Johnny Firecloud | |
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Directed by | William A. Castleman |
Screenplay by | Wilton Denmark |
Produced by |
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Starring | |
Cinematography | Peter B. Good |
Edited by | Neal Chastain |
Music by | William Loose |
Production companies |
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Distributed by |
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Release dates |
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Running time | 99 minutes [3] |
Country | United States |
Language | English |
Box office | $1 million [4] |
Johnny Firecloud is a 1975 American exploitation horror [5] thriller film directed by William Castleman and starring Victor Mohica, Ralph Meeker, and David Canary. Its plot follows a Native American who, after serving in the Vietnam War, returns to his New Mexico desert hometown to find it victimized by a domineering white rancher, and enacts revenge.
The film was distributed by Twentieth Century-Fox. [6]
Filming took place in California in the fall of 1974. [2]
The film screened in Albuquerque, New Mexico beginning on July 25, 1975. [1] It later opened in Los Angeles on November 5, 1975. [2]
Something Weird Video released the film on DVD as a double feature with Bummer! in 2001. [7]
The Face Behind the Mask is a 1941 American crime horror film directed by Robert Florey and starring Peter Lorre, Evelyn Keyes and Don Beddoe. The screenplay was adapted by Paul Jarrico, Arthur Levinson, and Allen Vincent from the play Interim, written by Thomas Edward O'Connell (1915–1961).
Lee Patrick was an American actress whose career began in 1922 on the New York stage with her role in The Bunch and Judy which headlined Adele Astaire and featured Adele's brother Fred Astaire.
John Taylor Lambert was an American character actor who specialized in playing movie tough guys and heavies. He is best known for playing the psychotic cat-loving, iron-hooked Steve "the Claw" Michel in Dick Tracy's Dilemma.
Ralph Meeker was an American film, stage, and television actor. He first rose to prominence for his roles in the Broadway productions of Mister Roberts (1948–1951) and Picnic (1953), the former of which earned him a Theatre World Award for his performance. In film, Meeker is known for his portrayal of Mike Hammer in Robert Aldrich's 1955 Kiss Me Deadly and as condemned infantryman Cpl. Philippe Paris in Stanley Kubrick’s Paths of Glory.
The Devil Bat is a 1940 black-and-white American horror film produced by Producers Releasing Corporation (PRC) and directed by Jean Yarborough. The film stars Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott and the comic team of Dave O'Brien and Donald Kerr as the protagonists. It was the first horror film from PRC.
The Cat and the Canary is a 1927 American silent comedy horror film directed by Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle is revealed as the heir, but she and the other guests must still face a night in his haunted mansion. The plot thickens when they are informed that a lunatic known as the Cat has escaped from an asylum and is hiding in the house.
The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
The Gorilla is an American 1927 silent mystery film directed by Alfred Santell based on the play The Gorilla by Ralph Spence. It stars Charles Murray, Fred Kelsey, and Walter Pidgeon.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
The Rawhide Terror is a 1934 American Western horror film directed by Bruce M. Mitchell and Jack Nelson.
The Lost Tribe (1949) is the second Jungle Jim film produced by Columbia Pictures. The film features Johnny Weissmuller in his second performance as the adventurer Jungle Jim, co-starring Myrna Dell and Elena Verdugo, along with Joseph Vitale and George J. Lewis as the film's antagonists. It was directed by William Berke and written by Don Martin and Arthur Hoerl.
Victor Mohica was an American actor. Though of Puerto Rican descent, he often portrayed Native Americans in his roles. His works include guest-star episode of Dark Shadows television series in 1969, featured actor in an episode of the Bearcats! television series in the fall of 1971, featured actor in the pilot episode of Ellery Queen television series in 1975, Cannon, Little House on the Prairie Pilot Movie in 1974 and West Side Story Broadway version in 1968. His film credits include roles in Showdown (1973), Johnny Firecloud (1975), Victory at Entebbe (1976), Don't Answer the Phone (1980), The Final Countdown (1980), The Ghost Dance (1980) and Blood In Blood Out (1993).
Leo Carrillo (1881–1961) was an American cartoonist, a comedian in vaudeville, and an actor on stage, film and television. He was best known in the United States as the Cisco Kid's sidekick Pancho on 1950s children's television, a role which capped a long show business career that began decades earlier.
George William Broderick O'Farrell was an American film and stage actor who appeared in both silent and sound films. He began his career at age 14, appearing onstage with the Baker Stock Company in his hometown of Portland, Oregon. He subsequently appeared in several locally-produced films, such as The Golden Trail (1920), before pursuing a film career in Los Angeles. He appeared in numerous silent films throughout the 1920s, and later had minor roles in several Laurel and Hardy films, including Beau Hunks (1931).