The Soft Machine | ||||
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Studio album by | ||||
Released | December 1968 | |||
Recorded | April 1968 at Record Plant Studios, New York City | |||
Genre | ||||
Length | 41:30 | |||
Label | USA: ABC Probe CPLP 4500 France: Barclay | |||
Producer | Chas Chandler, Tom Wilson | |||
The Soft Machine chronology | ||||
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Singles from The Soft Machine | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Soft Machine (also titled Volume One as a reissue) is the debut album by the British psychedelic rock band Soft Machine, released in 1968. It is the group's only album to feature Kevin Ayers as a member.
Founded in 1966 by keyboardist Mike Ratledge, drummer/vocalist Robert Wyatt, bassist/vocalist Kevin Ayers and guitarists Daevid Allen and Larry Nowlin, Soft Machine were one of the central bands in the Canterbury scene and had been staples of the London underground, playing the UFO Club with Pink Floyd. After their first single, February 1967's "Love Makes Sweet Music", failed to chart, they put future releases on hold while they continued to tour. Eventually, they recorded this self-titled debut album in New York City during a spring 1968 tour of the USA with The Jimi Hendrix Experience, [3] produced by Chas Chandler and Tom Wilson. By the time it was recorded, the band had been reduced to a three-piece, with Nowlin leaving in September 1966 and Allen having left in August 1967, going on to form the band Gong. After the album was completed, future Police guitarist Andy Summers joined the band; he left after just two months, returning them to a three-piece until Ayers himself left that September, effectively ending The Soft Machine until its reformation at the end of the year.
The work on this album was one of the essential roots in progressive rock and jazz-fusion.[ citation needed ] Two of the tracks, "Save Yourself" and "So Boot If At All" (under its original title and lyric "I Should've Known") stem from a series of April 1967 demos cut with Daevid Allen. With Allen's departure, Mike Ratledge took over the group's solos on a Lowrey organ, attempting to beef up its sound with a fuzz box and Wah-wah pedal at the suggestion of Hendrix. Musically, the album is a transitional release between more concise, conventional pop music with avant-garde electronics and free-form jazz improvisations, using a scaled-down, keyboard-led trio format similar to The Nice.
The album initially saw release only in the United States, Canada and France [4] , where it made little impact. Retrospective critical appraisals have been largely positive, with AllMusic gushing that "it was one of the few over-ambitious records of the psychedelic era that actually delivered on all its incredible promise". [2]
The original artwork featured a circular die-cut sleeve, revealing a rotating wheel card insert with gears through which the band members could be viewed underneath (a similar gimmick would later be tried for Led Zeppelin III ). The original issue’s gatefold and back sleeve also featured the uncensored image of a nude girl's backside.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Hope for Happiness" | 4:21 | |
2. | "Joy of a Toy" |
| 2:49 |
3. | "Hope for Happiness (Reprise)" |
| 1:38 |
4. | "Why Am I So Short?" |
| 1:39 |
5. | "So Boot If At All" |
| 7:25 |
6. | "A Certain Kind" | H. Hopper | 4:11 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Save Yourself" | Wyatt | 2:26 |
8. | "Priscilla" |
| 1:03 |
9. | "Lullabye Letter" | Ayers | 4:32 |
10. | "We Did It Again" | Ayers | 3:46 |
11. | "Plus Belle qu'une Poubelle" | Ayers | 1:03 |
12. | "Why Are We Sleeping?" |
| 5:30 |
13. | "Box 25/4 Lid" |
| 0:49 |
The 2009 Remastered Edition includes "Love Makes Sweet Music" and "Feelin' Reelin' Squeelin'" (bonus tracks), which were-respectively-Side A and Side B of their first single, issued in 1967.
Chart (1969) | Peak position |
---|---|
US Billboard Top LPs [10] | 160 |
Canada RPM Top Albums [11] | 49 |
The Canterbury scene was a musical scene centred on the city of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia.
Soft Machine are an English rock and jazz band from Canterbury formed in mid-1966 by Mike Ratledge, Robert Wyatt, Kevin Ayers, Daevid Allen and Larry Nowlin. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive and jazz rock, becoming a purely instrumental band in 1971. The band has undergone many line-up changes, with musicians such as Andy Summers, Hugh Hopper, Elton Dean, John Marshall, Karl Jenkins, Roy Babbington and Allan Holdsworth being members during the band's history. The current line-up consists of John Etheridge, Theo Travis, Fred Thelonious Baker and Asaf Sirkis.
Kevin Ayers was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, The Unfairground, was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them."
Robert Wyatt is an English retired musician. A founding member of the influential Canterbury scene bands Soft Machine and Matching Mole, he was initially a kit drummer and singer before becoming paraplegic following an accidental fall from a window in 1973, which led him to abandon band work, explore other instruments, and begin a 40-year solo career.
Hugh Colin Hopper was a British progressive rock and jazz fusion bass guitarist. He was a prominent member of the Canterbury scene, as a member of Soft Machine and other bands.
Third is a live and studio album by the English rock band Soft Machine, released as their third overall in June 1970 by CBS Records. It is a double album with a single composition on each of the four sides, and was the first of two albums recorded with a four-piece line-up of keyboardist Mike Ratledge, drummer and vocalist Robert Wyatt, saxophonist Elton Dean, and bass guitarist Hugh Hopper. Third marks a shift in the group's sound from their psychedelic origins towards jazz rock and electronic music.
Volume Two is the second album by The Soft Machine, released in 1969. The album combined humour, dada, psychedelia and jazz. In 2000 it was voted number 715 in Colin Larkin's All Time Top 1000 Albums.
The Wilde Flowers were an English psychedelic rock band from Canterbury, Kent. Formed in 1964, the group originally featured lead vocalist Kevin Ayers, lead guitarist and co-lead vocalist Brian Hopper, rhythm guitarist and vocalist Richard Sinclair, bassist Hugh Hopper and drummer Robert Wyatt. Despite not releasing any material during their brief three-year tenure, the band are generally considered to be the originators of the Canterbury scene. After their breakup in 1969, the group's members went on to form numerous key bands within the scene, including Soft Machine, Caravan and Camel.
Fourth is the fourth studio album by the rock band Soft Machine, released in 1971. The album is also titled Four or 4 in the USA.
Fifth, is the fifth studio album by the jazz rock band Soft Machine, released in 1972. In the US the album was identified on cover and label by number (5).
Michael Roland Ratledge is a British musician. A part of the Canterbury scene, he was a founding member of Soft Machine. He was the last founding member to leave the group, doing so in 1976.
Joy of a Toy is the debut solo album of Kevin Ayers, a founding member of Soft Machine. He is accompanied on the LP by pianist and arranger David Bedford as well as his erstwhile Soft Machine colleagues Robert Wyatt and Mike Ratledge, and his eventual replacement Hugh Hopper, who had previously worked with him in the semi-pro band Wilde Flowers. Among the session musicians are cellist and arranger Paul Buckmaster, jazz bassist Jeff Clyne, oboist Paul Minns and drummer Rob Tait.
"Love Makes Sweet Music" was the first single released by the psychedelic rock group Soft Machine. It is one of the first British psychedelic releases, predating Pink Floyd's "Arnold Layne" by a month. The A-side is more pop-oriented, featuring Robert Wyatt on lead vocals. The other side, "Feelin’ Reelin Squeelin" is a disturbing tour de force with Kevin Ayers handling the lead vocal for the verses, while Wyatt sings the chorus; there is an elliptical series of strange noises and flute in the solo.
"Joy of a Toy" was the first USA single by the psychedelic rock band Soft Machine. It was released in 1968 to promote the group's debut album The Soft Machine. The single features edited versions of two songs, both being the only known mono mixes from that album. Kevin Ayers would employ the song's title for his debut solo album, Joy of a Toy, a year later, even though it does not feature the song. According to Rob Chapman, the title of the A-side was taken from the name of an otherwise unrelated composition by Ornette Coleman.
Banana Moon is the debut solo album by Australian singer/songwriter/guitarist and Gong leader Daevid Allen, released in July 1971 on the French BYG Actuel label. The album is sometimes referred to as Bananamoon and it was also reissued as a Gong album.
Christopher David "Daevid" Allen was an Australian musician. He was co-founder of the psychedelic rock groups Soft Machine and Gong.
'68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013.
Romantic Warriors III: Canterbury Tales (2015) is the third in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. This one focuses on the music of the Canterbury scene.
Soft Machine are an English rock band from Canterbury formed in mid-1966. As a central band of the Canterbury scene, the group became one of the first British psychedelic acts and later moved into progressive rock and jazz fusion. Having known numerous line-ups, the band currently consists of John Etheridge (guitar), Theo Travis, Fred Baker (bass) and Asaf Sirkis (drums).
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