John Craton

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John Douglas Craton (born August 6, 1953) is an American classical composer. His works have been performed throughout the United States, Europe, and Japan. While his compositions cover a diverse range, he is best known for his operas, ballets, and works for classical mandolin. [1]

Contents

Biography

Craton was born August 6, 1953, in Anniston, Alabama. Though neither of his parents was musical, his extended family included many musicians, both amateurs and professionals, [2] among them his cousin, concert pianist and composer Barbara Gallagher. He began his formal musical training at age 10 studying violin under retired violinist and conductor, Robert Louis Barron. After graduating from Saks High School, he studied violin and piano at Jacksonville State University before transferring to Lipscomb University, where he earned his B.A. Craton studied theory and composition under John Maltese, Gerald Moore, and Henry Fusner. His graduate degree from Indiana University Bloomington was in audiology, and Craton practiced as a clinical audiologist for several years in Indiana before returning to his musical roots and devoting his full-time to teaching and composing. [3]

Craton's music is highly tonal and in general reflects a style of English pastoralism, often incorporating onomatopoeic elements sometimes described as "nature music." [4] His music has been variously characterized as "atmospheric," [5] "dramatic and challenging," [6] "largely traditional ... playful," [7] and occasionally even reflecting "a medieval/Renaissance flavor." [8] He has been performed by such artists and ensembles as Sebastiaan de Grebber, Gertrud Weyhofen, Sinella Aghasi, Ljubomir Velickovic, Takumi Mamiya, Lisa Ferrigno, Het CONSORT, the Netherlands Symphony Orchestra, Filarmonica Mandolini Alba Sapporo, Townsend Opera, and the Bloomington and Amsterdam Symphony Orchestras. Romanian opera composer and conductor Leonard Dumitriu has described Craton's music as "coming from some other time and planet," stating that although he "may be an American living in the present, ... [his] music comes from the time of Haydn and Mozart, or, better, from a world without time, where ... even the cares are easy and bright ... a musical world of sonorous peace and joy." Many of Craton's works are published by Wolfhead Music. [9]

While in his early years Craton often performed on violin, piano, recorder, and other instruments, he abandoned public performance after a hand injury and has since devoted himself completely to teaching and composing. He currently operates a private music studio in Bedford, Indiana. [10]

Works

Opera

Ballet

Orchestral

Concertos

Chamber

Piano (keyboard)

Vocal/choral

Arrangements/orchestrations

Discography

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References

  1. ↑ Opera America [ permanent dead link ], Fall 2007, pages 46-47.
  2. ↑ "A Classical Approach — New Music for Mandolin" by Marilynn Mair, Mandolin Magazine, Archived 2001-04-05 at the Wayback Machine Spring 2006, volume 7, number 4, pages 19-21.
  3. ↑ "Life in a Major Key" by Joel Pierson, H&L, June 2010, volume 6, number 5, pages 20-23.
  4. ↑ "John Craton, Composer," by Carol Johnson, Bedford Times-Mail, Archived 2011-09-27 at the Wayback Machine March 6, 2006.
  5. ↑ "Het Consort is andere koek dan Jo met de banjo," by Maarten Mestrom, De Stentor (Zwolle), July 7, 2008, p. 20.
  6. ↑ “La Boîte à musique, by Sara Clifford, Bedford Times-Mail, Archived 2010-11-30 at the Wayback Machine May 7, 2009.
  7. ↑ “A Classical Approach — New Music for Mandolin” by Marilynn Mair, Mandolin Magazine, Archived 2001-04-05 at the Wayback Machine Spring 2006, volume 7, number 4, pages 19-21.
  8. ↑ "The Parliament of Fowls," by Megan Young, Opera America Archived 2009-08-07 at the Wayback Machine , Fall 2008, page 49.
  9. ↑ “New Classics,” by Mike Lewis, Bedford Times-Mail, Archived 2008-05-31 at the Wayback Machine May 29, 2008.
  10. ↑ "European Debut," by Carol Johnson, Bedford Times-Mail, March 7, 2006, page C1.
  11. ↑ "Local 16-year-old produces her first ballet," by Julie Smith-Frazer, The Dubois County Herald, October 12, 2022, pp. A1-A2.
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