His Name Is Alive is an American experimental rock band/project from Livonia, Michigan.[1] After several self-released cassettes, they debuted on 4AD Records in 1990, starting a long run at the label. Throughout the band's long history, leader Warren Defever has been the only constant member, with a variety of musicians and singers contributing over the years.
Defever began recording in his basement in 1985, while still in high school. His initial work consisted primarily of Defever alone recording the music to a 4-track recorder, with friend Angie Carozzo providing vocals. After Defever went off to college and met Karin Oliver, she became the band's primary vocalist.[1]
The group's work resulted in a self-released cassette. Defever sent the tape to 4AD in hopes of being signed to the label. Despite label president Ivo Watts-Russell's rejection of the band, Defever continued to send him tapes, with improved versions of the songs appearing on each new tape. Ivo signed the band in 1989, believing that (along with his This Mortal Coil partner John Fryer) he could re-mix the songs into a proper album 4AD could release. Livonia appeared in the summer of 1990,[1] and became one of the label's biggest sellers of the year. "He took it apart, and he didn't put it back together," Defever would later comment on Ivo's production style.
A second album of songs similarly recorded in Defever's home studio (which he later dubbed Time Stereo) and remixed in England by Ivo and Fryer, Home Is In Your Head, appeared in 1991.[1] Over most of the rest of the 1990s, Defever improved Time Stereo to record more professionally, and the band became a favorite of 4AD's devoted fanbase.
In 1993, HNIA released Mouth by Mouth, their third full length for 4AD,[1] and embarked on their first full North American tour with Defever on guitar, Karin Oliver on vocals, and Trey Many on drums. This album and tour showed a different side of HNIA to their fans, marking the first time Defever had full control of the mixing and assembly of a HNIA release. Mouth by Mouth was a more ambitious noisy pop record that lacked some of the earlier sparse gothic sounds people came to expect from the first two releases. Defever's wide musical taste became more apparent as Mouth by Mouth showcased his love for obscure '60s pop, reggae, Japanese noise and free jazz.[citation needed]
Defever then took an extended break to work on new projects and write songs for 1996's Stars On ESP, an ambitious project three years in the making. He continued to collaborate with Karin Oliver and Trey Many on this release but also wrote songs with Matthew Smith of Outrageous Cherry, Mark Kozelek of Red House Painters, Ian Masters of Pale Saints, and Erika Hoffman. Stars on ESP was a breakthrough for the band as Defever began to fully realize his potential as a musician able to paste many influences together in one cohesive work "On their fourth album for 4AD, Stars on ESP, the group mixes dub, dream pop, surf, country, and Pet Sounds-era Beach Boys into something altogether unique."[2]
In 1991 and 1993, 4AD commissioned videos from British animators the Quay Brothers. The brothers Stephen and Timothy were allowed to choose which songs they would like to create videos or short films for. They choose the songs "Are We Still Married?" and "Can't Go Wrong Without You".
1998 was a year of big change for 4AD and HNIA, as Ivo sold the label to Beggars Banquet, resulting in major changes in the label. The band signed a more traditional contract with the label, bringing with it increased commercial expectations. When 1998's Ft. Lake failed to meet those expectations, most of the band left for full-time jobs or more commercially successful endeavors. Stripped down to Defever and vocalist Lovetta Pippen (an experienced soul and gospel singer before joining HNIA after appearing as part of a gospel choir on Stars On ESP), the duo released two soul and R&B-influenced albums in 2001 and 2002, alienating much of the band's fanbase.[citation needed] After having sold a respectable (but far from commercially successful) 100,000 albums for 4AD from 1990 through 2002, the band was dropped by the label, leaving the band's future in doubt.
Defever kept the band's name alive through several notable appearances on compilations like Kill Rock Stars' Tracks and Fields, and We Could Live in Hope, the Low tribute album. Several full-length releases on the Time Stereo label were mostly instrumental music, live recordings, and a few new experimental recordings. In 2005, Defever co-founded the Silver Mountain Media label, and secured distribution for HNIA with major label Sony-BMG. 2006's Detrola was the first full-length release on the label, and was met with much acclaim, winning back many of the old fans from the 4AD days, and earning success on college rock radio and modern rock charts.[citation needed]Detrola primarily features newly discovered Andy FM on vocals, although Lovetta Pippen and Erika Hoffmann make guest appearances as well. Andy FM was best known as the keyboardist for Detroit underground favorites the Tranzistors and Sonapanic. In interviews Defever has often described her as "the best singer ever to sing me Elvis songs and Patsy Cline songs at my birthday party. She plays an important role in HNIA, she's a great singer and she's not afraid when the trombonist takes off his pants and pees in his trombone."[citation needed]
The follow-up to Detrola, titled Xmmer, was released on September 18, 2007. Sweet Earth Flower, the band's tribute to free jazz saxophonist Marion Brown was released by High Two on November 6, 2007.
In May 2010, His Name is Alive released their 11th full-length album The Eclipse. The album was one of the ten CDs released in the limited edition box set also entitled The Eclipse. It features Warn Defever and vocalist Andy FM. Other contributors include Steve Sparks on drums and Jean Cook playing violin. The album was released for MP3 download, FLAC, and CD through the Silver Mountain Media store.
In May 2011, His Name is Alive embarked on a "20th anniversary" series of shows which included a community bike ride in Detroit.[3] Defever says 2011 marks the 20th anniversary of His Name is Alive even though the group's first record was released in 1990. Defever says one undisclosed year has been blacked out of the band's chronology for reasons he will not discuss.[4]
Warren Defever is a musician and producer, originally from Livonia, Michigan, and now based in Detroit. He is most known for his chameleonic project His Name Is Alive, though he is active in numerous other circles. He produced, engineered, and/or remixed recordings by Iggy and the Stooges, Easy Action, Low, Ida, Michael Hurley, Califone, Yoko Ono, Thurston Moore, the Gories, the Go, Nomo, Saturday Looks Good to Me, Ethan Daniel Davidson, Faruq Z. Bey, the Von Bondies, Reba Fritz, Destroy All Monsters, Jenny Toomey, Slumber Party, John Sinclair, Elizabeth Mitchell, and Lisa Loeb, as well as HNIA offshoot Velour 100.
This Mortal Coil were a British music collective led by Ivo Watts-Russell, founder of the British record label 4AD. Although Watts-Russell and John Fryer were the only two official members, the band's recorded output featured a large rotating cast of supporting artists, many of whom were otherwise associated with 4AD, including members of Cocteau Twins, Pixies and Dead Can Dance. The project became known for its gothic, dream pop sound, and released three full albums, beginning in 1984 with It'll End in Tears.
Pale Saints were an English alternative rock/shoegazing band formed in 1987 in Leeds by singer-bassist Ian Masters, guitarist Graeme Naysmith and drummer Chris Cooper.
Vaughan Oliver was a British graphic designer based in Epsom, Surrey. Oliver was best known for his work with graphic design studios 23 Envelope and v23. Both studios maintained a close relationship with record label 4AD between 1982 and 1998 and gave distinct visual identities for the 4AD releases by many bands, including Mojave 3, Lush, Cocteau Twins, The Breeders, This Mortal Coil, Pale Saints, Pixies, and Throwing Muses. Oliver also designed record sleeves for such artists as David Sylvian, The Golden Palominos, and Bush.
Ida is an American indie rock band from New York City. They are known for their three-part harmonies; sparse, minimal, often quiet arrangements; and their three singer-songwriters. Their music shows strong folk, pop, punk, world, R&B, and American roots music influences, but there are also avant garde and experimental aspects to their sound.
Detrola is an album by His Name Is Alive, released in 2006. Four years after being dropped from the 4AD roster, HNIA released this album on their own Silver Mountain Media Group label. While many of the band's longtime fans had been disappointed with the group's final two albums for 4AD, fan reception to Detrola was quite positive, with many observing that it was finally a proper follow-up to 1998's 4AD release Ft. Lake.
Songs for a Blue Guitar is the fifth studio album by Red House Painters, released on July 22, 1996 in the UK, and a day later in the US. It is effectively a Mark Kozelek solo album, since no other members of the band are listed in the liner notes. The album introduced heavier, electric guitar driven rock to their sound in songs like "Make Like Paper", and Kozelek's cover of Paul McCartney & Wings' "Silly Love Songs".
Livonia is the debut album by His Name Is Alive. It was originally released by 4AD on June 25, 1990 in the United Kingdom and in 1992 on 4AD/Rykodisc in the United States.
Home Is in Your Head is the second studio album by His Name Is Alive, originally released via 4AD in the UK on September 9, 1991, and on Rykodisc in the United States in 1992.
The Dirt Eaters in an EP by His Name Is Alive, originally released by 4AD in early 1992. It has never been released on its own in the United States, as it was included on the 4AD/Rykodisc US reissue of Home Is in Your Head in 1992.
Mouth by Mouth is the third studio album by American rock band His Name Is Alive, released by 4AD in 1993.
King of Sweet is a compilation album by His Name Is Alive, originally released in a limited run by the Perdition Plastics label in 1993. Most, if not all, of the songs had previously appeared on the band's many self-released cassettes in the late 1980s and early 1990s, and some of them had appeared in different versions on the band's 4AD releases.
Stars on E.S.P. is an album by His Name Is Alive, released by 4AD in 1996.
Nice Day is an EP by His Name Is Alive, released by 4AD in the UK in 1997.
Ft. Lake is an album by His Name Is Alive, released by 4AD in 1998.
Always Stay Sweet is a compilation album by His Name Is Alive, released by 4AD on February 23, 1999.
Someday My Blues Will Cover the Earth is an album by His Name Is Alive, released by 4AD in 2001.
Xmmer is His Name Is Alive's follow-up to 2006's Detrola, released in the USA on September 18, 2007. Stylistically, it is very similar to its predecessor, featuring a wide variety of the many styles the band had explored in the past. In Warn Dever's notes on the album, it becomes apparent that he meant the album as a follow-up or companion piece to Detrola; "Go To Hell Mountain" is even described as a sequel to the previous album's "I Thought I Saw You Moving." One major difference is that singer Andy FM, who shared vocal duties with HNIA veterans Erika Hoffman and Lovetta Pippen on Detrola, sings every track here.
Sweet Earth Flower is a tribute album by His Name Is Alive recorded to honor the music of Marion Brown. Although it appeared after the Xmmer album, it was recorded between the release of Detrola and Xmmer. It was released by the High Two label in 2007.
Sleeps with the Fishes is the lone collaborative album from Clan of Xymox founding member Pieter Nooten and Canadian guitarist/producer Michael Brook, released by 4AD on 12 October 1987. Intended as Nooten's debut solo album after a brief split from Clan of Xymox, the record turned into a collaboration with Brook after a suggestion from 4AD label founder and boss Ivo Watts-Russell. Though not a huge commercial success, Sleeps with the Fishes was described by AllMusic as "essential listening for fans of 4AD, ambient music, minimalism, experimental electronic music, and morose themes alike... an overlooked masterpiece."
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