worked as a wheelwright in the Austrian village of Rohrau, where he also served as Marktrichter, an office akin to village mayor.
Albert Christoph Dies was a German painter, engraver, and biographer most noted for his biography of Joseph Haydn, although it is now considered sentimental and not entirely accurate. As an artist, he is also not very well-regarded.
St. Stephen's Cathedral is the mother church of the Roman Catholic Archdiocese of Vienna and the seat of the Archbishop of Vienna, Christoph Cardinal Schönborn, OP. The current Romanesque and Gothic form of the cathedral, seen today in the Stephansplatz, was largely initiated by Duke Rudolf IV (1339–1365) and stands on the ruins of two earlier churches, the first a parish church consecrated in 1147. The most important religious building in Vienna, St. Stephen's Cathedral has borne witness to many important events in Habsburg and Austrian history and has, with its multi-coloured tile roof, become one of the city's most recognizable symbols.
Hughes describes Johann as "delicate and quite incapable of carrying on his father's business." In 1763, Johann's father died, leaving a will that specified an early financial distribution to Johann, prior to the formal division of the estate; as Jones suggests, this indicates that he was not yet able to support himself. [3] In 1765, after his stepmother had remarried, Johann left home and joined his brother Joseph, who by this time was employed in Eisenstadt as Kapellmeister to the Esterházy family. Joseph took his younger brother into his home and found him a position as a tenor in the Esterházys' church choir. Johann worked without pay, supported by his brother, for six years, after which he drew a small salary, which Joseph supplemented. [4]
Eisenstadt is a city in Austria, the state capital of Burgenland. It has a population of about 14,241 (2016). In the Habsburg Empire's Kingdom of Hungary, Kismarton (Eisenstadt) was the seat of the Eszterházy Hungarian noble family. The composer Joseph Haydn lived there as Hofkapellmeister under Esterházy patronage.
Kapellmeister is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle and Meister ("master"). The word was originally used to refer to somebody in charge of music in a chapel. However, the term has evolved considerably in its meaning in response to changes in the musical profession.
Johann was apparently not a very accomplished singer. The composer Antonio Salieri once remarked of a pupil that he "sang through the nose like Hansl Haydn". [5] Perhaps as a result, his services to the Esterházy family were limited to church music; he was not recruited to perform in any of the many operas directed by Joseph starting in the 1770s. Johann did some teaching and may have been pressed into service from time to time as an emergency music copyist. [6]
Antonio Salieri was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.
It is possible that Johann was paid as a singer as a favor to Joseph; that Haydn's employer at the time (Prince Nikolaus Esterházy) esteemed Haydn's services enough to make such arrangements is suggested by a similar act later on, in which he kept on the payroll another mediocre singer, Haydn's mistress Luigia Polzelli.
Luigia Polzelli was an Italian mezzo-soprano, who sang at the Esterházy court in Hungary during the late 18th century. She was for a number of years the lover of the composer Joseph Haydn.
Johann briefly lost his job in 1775 when some "minor infraction" (Robbins Landon) brought upon him the wrath of Prince Nikolaus's estates director, the short-tempered Peter Ludwig von Rahier. The position was restored at Joseph Haydn's intervention. [7] Johann was again unemployed from 1790 (when Prince Anton Esterházy succeeded Nikolaus and abolished most of the family's musical establishment) until 1795 (when Anton's successor Nikolaus II revived it). Nothing is known about what Johann did during this time. Following his reinstatement, he continued in the service of the Esterházy family for the remainder of his life, dying in Eisenstadt at the age of 63.
Nicholas II, Prince Esterházy was a wealthy Hungarian prince. He served the Austrian Empire and was a member of the famous Esterházy family. He is especially remembered for his art collection and for his role as the last patron of Joseph Haydn.
Symphony No. 22 in E♭ major, Hoboken I/22, is a symphony written by Joseph Haydn in 1764, under the auspices of the benign Prince Nikolaus Esterházy. Its nickname is "The Philosopher".
"Gott erhalte Franz den Kaiser" is a personal anthem to Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire. The lyrics were by Lorenz Leopold Haschka (1749–1827), and the melody by Joseph Haydn. It is sometimes called the "Kaiserhymne". Haydn's tune has since been widely employed in other contexts: in works of classical music, in Christian hymns, in alma maters, and as the tune of the "Deutschlandlied", the national anthem of Germany.
Esterházy is a Hungarian noble family with origins in the Middle Ages. Since the 17th century, they were among the great landowner magnates of the Kingdom of Hungary during the time it was part of the Habsburg Empire and later Austria-Hungary. During the history of the Habsburg empire, the Esterházys were consistently loyal to the Habsburg rulers. They received the title of count in 1626 and the Forchtenstein line received the title of Fürst from the Holy Roman Emperor in 1712.
Nikolaus I, Prince Esterházy was a Hungarian prince, a member of the famous Esterházy family. His building of palaces, extravagant clothing, and taste for opera and other grand musical productions led to his being given the title "the Magnificent". He is remembered as the principal employer of the composer Joseph Haydn.
Esterháza is a palace in Fertőd, Hungary, built by Prince Nikolaus Esterházy. Sometimes called the "Hungarian Versailles", it is Hungary's grandest Rococo edifice.
The Symphony No. 75 in D major is a symphony composed by Joseph Haydn between 1779 and 1781.
The composers Wolfgang Amadeus Mozart and Joseph Haydn were friends. Their relationship is not very well-documented, but the evidence that they enjoyed each other's company and greatly respected each other's work is strong, and suggests that the elder Haydn acted in at least a minor capacity as a mentor to Mozart. Six string quartets by Mozart are dedicated to Haydn.
Maria Anna Sabina (von) Genzinger, called "Marianne", was a Viennese amateur musician, the mother of six children, and a friend of the composer Joseph Haydn. Her correspondence with Haydn preserves a personal view of the composer not available from any other biographical source.
The ethnicity of the composer Joseph Haydn was a controversial matter in Haydn scholarship during a period lasting from the late 19th to the mid 20th century. The principal contending ethnicities were Croatian and German. Mainstream musical scholarship today adopts the second of these two hypotheses.
Gregor Joseph Werner was an Austrian composer of the Baroque period, best known as the predecessor of Joseph Haydn as the Kapellmeister of the Hungarian Esterházy family. Few of Werner's works survive to the present day, and he is mostly remembered for his troubled relationship with Haydn.
Count Morzin was an aristocrat of the Austrian Empire during the 18th century. He is remembered today as the first person to employ the composer Joseph Haydn as his Kapellmeister, or music director. The first few of Haydn's many symphonies were written for the Count.
Joseph Haydn's Symphony No. 31 in D major was composed in 1765 for Haydn's patron Nikolaus Esterházy. It is nicknamed the "Hornsignal" symphony, because it gives a prominent role to an unusually large horn section, i.e. four players. Probably because of its prominent obbligato writing for the horns, in Paris, the publisher Sieber published this symphony as a "symphonie concertante" around 1785.
The celebrated composer Joseph Haydn died in Vienna, aged 77, on May 31, 1809, after a long illness. As Austria was at war and Vienna occupied by Napoleon's troops, a rather simple funeral was held in Gumpendorf, the parish in Vienna to which Haydn's house on the Windmühle belonged, followed by burial in the Hundsturm cemetery. Following the burial, two men contrived to bribe the gravedigger and thereby sever and steal the dead composer's head. These were Joseph Carl Rosenbaum, a former secretary of the Esterházy family, and Johann Nepomuk Peter, governor of the provincial prison of Lower Austria. Rosenbaum was well known to Haydn, who during his lifetime had intervened with the Esterházys in an attempt to make possible Rosenbaum's marriage to the soprano Therese Gassmann.
Franz Nikolaus Novotny was an Austrian organist and composer of Bohemian descent at the Esterházy court in Schloss Esterházy in Eisenstadt.
David Wyn Jones is a British musicologist. He is an expert on music of the Classical period, including that of Haydn and Beethoven.