She is best known for her fired clay life size figures of nude women and children that are realistically painted with casein paint. Her sculptures of children address gender roles, and her meticulously detailed adult nudes reflect her interest in feminist issues. Courtesan from 1995, in the collection of the Honolulu Museum of Art, is an example of the artist's life size terracotta nudes of small children. The Essl Museum[de] (in Klosterneuburg, Austria), the Honolulu Museum of Art, the Mint Museum of Art (Charlotte, North Carolina), and the Museum Moderner Kunst (Vienna) are among the public collections holding works by Judy Fox.
Judy Chicago is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno which acted as a catalyst for feminist art and art education during the 1970s. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. The Dinner Party celebrates the accomplishments of women throughout history and is widely regarded as the first epic feminist artwork. Other notable art projects by Chicago include International Honor Quilt, Birth Project, Powerplay, and The Holocaust Project. She is represented by Jessica Silverman gallery.
Gaston Lachaise was a French-born sculptor, active in the early 20th century. A native of Paris, he was most noted for his female nudes such as Standing Woman. Gaston Lachaise was taught the refinement of European sculpture while living in France. He met a young American woman, Isabel Dutaud Nagle, and the pair moved to America, where his craft reached maturity and he was influenced and inspired by American ways. Lachaise helped redefine the female nude in a new and powerful manner. His drawings also reflected his new style of the female form.
Malvina Cornell Hoffman was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculpture series of culturally diverse people, entitled Hall of the Races of Mankind, was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933.
The Honolulu Museum of Art is an art museum in Honolulu, Hawaiʻi. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, and since its official opening on April 8, 1927, its collections have grown to more than 55,000 works of art.
Toshiko Takaezu was an American ceramic artist, painter, sculptor, and educator whose oeuvre spanned a wide range of mediums, including ceramics, weavings, bronzes, and paintings. She is noted for her pioneering work in ceramics and has played an important role in the international revival of interest in the ceramic arts. Takaezu was known for her rounded, closed ceramic forms which broke from traditions of clay as a medium for functional objects. Instead she explored clay's potential for aesthetic expression, taking on Abstract Expressionist concepts in a manner that places her work in the realm of postwar abstractionism. She is of Japanese descent and from Pepeeko, Hawaii.
Mary Frank is an English visual artist who works as a sculptor, painter, printmaker, draftswoman, and illustrator.
Lois Dodd is an American painter. Dodd was a key member of New York's postwar art scene. She played a large part and was involved in the wave of modern artists including Alex Katz and Yvonne Jacquette who explored the coast of Maine in the latter half of the 20th century.
Judy Pfaff is an American artist known mainly for installation art and sculptures, though she also produces paintings and prints. Pfaff has received numerous awards for her work, including a John D. and Catherine T. MacArthur Foundation Fellowship in 2004 and grants from the John Simon Guggenheim Memorial Foundation (1983) and the National Endowment for the Arts. Major exhibitions of her work have been held at the University of Wisconsin–Madison, the Denver Art Museum and Saint Louis Art Museum. In 2013 she was elected to the American Academy of Arts and Sciences. Video interviews can be found on Art 21, Miles McEnery Gallery, MoMa, Mount Holyoke College Art Museum and other sources.
Diana al-Hadid is a Syrian-born American contemporary artist who creates sculptures, installations, and drawings using various media. She lives and works in Brooklyn, New York. She is represented by Kasmin Gallery.
Claes Oldenburg was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg lived and worked in New York City.
Jessica Stockholder is a Canadian-American artist known for site-specific installation works and sculptures that are often described as "paintings in space." She came to prominence in the early 1990s with monumental works that challenged boundaries between artwork and display environment as well as between pictorial and physical experience. Her art often presents a "barrage" of bold colors, textures and everyday objects, incorporating floors, walls and ceilings and sometimes spilling out of exhibition sites. Critics suggest that her work is informed by diverse artistic traditions, including abstract expressionism, color field painting, minimalism and Pop art. Since her early career, they have noted in her work an openness to spontaneity, accident and marginality and a rejection of permanency, monetization and disciplinary conventions that Stephen Westfall characterized as an "almost shocking sense of freedom."
Mel Kendrick is an American visual artist and sculptor known primarily for his abstract, three-dimensional forms derived from sliced and reconstituted wooden blocks. Kendrick's work is understood to reflect a deep fascination with process, space, geometry, and natural forms and materials.
Nancy Grossman is an American artist. Grossman is best known for her wood and leather sculptures of heads.
Katerina Lanfranco is a New York City-based visual artist making paintings, drawings, sculptures, and mixed media installations. She was born in Hamilton, Ontario. She studied art at the University of California, Santa Cruz where she received her B.A in Visual Art and in "Visual Theory and Museum Studies". She also attended the Sierra Institute studying Nature Philosophies and Religions while camping in the California wilderness. She received her M.F.A from Hunter College, City University of New York in Studio Art, with an emphasis in painting. In 2004, she studied at the Universitat der Kunst (UdK) in Berlin, Germany on an exchange scholarship. During this time, she also received a travel grant to study Baroque and High Baroque painting in Italy.
Jane Rosen is an American artist, working in sculpture, drawing and printmaking. While Rosen's career was established in her native New York in the 1970s and 80s, with well received exhibitions and a teaching position at the School of Visual Arts, "a trip to Northern California provided an unexpected pivot for her aesthetic vision and her life." She lived on both coasts and subsequently began a teaching position at the University of California, Berkeley. Rosen "made the break from her urban existence as an artist in New York to a life as an artist on her ranch in California."
Judith Linhares is an American painter, known for her vibrant, expressive figurative and narrative paintings. She came of age and gained recognition in the Bay Area culture of the 1960s and 1970s and has been based in New York City since 1980. Curator Marcia Tucker featured her in the influential New Museum show, "'Bad' Painting" (1978), and in the 1984 Venice Biennale show, "Paradise Lost/Paradise Regained: American Visions of the New Decade." Linhares synthesizes influences including Expressionism, Bay Area Figuration, Mexican modern art and second-wave feminism, in work that flirts with abstraction and balances visionary personal imagery, expressive intensity, and pictorial rigor. Art historian Whitney Chadwick wrote, "Linhares is an artist for whom painting has always mattered as the surest path of synthesizing experience and interior life," her works "emerging as if by magic from an alchemical stew of vivid complementary hues and muted tonalities." Critic John Yau describes her paintings "funny, strange, and disconcerting," while writer Susan Morgan called them "unexpected and indelible" images exploring "an oddly sublime territory where exuberant bliss remains inseparable from ominous danger."
Nancy Youdelman is a mixed media sculptor who lives and works in Clovis, California. She also taught art at California State University, Fresno from 1999 until her retirement in 2013. "Since the early 1970s Youdelman has been transforming clothing into sculpture, combining women's and girl's dresses, hats, gloves, shoes, and undergarments with a variety of organic materials and common household objects.
Arlene Shechet is an American sculptor known for her inventive, gravity-defying arrangements and experimental use of diverse materials. Critics describe her work as both technical and intuitive, hybrid and polymorphous, freely mixing surfaces, finishes, styles and references to create visual paradoxes. Her abstract-figurative forms often function as metaphors for bodily experience and the human condition, touching upon imperfection and uncertainty with humor and pathos. New York Times critic Holland Cotter wrote that her career "has encompassed both more or less traditional ceramic pots and wildly experimental abstract forms: amoebalike, intestinal, spiky, sexual, historically referential and often displayed on fantastically inventive pedestals … this is some of the most imaginative American sculpture of the past 20 years."
JoAnne Carson is an American artist who is known for over-the-top, hybrid works in painting, sculpture and assemblage that freely mix fantasy, illusion and narrative, high and low cultural allusions, and seriocomic intent. She first gained widespread attention in the 1980s for what ARTnews critic Dan Cameron described as "extraordinary painted constructions—kaleidoscopic assemblages chock full of trompe-l’oeil painting, art-history quips, found objects and nostalgic echoes of early modernism." New York Times critic Roberta Smith wrote that Carson's subsequent work progressed methodically into three dimensions, culminating in freestanding botanical sculpture that exuded "giddy beauty" and "unapologetic decorativeness"; her later imaginary landscapes have been described as whimsical spectacles of "Disneyesque horror." Carson has been recognized with a Guggenheim Fellowship, awards from the American Academy of Arts and Letters, American Academy in Rome and National Endowment for the Arts, and Yaddo artist residencies. Her work has been exhibited at institutions including the Whitney Museum of American Art, Museum of Contemporary Art Chicago (MCA), Albright-Knox Gallery, New Orleans Museum of Art, and Institute of Contemporary Art, Philadelphia; it belongs to the public art collections of the Brooklyn Museum of Art, MCA Chicago, Frederick R. Weisman Art Foundation, and Modern Art Museum of Fort Worth, among others.
Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.
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