Johnnie Allan | |
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Background information | |
Birth name | John Allen Guillot |
Born | [1] Rayne, Louisiana, U.S. | March 10, 1938
Genres | Cajun, swamp pop |
Occupation(s) | Musician, guitarist, vocalist |
Instrument(s) | Vocals, guitar |
Labels | Jin Records, Flyright Records, Ace Records, Swallow Records |
Johnnie Allan (born John Allen Guillot, March 10, 1938) is an American pioneer of the swamp pop musical genre. [2]
Born in Rayne, Louisiana, United States, [2] Allan, a Cajun, grew up in a musical family, and at age six obtained his first guitar. (His mother, the former Helen Falcon, was the goddaughter of Joseph Falcon and Cleoma Falcon, the first Cajun recording artists, and sometimes played rhythm guitar for their live performances. [3] ) By age 13, Allan was playing with Walter Mouton and the Scott Playboys, a traditional Cajun music band. About two years later, he switched to Lawrence Walker and the Wandering Aces, another traditional Cajun band.
In 1956, he saw Elvis Presley perform live on the Louisiana Hayride music program, and shortly afterwards Allan began to play rock and roll music. In 1958, he left Walker to form the Krazy Kats. [2] That same year he recorded "Lonely Days, Lonely Nights" for Jin Records of Ville Platte, Louisiana. [2] He later recorded for Mercury Records and the Viking label of Crowley, Louisiana, among others.
He returned to the Jin label in the early 1970s and went on to record many notable swamp pop tunes, including his versions of Chuck Berry's "Promised Land" and Merle Haggard's "Somewhere on Skid Row". [2]
A perennial favorite of swamp pop fans globally, Allan has performed in Europe many times. [2] He is author of two music-related books, Memories: A Pictorial History of South Louisiana Music (1988) and Born to Be a Loser (1992, with Bernice Larson Webb), a biography of swamp pop musician Jimmy Donley.
A retired educator, he lives in Lafayette, Louisiana.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
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