 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2010) |
Joshua Fineberg (born July 26, 1969) is an American composer of contemporary classical music.
| This article includes a list of general references, but it lacks sufficient corresponding inline citations .(February 2010) |
Joshua Fineberg (born July 26, 1969) is an American composer of contemporary classical music.
Joshua Fineberg was born in Boston, Massachusetts. He began his musical studies at the age of five. He completed his undergraduate studies at the Peabody Conservatory with Morris Cotel where he won first prize in the bi-annual Virginia Carty de Lillo Composition Competition.
He has worked with many leading composers in the United States and France, including: George Crumb, Jacob Druckman, Robert Hall Lewis, Philippe Manoury, and André Boucourechliev. In 1991, he moved to Paris and studied with Tristan Murail. The following year he was selected by the Ensemble InterContemporain reading panel for the course in composition and musical technologies. In the fall of 1997, he returned to the US to pursue a doctorate in musical composition at Columbia University, which he completed in May 1999. After teaching at Columbia for a year, he went to Harvard University where he served as the John L. Loeb Associate Professor of the Humanities until 2007. In 2007 he joined the faculty of the Boston University School of Music and became the director of their electronic music studio. [1] In 2012, he became the founding director of the Boston University Center for New Music. [2]
He has collaborated with IRCAM as a lecturer for seminars and as compositional coordinator for their 1996 four week summer course. Besides his compositional and pedagogical activities, he has collaborated with computer scientists and music psychologists to develop tools for computer assisted composition and in music perception research. He has worked with performing ensembles as artistic director for recordings of many European ensembles and soloists, and during the 1999–2000 season directed both Speculum Musicae (New York City) and the Columbia Sinfonietta (Boston). Fineberg edited two issues of the Contemporary Music Review on spectral music" (vol. 19, pt. 2 & 3). From 2003 to 2009 he served as the US editor of the Contemporary Music Review. [3]
Fineberg's works include Recueil de Pierre et de sable for two harps and ensemble (commissioned by Radio France and premiered by Continuum), Veils (commissioned by Thomas Forrest Kelly and premiered by Robert Levin), and Shards (commissioned by the Fromm Music Foundation and premiered by the New Millennium Ensemble). He worked on an evening-length modern dance/theater piece with the Belgian choreographer Johanne Saunier and founding member of the Wooster Group Jim Clayburgh based on Nabokov's Lolita .
A monographic CD of his music recorded by the Ensemble Court-Circuit was released in 2002 as a part of Universal France's Accord/Una Corda collection, another CD recorded by the Ensemble FA was released by Mode Records in June 2009, and in 2012 a CD with his complete works for piano, performed by Marilyn Nonken, was released by Divine Art/Métier. Sonic Fictions, a new CD of his works was released in 2018, also by Divine Art/Métier. Major projects include an "imaginary opera" based on Vladimir Nabokov's Lolita for actor, dancers, video, ensemble and electronics realized in collaboration with JOJI; Speaking in Tongues, a concerto written for Les Percussions de Strasbourg's 50th anniversary tour, Objets trouvé written for the ensemble Court-circuit and La Quintina for string quartet and electronics written for the Arditti Quartet and premiered at the Ultraschall festival in Berlin that marked the first co-realization between the ExperimentalStudio in Freiburg and IRCAM in Paris. In June 2017, Chicago's Dal Niente Ensemble and Mocrep premiered his take my hand..., an evening-length immersive musical theater that explores ecstatic states.
He has won various prizes, fellowships and scholarships including: ASCAP Foundation Grants to Young Composers Competition; Ars Electronica special jury mention; Rapoport Prize in Composition from University; Arnold Salop Composition Competition; the Palache Scholarship, a scholarship to study at the American Conservatory in Fontainebleau; yearly ASCAP Awards from 1991 until he left ASCAP to join the French society SACEM in 1994; and the Randolph S. Rothschild Award in Composition. In 2011, he was named an artist fellow by the Massachusetts cultural council and in 2016 France named him a Chevalier in arts and letters.
In 1992, his work for large orchestra ORIGINS was selected by the international jury of the Gaudeamus Foundation as a finalist for the Gaudeamus International Composers Award and was premiered by the Radio Symfonie Orkest of the N.O.S. during the 1992 Gaudeamus Music Week.
Daniel Lentz is an American classical electronic music composer and artist who specializes in sculptured acrylic illuminated manuscripts.
Gérard Henri Grisey was a twentieth-century French composer of contemporary classical music. His work is often associated with the Spectralist Movement in music, of which he was a major pioneer.
Spectral music uses the acoustic properties of sound – or sound spectra – as a basis for composition.
Robert Saxton is a British composer.
Alarm Will Sound is a 20-member chamber orchestra that focuses on recordings and performances of contemporary classical music. Its performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the Financial Times and as "a triumph of ensemble playing" by the San Francisco Chronicle. The New York Times said that Alarm Will Sound is "one of the most vital and original ensembles on the American music scene."
Panayiotis Kokoras is a Greek composer and computer music innovator. Kokoras's sound compositions use timbre as the main element of form. His concept of "holophony" describes his goal that each independent sound (φωνή), contributes equally into the synthesis of the total (ὅλος). In both instrumental and electroacoustic writing, his music calls upon a "virtuosity of sound," emphasizing the precise production of variable sound possibilities and the correct distinction between one timbre and another to convey the musical ideas and structure of the piece. His compositional output is also informed by musical research in Music Information Retrieval compositional strategies, Extended techniques, Tactile sound, Augmented reality, Robotics, Spatial Sound, Synesthesia. He is founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was board member and president.
Aaron Cassidy is an American composer.
Jeffrey Milarsky is a conductor of contemporary music in New York City.
Francesco Filidei is an Italian concert organist and composer. A student of Salvatore Sciarrino, he has performed internationally. As a composer, he has collaborated with singer-songwriter Claire Diterzi and written operas premiered in Porto and Paris. His music has been performed by notable contemporary music ensembles. His Japanese wife, Noriko Baba, is also a composer.
Nicholas Sackman is an English classical composer.
Jason Eckardt is an American composer. He began his musical life playing guitar in heavy metal and jazz bands and abruptly moved to composing after discovering the music of Anton Webern.
Marco Stroppa is an Italian composer who writes computer music as well as music for instruments with live electronics.
Oscar Bianchi is a Gaudeamus Laureate composer of Italian and Swiss citizenships. He is a recipient of several international prizes and honors. He is noted for his large scale works, in particular his cantata Matra for six voices and large ensemble and his opera Thanks to My Eyes.
Leilei Tian is a Chinese composer of contemporary classical music. Born in China, she has studied at the Central Conservatory of Music in Beijing (1988–1995), the Conservatory of Music in Gothenburg (1997–2001), and IRCAM in Pari )2002–2003s.
Luis Fernando Rizo-Salom was a Colombian composer of contemporary classical music who lived and worked in Paris since 1999. He was also a high performance athlete, member of the French hang gliding team.
Kumiko Omura is a Japanese composer in the field of contemporary instrumental and electronic music.
Sam Hayden is an English composer of classical and electronic music and an academic. His music has won several prestigious prizes and been performed widely at international music festivals.
Ted Hearne is an American composer, singer and conductor. He currently lives in Los Angeles, CA.
Christopher Trapani is an American/Italian composer of contemporary classical music. In 2007 he won the Gaudeamus Award of the Dutch Gaudeamus Foundation. A CD of his music, Waterlines, was released in 2018. A second release of Waterlines by the Ictus Ensemble was named one of the top 5 classical releases of 2020 by De Standaard. In 2021–2022 he was a visiting assistant professor at the Thornton School of Music of the University of Southern California.
Lansing McLoskey is an American composer of contemporary classical music. His Zealot Canticles: An Oratorio for Tolerance was a winner of the 61st Annual Grammy Award for Best Choral Performance by the ensemble The Crossing. McLoskey serves as a Professor of Music at the Frost School of Music in Miami, Florida. Among McLoskey's numerous commissions are those from Guerilla Opera, Copland House, The Fromm Foundation, The Barlow Endowment, N.E.A., The Crossing, ensemberlino vocale, New Spectrum Foundation, Ensemble Berlin PianoPercussion, Passepartout Duo, the Boston Choral Ensemble, and Kammerkoret NOVA.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
