John Gollings AM (born 1944), is an Australian architectural photographer working in the Asia Pacific region.
John Gollings was born in Melbourne and made his first photographs using his family's UK-built Houghton-Butcher Box Ensign 6×9 cm camera. He learned darkroom processing at age eleven. He attended Hailebury College where in 1962 he made a photograph now held in the National Gallery of Australia, [1] then until 1967 studied Arts and Architecture at Melbourne University, supplementing his studies with architectural and wedding photography.
In mid-career in 2002, he earned a master's degree in Architecture at RMIT University with the thesis "Torus City: investigating the photography of architecture in a virtual environment". [2]
In the late 1960s Gollings was successful in advertising and fashion photography after joining the partnership of art director Kevin Orpin and advertising photographer Bob Bourne, [3] who became a mentor. After the partners separated, Bourne was replaced by Norman Parkinson’s former assistant Peter Gough, [4] also from London, and Gollings was promoted as the new talent of the studio. At age 22 he garnered the advertising accounts of Shell, Comalco, Sitmar and Marlboro, as well as resorts and hotels like Hyatt, Oberoi and Great Keppel Island resort. Increasingly he also picked up fashion work for firms including Sportsgirl and Levante Hosiery. [5]
Some of his earliest private work, since collected in 2009 by the National Gallery of Australia, was made in New Guinea. [6]
After advertising and fashion photography, Gollings settled on architectural photography, in which he has since worked in the Asia Pacific region. [7] In 1973 and inspired by Learning from Las Vegas, Gollings arrived in Surfers Paradise (a well known holiday destination) from Melbourne, with the intention to extensively photograph the town's architecture, signs and symbols of leisure. 40 years later, building on field work in collaboration with Melbourne architect Tony Styant-Browne, urban planner Mal Horner and graphic designer Julie Jame, he undertook a project to re-photograph the city from exactly the same viewpoints. [8] In the mid-seventies he travelled to Los Angeles to shoot a new portfolio featuring modern architecture and in 1976 he received private tuition from Ansel Adams in his darkroom at Carmel, California.
Much of his work involves long-term cultural projects especially in India, Cambodia, China, Libya and New Guinea. He specialises in the documentation of cities, often from the air. He has a particular interest in the cyclic fires and floods that characterise the Australian landscape, which he documents with aerial photography, and is known for his technique of photographing at night using partial artificial light during extended, or periodic, exposure. [9]
More lately switching to digital imaging, Gollings has combined 3D modelling with photography and the use of drones in the service of his architectural commissions. With Ivan Rijavek, Gollings was the co-creative director emeritus of the Australian Pavilion at the 2010 edition of the Venice Biennale of Architecture. The exhibition was titled Now and When and compared the existing state of Australian cities, and their counterpoint in the mining holes of the west, to the possibility of a radically different, paradigmatic city of the future. The images were either photographed from a helicopter in 3D or rendered in 3D using CGI. The project traveled Australia and Asia under the auspices of the Australian Department of Foreign Affairs and Trade until 2013.
In 2009-2010, with curators Sarah Kenderdine and Jeffrey Shaw and 3D production by Paul Doornbusch and Dr. L. Subramaniam, Gollings presented the Ancient Hampi exhibition at the Immigration Museum in Melbourne. Hampi is a townin Karnataka state, India, that lies in the ruins of Vijayanagara City. The exhibition consisted of a collection of Gollings’ black and white night images completed during his visits over the 25 years from 1980 to 2005, adjacent to images in colour of contemporary India. The second component, PLACE-Hampi, was an immersive media installation of 3D panoramas, sound recordings and computer animation viewed with 3D glasses on a rotating platform. [10]
Gollings is widely published and his major books include New Australia Style, City of Victory and Kashgar: Oasis city on the Silk Road. [11] In addition to the inclusion of his photography in many surveys, catalogues and monographs on architecture Thames and Hudson released a monograph of his contemporary architectural work; Beautiful Ugly. [12]
Gollings work is exhibited and in many cases, collected, by the Asia Society in New York, the Canadian Centre for Architecture in Montreal, the National Gallery of Australia, the National Gallery of Victoria, the Monash Gallery of Art, the State Library of Queensland, the Janet Holmes à Court collection, the Gold Coast Gallery and the National Library of Australia, and has been the subject of special exhibitions at the Australian Centre for Photography, the Gold Coast Gallery, the Immigration Museum, the Monash Gallery of Art, the McClelland Gallery and the National Gallery of Australia.
Monash Gallery of Art, Melbourne presented a major survey John Gollings: The history of the built world 2 December 2017 to 4 March 2018.
Gollings received a Visual Arts Board Grant from the Australia Council, has twice been awarded the Presidents Award by the Australian Institute of Architecture and has received many advertising and graphic design awards from Australian, New York and Chicago Art Directors' groups. He is an Honorary Fellow of the Australian Institute of Architects.
In 2016 he was made a Member of the Order of Australia (AM) for "significant service to photography through the documentation of iconic architectural landmarks in Australia and the Asia Pacific region". [13]
John Gollings' photography is included in the following book publications:
{{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: |author1=
has generic name (help)CS1 maint: multiple names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: |author4=
has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link){{citation}}
: CS1 maint: numeric names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: |author3=
has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link) [14] {{citation}}
: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link){{citation}}
: CS1 maint: multiple names: authors list (link){{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link){{citation}}
: |author1=
has generic name (help)CS1 maint: multiple names: authors list (link)Harold Emanuel Freedman O.A.M. was an artist from Victoria, Australia, renowned as an illustrator and lithographer, as an official war artist, and for his work in public murals.
Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.
David Moore was an Australian photojournalist, historian of Australian photography, and initiator of the Australian Centre for Photography.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Rodney Mark Cavalier is a former Australian politician, statutory officer and author. Cavalier was a member of the New South Wales Legislative Assembly representing Fuller between 1978 and 1981 and then Gladesville between 1981 and 1988 for the Labor Party. During his term in parliament, Cavalier was Minister for Energy, Minister for Finance, and Minister for Education in the Wran and Unsworth governments.
Mark Haworth-Booth is a British academic and historian of photography. He was a curator at the Victoria & Albert Museum in London from 1970 to 2004.
Joyce Olga Evans, B.A., Dip. Soc. Stud. was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.
Kim Gamble was an Australian illustrator of children's books. He is best known for the Tashi books, which have been translated into more than 20 languages and adapted for television.
Bradley Smith was an American magazine photographer, writer, photojournalist and a founder of the American Society of Magazine Photographers.
Light Vision was a bi-monthly Australian photography magazine that existed between 1977 and 1978.
Bronwyn Kidd is an Australian photographer known for fashion and portraiture who formerly resided in London 1992-2004, and now lives in Melbourne, Australia.
Louisa Elizabeth How (1821–1893) was the first woman photographer in Australia whose works survive.
Mimmo (Domenico) Cozzolino is an Australian graphic designer and photo media artist best known for his gently satirical design and research on Australian historic trademarks.
Dr Eric Westbrook was a British-born Australian artist, curator and gallery director of Auckland Art Gallery and the National Gallery of Victoria.
Andrew Chapman OAM, is an Australian photojournalist.
Robert Ashton (1950) is an Australian photographer and photojournalist.
Philip Quirk is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.
David Beal is a British-born Australian photojournalist and multimedia producer, active from 1956–1990s.
John Geoffrey Tracey was an Australian ecologist and botanist whose pioneering research work in partnership with Dr. Leonard Webb within the Rainforest Ecology Unit of the CSIRO in the 1950s led to the publication of the first systematic classification of Australian rainforest vegetation in the Journal of Ecology in 1959. By the early 80's, after decades of ongoing research, Tracey and Webb had accumulated a significant corpus of scientific evidence in support of the theory that Australian tropical rainforests had evolved in Gondwana over 100 million years ago and were not, as previously believed, relatively recent arrivals from South East Asia. This evidence, in combination with Tracey and Webb's 1975 publication of a collection of 15 vegetation maps entitled "Vegetation of the Humid Tropical Region of North Queensland", and Tracey's 1982 paper "The Vegetation of the Humid Tropical Region of North Queensland", helped to establish the scientific basis for a number of major conservation campaigns across Queensland and paved the way for the subsequent successful World Heritage nomination of the Wet Tropics of Queensland by Aila Keto in 1988.
Katrin Koenning is a German-born Australian photographer and videographer whose work has been exhibited and published since 2007.
{{citation}}
: |author2=
has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)