Judith Blegen & Frederica von Stade: Songs, Arias & Duets

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Songs, Arias & Duets
Judith Blegen & Frederica von Stade, Songs, Arias & Duets.jpeg
Columbia LP, M-33307
Studio album by
Judith Blegen and Frederica von Stade
Released1975
Studio CBS 30th Street Studio, New York City
Genre Classical vocal
Length42:18
LanguageFrench, German and Italian
Label Columbia
Producer Thomas Frost

Judith Blegen & Frederica von Stade: Songs, Arias & Duets is a 42-minute studio album of art songs, art duets and operatic arias performed by Blegen and von Stade with members of the Chamber Music Society of Lincoln Center. It was released in 1975.

Contents

Background and recording

The album was recorded using analogue technology on 18–19 November 1974 and 31 January 1975 at the CBS 30th Street Studio, New York City. [1] [2] It was taped after a performance of its programme in concert in Alice Tully Hall. [3]

Cover art

The cover of the album was designed by Albert Maggiore, and features a photograph taken by Don Hunstein at the Marriott Essex House, New York City. [2]

Critical reception

Johannes Brahms, circa 1872 Brahms c. 1872.jpg
Johannes Brahms, circa 1872

George Jellinek reviewed the album on LP in Stereo Review in July 1975. The Chamber Music Society of Lincoln Center, he wrote, was usually inventive in the concerts that it mounted. Columbia's LP exemplified the kind of programme that the Society offered. [4]

There was a vivacious aria by Alessandro Scarlatti with a trumpet obbligato, an aria by Saint-Saëns in which a violin figured prominently and a song by Schubert in which the singer was accompanied by a clarinet. There was also a novelty in the form of Cherubino's "Non so più" adapted by Mozart himself for voice, violin and piano (presumably for the use of amateur musicians in their drawing rooms). [4]

Judith Blegen and Frederica von Stade were "attractive vocalists individually and in tandem; everything they do is charming, disarming and heartwarming". Their accomplished hosts included the clarinetist Gervase de Peyer, the trumpeter Gerard Schwarz and the violinist Joe del Maria, with the Society's director, Charles Wadsworth, fulfilling duties at the keyboard. The disc presented very good performances with very good audio quality, but was perhaps not the most nourishing fare ever put before collectors - less a square meal than a tray of delectable patisserie. [4]

Alan Blyth reviewed the album on LP in Gramophone in February 1976. There were evenings, he wrote, on which eminent vocalists were invited to join the Chamber Music Society of Lincoln Center for one of its concerts in Alice Tully Hall. Columbia's disc was the fruit of one such occasion. [5]

Camille Saint-Saens, circa 1880 Saint-Saens-circa-1880.jpg
Camille Saint-Saëns, circa 1880

Judith Blegen and Frederica von Stade, "two of America's brightest singing talents", offered an eclectic programme of music that was mostly some distance from the mainstream. Only one item was very familiar, Mozart's "Non so più", and even that was performed in a version seldom encountered - an arrangement for violin and piano accompaniment that had been written by Mozart himself. Sung by von Stade, it evoked happy memories of the "youthful, palpitating Cherubino" that she had recently brought to the summer festivals at Glyndebourne and Salzburg. [5]

Von Stade's timbre and interpretations were reminiscent of Christa Ludwig's. Chausson's sensual "Chanson perpétuelle", though, would probably not have figured in a Ludwig recital. Von Stade sang it with "dark, smouldering tone so right for its fin de siècle eroticism". [5]

Judith Blegen's solo selections were just as enjoyable as her friend's. In "Ja, wir schwören", a number from Schubert's 1823 singspiel Die Verschworenen with a clarinet obbligato, she found an atypical darkness in her voice to convey the music's typically Schubertian yearning. Her performance of Saint-Saëns's "Le bonheur est chose legère", an aria in which "the vocal line is in an attractively sinuous vein with a violin solo", made one wonder whether he might not be a better composer than critics currently judged him to be. [5]

The album's duets, by Brahms and Schumann, were a variegated mixture. Blegen's and von Stade's voices combined very nicely in them, and it was plain that the singers had been meticulous in their rehearsals: their phrasing was never spoiled by interpretative clashes. They were as adept in handling German as they were in French or Italian. [5]

The instrumentalists were worthy partners of their guests, Gervase de Peyer and Gerard Schwarz deserving special praise for their contributions with clarinet and trumpet. All in all, the album was "wholly delightful". Every bar of Blegen's and von Stade's singing exhibited "intense and enthusiastic musicality". Apart from an insert on which texts were poorly laid out and marred by typographic errors, the LP's only fault was a stingily short running time. [5]

William S. Burroughs reviewed the album in Esquire , praising it as "a permanent record of the most exciting concert I heard this year". [6] Records in Review judged it "thoroughly delightful", [7] and Time called it "distinguished". [8] It was also reviewed in High Fidelity, [9] Musikrevy, [10] The New Records, [11] Opera [12] and Tribuna Musical. [13]

CD track listing

Robert Schumann (1810-1856)

Ernest Chausson (1855-1899)

Franz Schubert (1797-1828)

Alessandro Scarlatti (1660-1725)

Wolfgang Amadeus Mozart (1756-1791)

Camille Saint-Saëns (1835-1921)

Johannes Brahms (1833-1897)

Personnel

Musical

Other

Release history

On 1 March 1975, Columbia released the album on LP (catalogue numbers 76476 in Europe, M-33307 in the US,), with notes by Robert Jacobson and an insert with texts and translations. [2] [5] Columbia also issued the album on cassette (catalogue number 40–76476 in Europe). [14]

In 2012, Newton Classics issued the album on CD (with a 16-page booklet featuring a biography of von Stade by David Patrick Stearns) in their 4-CD collection Frederica von Stade: Duets, Arias, Scenes & Songs (catalogue number 8802125). [15] In 2016, Sony issued the album on CD (in a miniature cardboard replica of the sleeve of the original LP) with a 52-page booklet in their 18-CD collection Frederica von Stade: The Complete Columbia Recital Albums (catalogue number 88875183412). [1]

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<i>Shéhérazade</i> (Frederica von Stade recording) 1981 studio album by Frederica von Stade

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Italian Opera Arias is a 51-minute studio album of music performed by Frederica von Stade, Janice Taylor and the National Arts Centre Orchestra under the direction of Mario Bernardi. It was released in 1979.

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French Opera Arias is a 51-minute studio album of music performed by Frederica von Stade and the London Philharmonic Orchestra under the direction of John Pritchard. It was released in 1976.

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Frederica von Stade sings Mozart & Rossini Arias is a 52-minute studio album of operatic arias performed by von Stade and the Rotterdam Philharmonic Orchestra under the direction of Edo de Waart. It was released in 1976. A second, 69-minute version of the album, Frederica von Stade: Haydn, Mozart & Rossini Arias, released by Philips on CD, adds bonus tracks derived from von Stade's contributions to Antal Doráti's recordings of Joseph Haydn's operas La fedeltà premiata and Il mondo della luna. A third, 52-minute version released on SACD by PentaTone in 2005 reverts to the contents of the first version, but presents the music in quadraphonic surround sound.

<i>Frederica von Stade chante Monteverdi & Cavalli</i> (recording) 1985 studio album by Frederica von Stade

Frederica von Stade chante Monteverdi & Cavalli is a 48-minute studio album of arias by Francesco Cavalli and songs and arias by Claudio Monteverdi, performed by von Stade with the Scottish Chamber Orchestra under the direction of Raymond Leppard. It was released in 1985. A second, 54-minute version of the album, released in 1995 as Recital: Frederica von Stade: Cavalli, Monteverdi & Mozart Arias, added two bonus arias taken from Erato's 1978 recording of Mozart's Così fan tutte, on which von Stade sang Dorabella with the Orchestre Philharmonique de Strasbourg under Alain Lombard.

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A Midsummer Night's Dream is a 51-minute studio album containing the overture and most of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Judith Blegen, Frederica von Stade, the Women's Voices of the Mendelssohn Club of Philadelphia and the Philadelphia Orchestra under the direction of Eugene Ormandy. It was released in 1977.

<i>Mozart Mass K. 139</i> (Claudio Abbado recording) 1976 studio album by Claudio Abbado

Mozart Mass K. 139 is a 45-minute classical studio album on which Mozart's Waisenhaus-Messe is performed by Gundula Janowitz. Frederica von Stade, Wiesław Ochman, Kurt Moll, the Chorus of the Vienna State Opera and the Vienna Philharmonic Orchestra under the direction of Claudio Abbado. It was released in 1976.

<i>Arias and Barcarolles</i> 1996 studio album by Michael Tilson Thomas

Arias and Barcarolles is a 78-minute contemporary classical studio album of music by Leonard Bernstein, performed by Thomas Hampson, Frederica von Stade, Simon Carrington, Neil Percy and the London Symphony Orchestra under the direction of Michael Tilson Thomas. In addition to the song cycle which gives it its name, the album includes the Suite from Bernstein's opera A Quiet Place and the Symphonic Dances from his musical West Side Story. It was released in 1996.

References

  1. 1 2 3 4 5 Frederica von Stade: The Complete Columbia Recital Albums, Sony CD, 88875183412, 2016
  2. 1 2 3 Judith Blegen & Frederica von Stade: Songs, Arias & Duets, with the Chamber Music Society of Lincoln Center, Columbia LP, M-33307, 1975
  3. Gramophone, February 1977, p. 1263
  4. 1 2 3 Jellinek, George: Stereo Review , July 1975, p. 107
  5. 1 2 3 4 5 6 7 Blyth, Alan: Gramophone , February 1976, p. 1373
  6. Burrows, William S.: Esquire , Vol. 84, 1975, p. 32
  7. Records in Review, Vol. 21, 1976, p. 415
  8. Time , Vol. 107, 1976, p. 141
  9. High Fidelity, Vol. 25, Issues 7-12, 1975, p. 91
  10. Musikrevy, Vols. 30-31, 1975, p. 216
  11. The New Records, Vols. 52-53, 1984, p. 57
  12. Opera , July 2011, p. 870
  13. Tribuna Musical, Issue 40, 1977, p. 74
  14. Judith Blegen & Frederica von Stade: Songs, Arias & Duets, with the Chamber Music Society of Lincoln Center, Columbia MC, 40-76476, 1975
  15. Frederica von Stade: Duets, Arias, Scenes & Songs, Newton Classics CD, 8802125, 2012