Juba-Lee | ||||
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Studio album by | ||||
Released | 1967 | |||
Recorded | November 1966 | |||
Label | Fontana Records | |||
Marion Brown chronology | ||||
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Juba-Lee is an album by American saxophonist Marion Brown. It was recorded in November 1966 in New York City, and was released in 1967 on the Fontana label. The album features Brown on alto saxophone, Bennie Maupin on tenor saxophone, Alan Shorter on trumpet and flugelhorn, Grachan Moncur III on trombone, Dave Burrell on piano, Reggie Johnson on bass, and Beaver Harris on drums. [1] The album was recorded roughly a month prior to Brown's Impulse! debut, Three for Shepp . The tracks "Juba-Lee" and "Iditus" also appear on the 2019 ezz-thetics (Hat Hut) album Capricorn Moon To Juba Lee Revisited.
The tune "Juba Lee" is featured on the 2007 Marion Brown tribute album Sweet Earth Flower by the band His Name Is Alive.
Review scores | |
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Source | Rating |
AllMusic | [2] |
In a review for AllMusic, Brandon Burke wrote: "It should go without saying that any free jazz session featuring either Shorter or Moncur is going to be heavy. Both men, as soloists and as composers, tend to dramatically alter any recording upon which they appear... Unfortunately, this would be the only session upon which the two appeared together, making the historical relevance of this date even more pronounced... Highly recommended." [2]
Regarding Shorter's "Iditus", David Grundy, in an article for Point of Departure, stated: "The piece is constructed not so much on one chord as on one note, relentlessly restated by Burrell and bassist Reggie Johnson, and seeming to half-lope, half-march, half-creep through endless shadows. Shorter is the first to solo... Exploiting the instrument's timbral ambiguity, it's not immediately clear which horn has entered: as his solo continues, Shorter, like Moncur, exploits the particular effect of straining within those lower registers, so that those notes become pinched. Phrases trail away into a breathy, upper register, or into silence: a question half-asked, an answer cut off, half-way through the telling. Rather than the well-rounded statement, the operative principle is that of the fragment, of sound in a constant dialogue with silence, which is both void (silencing) and potential." [3]
Writing for Jazz Right Now, Christopher Forbes commented: "'Juba Lee' has moments that sound like the late Ayler groups at the Village Vanguard, full of sounds from early New Orleans brass bands and primitive baptist singing. Monchur contributes a fine solo that ranges from the main key to all sorts of subsidiary keys and emotions. Shorter's 'Iditus'... has an ominous air which explodes into outright menace as the solos progress. Shorter in particular does a marvelous gradual build in his solo." [4]
In an article regarding the 2019 reissue, John Litweiler called the recording "historically important", and praised Shorter's playing on "Iditus", writing: "Again and again, his solos escape from the rhythmic tyranny of tempo and meter and one-chord (not harmonically free) settings. He likes longer note values and middle octaves, and, when he plays flugelhorn, it sounds like it was invented specifically for him... The mounting tensions of Shorter's solos contrast with Brown, who bursts with high spirits. His melodies undergo constant reinvention. Even more than Shorter, the altoist takes rhythmic freedoms that are an advance on Ornette-Cherry." [5]
Tracks 1-3 by Marion Brown. Track 4 by Alan Shorter.
Recorded November 1966 in New York City.
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Alan Shorter was a free jazz trumpet and flugelhorn player, and the older brother of composer and saxophone player Wayne Shorter.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
Marion Brown was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He was a member of the avant-garde jazz scene in New York City during the 1960s, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension. AllMusic reviewer Scott Yanow described him as "one of the brightest and most lyrical voices of the 1960s avant-garde."
Echo is a studio album released by jazz pianist Dave Burrell. It was recorded on August 13, 1969, and first released as an LP album by BYG Actuel. It was re-released twice, first again on LP by Get Back Records in 2001 before finding its way to compact disc in 2004 via Sunspots Records.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
Lee Morgan is the final studio album by jazz trumpeter Lee Morgan, released only after his death in 1972. It was originally released on the Blue Note label in 1972 as a double LP, and features performances by Morgan, Grachan Moncur III, Bobbi Humphrey, Billy Harper, Harold Mabern, Reggie Workman, Jymie Merritt and Freddie Waits.
Live at the Lighthouse is a live album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1971. The album features a quintet of Morgan, Bennie Maupin, Harold Mabern, Jymie Merritt, and Mickey Roker, recorded at The Lighthouse in Hermosa Beach, California in July 1970. Originally released as a double LP comprising four side-long recordings, the 1996 CD reissue expanded the track list with over one-hundred minutes of additional material from the Lighthouse gigs. In 2021, Blue Note released an 8-CD/12-LP box set featuring the complete recordings of Morgan's three-night stint to commemorate the original album's fiftieth anniversary.
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label.
Afternoon of a Georgia Faun is an album by American jazz saxophonist Marion Brown recorded on August 10, 1970 and released on ECM later that year. The sextet features fellow saxophonists Anthony Braxton and Bennie Maupin, pianist Chick Corea, and vocalists Jeanne Lee and Gayle Palmore, backed by two percussionists on one side and five on the other.
Another Git Together is an album by the Jazztet, led by trumpeter Art Farmer and saxophonist Benny Golson. It features performances recorded in 1962 and originally released on the Mercury label. It was the band's last recording for 20 years.
New Africa is an album by American trombonist Grachan Moncur III recorded in 1969 and released on the BYG Actuel label in the same year. It features alto saxophonist Roscoe Mitchell, pianist Dave Burrell, bassist Alan Silva and drummer Andrew Cyrille. Tenor saxophonist Archie Shepp performs on the final track.
Luna Surface is an album by multi-instrumentalist Alan Silva, recorded on August 17, 1969 and released later that year on the BYG label as part of their Actuel series. His first recording as leader, it features Silva on violin along with a large ensemble known as the Celestrial Communication Orchestra.
Why Not? is an album by American saxophonist Marion Brown. It was recorded in October 1966 in New York City, and was released in 1968 on the ESP-Disk label. The album, which was also released with the title Why Not, features Brown on alto saxophone, Stanley Cowell on piano, Sirone on bass, and Rashied Ali on drums. The album was recorded roughly a month prior to Brown's album Juba-Lee. The tracks were reissued on the 2020 ezz-thetics album Why Not? Porto Novo! Revisited.
Marion Brown Quartet is an album by American saxophonist Marion Brown, his debut as a leader. It was recorded in November 1965 in New York City, and was released in 1966 on the ESP-Disk label. The album features Brown on alto saxophone, Alan Shorter on trumpet, Bennie Maupin on tenor saxophone, Reggie Johnson and Ronnie Boykins on bass, and Rashied Ali on drums.
Porto Novo is an album by American saxophonist Marion Brown. It was recorded on December 14, 1967 in Soest, The Netherlands, and was released in 1967 on the Freedom label. The album features Brown on alto saxophone, Maarten van Regteren Altena on bass, and Han Bennink on drums. The tracks were reissued on the 2020 ezz-thetics album Why Not? Porto Novo! Revisited.
Homage to Africa is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in August 1969, and released on the BYG Actuel label in 1970. On the album, Murray is joined by saxophonists Roscoe Mitchell, Archie Shepp and Kenneth Terroade, trumpeter Lester Bowie, cornetist Clifford Thornton, trombonist Grachan Moncur III, vocalist Jeanne Lee, pianist Dave Burrell, bassist Alan Silva, and percussionists Malachi Favors, Earl Freeman, and Arthur Jones.
Ketchaoua is an album by multi-instrumentalist and composer Clifford Thornton. It was recorded in August 1969 at Studio Saravah in Paris, and was released by the Actuel label later that year. On the album, Thornton is heard on cornet, and is joined by saxophonists Arthur Jones and Archie Shepp, trombonist Grachan Moncur III, pianist Dave Burrell, bassists Beb Guérin and Earl Freeman, and drummers Sunny Murray and Claude Delcloo.
Inner Cry Blues is an album by trombonist and composer Grachan Moncur III. It was recorded in February 2007, and was released by Lunar Module Records later that year. On the album, Moncur is accompanied by saxophonist Mitch Marcus, trumpeter Erik Jekabson, vibraphonist Ben Adams, bassist Lukas Vesely, and drummer Sameer Gupta. Issued three years after Exploration, it was Moncur's second album following a lengthy hiatus, during which he wrote, taught, and dealt with dental issues.