Jonathan Gems | |
---|---|
Born | 1952 (age 71–72) United Kingdom |
Occupation | Playwright, screenwriter |
Language | English |
Genre | Theatre, film |
Relatives | Pam Gems (mother) Keith Gems (father) Milla Gems (former spouse m. 2000–2009) |
Jonathan Gems (born 1952, in London) is a British playwright and screenwriter mostly known for his work on Mars Attacks! (1996), directed by Tim Burton. [1] [2] He also wrote the film's novelization. His well known work includes a screenplay for an adaptation of George Orwell's novel 1984 and Mars Attacks Memoirs, a book of interviews about working with Tim Burton behind the scenes of Mars Attacks!.
The son of the playwright Pam Gems, [3] Gems wrote a number of plays for theatres on the London fringe before gradually turning to screenwriting. [4] As well as Mars Attacks!, Gems did uncredited rewrite work on Batman (1989). Gems has written unproduced scripts for Burton, including a Beetlejuice (1988) sequel titled Beetlejuice Goes Hawaiian; an updating of Edgar Allan Poe's "The Fall of the House of Usher" set in Burbank, California; The Hawkline Monster , a cowboy/monster movie that was to star Clint Eastwood and Jack Nicholson; and Go Baby Go, a beach movie in the style of films by Russ Meyer.
Batman is a 1989 superhero film based on the DC Comics character of the same name, created by Bob Kane and Bill Finger. Directed by Tim Burton, it is the first installment of Warner Bros.' initial Batman film series. The film was produced by Jon Peters and Peter Guber and stars Jack Nicholson, Michael Keaton, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough, and Jack Palance. The film takes place early in the title character's war on crime and depicts his conflict with his archenemy the Joker.
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Alfred Gough is an American screenwriter, producer, writer, director, showrunner and creator. He is best known as the developer of The WB/The CW's Superman-prequel television hit series Smallville. Alongside longtime writing/producing partner Miles Millar, Gough also co-created other television programs like AMC's 2015 wuxia-influenced dystopian television series Into the Badlands, MTV's 2016 epic fantasy television series The Shannara Chronicles and Netflix's Wednesday, the Tim Burton helmed Addams Family spin-off. Among his many feature film credits he wrote or produced are Shanghai Noon, as well as its sequel, Shanghai Knights, Spider-Man 2, The Mummy: Tomb of the Dragon Emperor, Herbie: Fully Loaded, Hannah Montana: The Movie and Burton's Beetlejuice Beetlejuice.
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Caroline Thompson is an American novelist, screenwriter, film director, and producer. She wrote the screenplays for the Tim Burton-directed films Edward Scissorhands and Corpse Bride and the Burton-produced The Nightmare Before Christmas. She co-wrote the story for Edward Scissorhands and co-adapted a new stage version of the film with director and choreographer Matthew Bourne. Thompson also adapted the screenplay for the film version of Wicked Lovely, a bestselling fantasy series, in 2011, but the production was put into turnaround. She directed Black Beauty (1994); Buddy (1997), which she also wrote; and the television film Snow White: The Fairest of Them All (2001), also as producer and co-writer.
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Charles Byron Griffith was an American screenwriter, actor, and film director. He was the son of Donna Dameral, radio star of Myrt and Marge, along with Charles' grandmother, Myrtle Vail, and was best known for writing Roger Corman productions such as A Bucket of Blood (1959), The Little Shop of Horrors (1960), and Death Race 2000 (1975).
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Beetlejuice Beetlejuice is a 2024 American dark fantasy comedy horror film directed by Tim Burton from a screenplay by the writing team of Alfred Gough and Miles Millar, based on a story by Gough, Millar, and Seth Grahame-Smith. A sequel to Beetlejuice (1988) and the second film of the Beetlejuice franchise, the film stars Michael Keaton, Winona Ryder, and Catherine O'Hara reprising their roles alongside new cast members Justin Theroux, Monica Bellucci, Jenna Ortega, and Willem Dafoe.
The Mars Attacks! narrative is so inconsistent that screenwriter Jonathan Gems, who brought the project to Burton, might have generated his script William Burroughs style, by tossing the Topps cards in the air and then tracking their random pattern. Who cares?