Joseph Shore (16 April 1948 - 6 July 2021) was an American operatic Baritone and voice teacher. He has excelled particularly in the operas of Giuseppe Verdi.
Born in Carthage, Missouri, Shore suffered from a congenital heart disease called coarctation of the aorta, and, at the age of 19, underwent open heart surgery. In college he majored in theology with a second major in speech and drama and did his masters work in theology at the Southern Baptist Theological Seminary in Louisville, Kentucky and Midwestern Baptist Theological Seminary in Kansas City, Missouri. He later did masters work in voice and opera at the University of Tulsa School of Music. [1] After little vocal training, Shore won the 1974 Metropolitan Opera National Council Auditions at the district level and became an apprentice artist at the Santa Fe Opera. Fellow apprentices included Ashley Putnam, Vinson Cole, and Chris Merritt. The next year he won all the levels of the Met auditions [2] and was one of the ten national finalists. That same year, Ted Harris, Shore's vocal coach, introduced him to basso-opera singer Jerome Hines and Shore was then given a leading role in Hines' opera on the life of Christ, I Am The Way. Mr. Shore sang with the Hines company until 1996 and developed a close artistic relationship with Hines. While in New York, Mr. Shore also studied with legendary baritone Cesare Bardelli. [3]
Shore performed with the Lyric Opera of Chicago, the San Francisco Opera, the San Diego Opera, the Houston Grand Opera, the New Jersey State Opera, Tulsa Opera, Opera Omaha, the Arizona Opera, the Nevada Opera, the Toledo and Dayton Operas, the Lyric Opera of Dallas, the Fort Worth Opera, the Goldovsky Opera Theater, the Chamber Opera Theatre of New York, New York Grand Opera, Opera Classics of New Jersey, the Chautauqua, Aspen, and Northern Ireland Festivals, the Edmonton Opera, the Canadian Broadcasting Company, the BBC, the Belfast Grand Opera, the Youngstown Symphony, the Savannah Symphony, the Northeastern Pennsylvania Philharmonic, the Raleigh Symphony, and the Jerome Hines Opera Troupe. Shore performed roles such as Macbeth, Rigoletto, Germont, Amonasro, Renato, and Falstaff, among the Verdi roles, as well as Alfio, Tonio, Scarpia, Barnaba, Telramund, Pizarro, and Salieri.
In 1988, Shore became a voice teacher and accepted appointments to the faculties of the University of North Carolina at Greensboro, the University of British Columbia and Indiana University. In 1995, he published an interview with Jerome Hines in the NATS Journal. [4] Among his students in the pop field were Alexz Johnson and Michael Bublé, and in opera Campbell Vertesi, Bryn Vertesi, David Fankhauser, [5] Davide di Ragusa, [6] Siphiwe McKenzie, Le Roy Jameson, Tyler Lincoln, [7] and Paul Grindlay. [8] His most famous student was Jerome Hines himself who studied informally with Shore and dedicated his book, The Four Voices of Man, [9] to him.
Shore's heart disease worsened over the years and shortened his career. He received an artificial heart valve in 1994 and had to replace it in 2006. Then 58 years old, he contracted lung disease due to heart complications and had to retire from professional singing.
Shore lived in Burnaby, B.C. teaching voice. Much of his pedagogical writing, including his biography, is available from his web site. [10]
In addition to the Metropolitan Opera auditions Shore also won the Bruce Yarnell Memorial Award for Baritones in 1981 [11] and the WGN Auditions in 1976.
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B♭2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Sherrill Milnes is an American dramatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera. His voice is a high dramatic baritone, combining good legato with an incisive rhythmic style.
The German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.
Thomas Walter Hampson is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Marcelo Raúl Álvarez is an Argentine lyric tenor who achieved international success starting in the mid-1990s.
Robert Keith McFerrin Sr. was an American operatic baritone, notable for being the first African-American man to sing at the Metropolitan Opera in New York City. His voice was described by critic Albert Goldberg in the Los Angeles Times as "a baritone of beautiful quality, even in all registers, and with a top that partakes of something of a tenor's ringing brilliance."
Tulsa Opera is an American opera company based in Tulsa, Oklahoma. Originally an amateur performance group named the Tulsa Opera Club, the company was incorporated as a professional organization in 1953. Performances for the company were originally presented at the Tulsa Theater until the Tulsa Performing Arts Center (TPAC) opened in 1977. The company currently presents an annual season of three staged operas at the TPAC. Numerous well known singers have performed in operas with the company, including Beverly Sills, Anna Moffo, Roberta Peters, Richard Tucker, Renata Scotto, Cornell MacNeil, Samuel Ramey, Simon Estes, and Jerry Hadley among many others. In addition to staged operas, the company has also presented concerts and recitals featuring artists like Barbara Cook, Susan Graham, Luciano Pavarotti, Leontyne Price, and Joan Sutherland. Opera composer and pianist Tobias Picker served as the company's artistic director from 2016 through 2022. At present, the company is being led by general director and CEO Lori Decter Wright. Aaron Beck serves as its artistic director.
Cornell MacNeil was an American operatic baritone known for his exceptional voice and long career with the Metropolitan Opera, which spanned 642 performances in twenty-six roles. Opera News opined he "was a great baritone in era of great baritones — Warren, Gobbi, Merrill, Milnes — and in the contemporary press, comparisons to his colleagues were frequent. But MacNeil's performances had singular musical richness, and moral and intellectual complexity that were his alone. MacNeil may have had rivals, but he had no equals."
Anselmo Colzani was an Italian operatic baritone who had an international opera career from the late 1940s through 1980. He particularly excelled in the Italian repertory and was most associated with the works of Giuseppe Verdi and Giacomo Puccini. He began his career in Italy in 1947 where he quickly became a regular presence at that country's best opera houses, including La Scala. In the mid-1950s he began appearing at major opera houses throughout Europe and the United States. In 1960 he joined the roster at the Metropolitan Opera where he spent most of his time through 1978. Opera News commented that while his voice may have "lacked the sheer beauty [of other baritones], his performances had an Italianate urgency and forthright thrust that were unique, which established himself as a powerful, striking presence."
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system.
James Westman is a Canadian baritone known for his interpretation of the Verdi, Puccini and bel canto operatic repertoire, and particularly his signature role of Germont in La traviata, which he has sung in over 150 performances, with opera companies such as San Francisco Opera, Houston Grand Opera, Pittsburgh Opera, Florida Grand Opera, Graz Opera, Santa Fe Opera, Chicago Lyric Opera, Opéra de Montréal, Los Angeles Opera, Grand Théâtre de Bordeaux, Canadian Opera Company, Boston Lyric Opera, Cologne Opera, Vancouver Opera, English National Opera, San Diego Opera, Dallas Opera, Utah Opera, and Opera Theatre of St. Louis. On January 29, 2011 Westman created the lead role of Sandy Keith In the world premiere of Bramwell Tovey's The Inventor. In 2017 he played Sir John A. MacDonald in Harry Somers's Louis Riel for the Canadian Opera Company's tribute to Canada's 150th celebrations. As a recitalist, he has performed for the Marilyn Horne Foundation, Aldeburgh Connection, Aldeburgh Festival, Musikverein, Wigmore Hall, Queen Elizabeth Hall, Morgan Library & Museum, Koerner Hall, Carnegie Hall, Saito Kinen Festival in Japan, Stratford Summer Music, British Broadcasting Corporation, and the Canadian Broadcasting Corporation. Westman first came to attention at the age of twelve when he was the first boy soprano to perform and record Mahler 4th Symphony with Benjamin Zander and the Boston Philharmonic Orchestra in 1984. Westman is regularly featured as the Anthem singer for the Toronto Maple Leafs and numerous other NHL franchises. Four of Westman's recordings have been nominated for a Juno Award. Two recordings nominated for a Grammy Award.
Mark Steven Doss is a Grammy Award-winning African-American bass-baritone, specializing in opera, concert and recital. He has performed major roles with many international opera companies, including Milan's La Scala, Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, the Royal Opera House Covent Garden, Deutsche Staatsoper Berlin, Brussels' La Monnaie, Canadian Opera Company, and Oper Frankfurt. He divides his time between Toronto, Ontario and Erie, Pennsylvania.
Anthony Michaels-Moore is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition. Michaels-Moore has since performed in many of the world's major opera houses across Europe, the Americas, and Asia. He has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Falstaff, Nabucco, Rigoletto, Simon Boccanegra, Iago in Otello, Germont in La traviata, Sharpless in Madama Butterfly, and Scarpia in Tosca. In addition to the standard repertoire, he has sung and recorded the baritone roles of some of the less-known 19th Century Italian operas, as well as the popular English art song cycles by Stanford and Vaughan Williams.
Mark Delavan is an American operatic bass-baritone. He was a national finalist of the Metropolitan Opera auditions and an Adler Fellow with the San Francisco Opera.
Liam Bonner is a retired professional opera singer (baritone) from Pittsburgh, PA.
Andrew Shore, is an English operatic baritone.
Stefan Szkafarowsky is an American opera singer (bass).
Jamie Barton is an American mezzo-soprano. She won the BBC Cardiff Singer of the World competition in June 2013. She is also the winner of the 2015 Richard Tucker Award.