"Joy of a Toy" | ||||
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Single by The Soft Machine | ||||
from the album The Soft Machine | ||||
B-side | "Why Are We Sleeping?" | |||
Released | November 1968 | |||
Recorded | April 1968 | |||
Studio | Record Plant, New York City | |||
Length | 2:40 | |||
Label | Probe | |||
Songwriter(s) | ||||
Producer(s) | ||||
The Soft Machine singles chronology | ||||
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"Joy of a Toy" was the first USA single by the psychedelic rock band Soft Machine. It was released in 1968 to promote the group's debut album The Soft Machine . The single features edited versions of two songs, both being the only known mono mixes from that album. Kevin Ayers would employ the song's title for his debut solo album, Joy of a Toy , a year later, even though it does not feature the song. According to Rob Chapman, the title of the A-side was taken from the name of an otherwise unrelated composition by Ornette Coleman. [1]
Soft Machine are a British rock band from Canterbury formed in mid-1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion, becoming a purely instrumental band since 1971. The band has undergone many line-up changes, with musicians such as Andy Summers, Hugh Hopper, Elton Dean, John Marshall, Karl Jenkins, Roy Babbington and Allan Holdsworth being members during the band's history. The current line-up consists of John Etheridge, Theo Travis, Fred Thelonious Baker and Asaf Sirkis.
Kevin Ayers was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, The Unfairground, was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them."
Robert Wyatt is a retired English musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a forty-year solo career.
Hugh Colin Hopper was a British progressive rock and jazz fusion bass guitarist. He was a prominent member of the Canterbury scene, as a member of Soft Machine and other bands.
Third is a live and studio album by the English rock band Soft Machine, released as their third overall in June 1970 by CBS Records. It is a double album with a single composition on each of the four sides, and was the first of two albums recorded with a four-piece line-up of keyboardist Mike Ratledge, drummer and vocalist Robert Wyatt, saxophonist Elton Dean, and bass guitarist Hugh Hopper. Third marks a shift in the group's sound from their psychedelic origins towards jazz rock and electronic music.
Volume Two is the second LP by The Soft Machine, released in 1969. The album combined humour, dada, psychedelia and jazz. In 2000 it was voted number 715 in Colin Larkin's All Time Top 1000 Albums.
The Soft Machine is the debut album by the British psychedelic rock band Soft Machine, released in 1968. It is the group's only album to feature Kevin Ayers as a member.
The End of an Ear is the debut solo album by Soft Machine's Robert Wyatt.
Fifth, is the fifth studio album by the jazz rock band Soft Machine, released in 1972. In the US the album was identified on cover and label by number (5).
Michael Roland Ratledge is a British musician. A part of the Canterbury scene, he was a founding member of Soft Machine. He was the last founding member to leave the group, doing so in 1976.
Joy of a Toy is the debut solo album of Kevin Ayers, a founding member of Soft Machine. He is accompanied on the LP by pianist and arranger David Bedford as well as his erstwhile Soft Machine colleagues Robert Wyatt and Mike Ratledge, and his eventual replacement Hugh Hopper, who had previously worked with him in the semi-pro band Wilde Flowers. Among the session musicians are cellist and arranger Paul Buckmaster, jazz bassist Jeff Clyne, oboist Paul Minns and drummer Rob Tait.
Shooting at the Moon is the second solo album of Kevin Ayers, on Harvest Records. David Ross Smith of AllMusic writes:
A snapshot of the era, the album is saturated with original ideas, experimentation, and lunacy, all powered by the bottled grape.
Whatevershebringswesing is the third solo album by Kevin Ayers, on Harvest Records.
Bananamour is the fourth studio album by Kevin Ayers and it featured some of his most accessible recordings, including "Shouting in a Bucket Blues" and his whimsical tribute to Syd Barrett, "Oh! Wot A Dream". After Whatevershebringswesing, Ayers assembled a new band anchored by drummer Eddie Sparrow and bassist Archie Legget and employed a more direct lyricism. The centrepiece of the album is "Decadence", his withering portrait of Nico: "Watch her out there on display / Dancing in her sleepy way / While all her visions start to play / On the icicles of our decay / And all along the desert shore / She wanders further evermore / The only thing that's left to try / She says to live I have to die." The song was later covered by the Australian psychedelic rock band The Church on their 1999 album A Box of Birds.
"Love Makes Sweet Music" was the first single released by the psychedelic rock group Soft Machine. It is one of the first British psychedelic releases, predating Pink Floyd's "Arnold Layne" by a month. The A-side is more pop-oriented, featuring Robert Wyatt on lead vocals. The other side, "Feelin’ Reelin Squeelin" is a disturbing tour de force with Kevin Ayers handling the lead vocal for the verses, while Wyatt sings the chorus; there is an elliptical series of strange noises and flute in the solo.
"Singing a Song in the Morning" was the first solo single released by Kevin Ayers, one of the founding members of the band Soft Machine. It was issued three months after Ayers' debut solo LP Joy of a Toy, and the artist was credited on the record label as Kevin Ayers and the Whole World. Although the song was not included on the original Joy of a Toy album, the single's B-side, "Eleanor's Cake ", was on the album.
'68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013.
Soft Machine are an English rock band from Canterbury formed in mid-1966. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Having known numerous line-ups, the band currently consists of John Etheridge (guitar), Theo Travis, Fred Baker (bass) and Asaf Sirkis (drums).
The discography of Robert Wyatt, a retired English musician, consists of eight solo studio albums, six archival/collaborations albums, ten compilation albums, two boxed sets, nine EPs and 15 singles. He has also appeared as a guest musician on a large number of albums by other artists.