Judy Onofrio | |
|---|---|
 Onofrio in her studio | |
| Born | November 21, 1939 (age 85) New London, Connecticut, U.S. |
| Alma mater | Sullins College, Bristol, Virginia |
| Known for | Sculpture |
| Website | www |
Judy Onofrio is an American artist who lives and works in Rochester, Minnesota, United States. [1] [2] [3]
Born in New London, Connecticut, Onofrio studied business law and economics at Sullins College in Bristol, Virginia. She moved to Minnesota in 1967, where she became involved with the arts community in Rochester. In 1970, she became acting director of the Rochester Art Center where she founded the children's art program Total Arts Day Camp. [4] [5]
Involved in many other facets of the Minnesota art community, Onofrio also helped found and acted as president of the Minnesota Crafts Council in 1972, and served on the founding committee of the Minnesota Artists Exhibition Program at the Minneapolis Institute of Art in 1975. [6]
Started from Rochester Art Center as an educational program for children, The total Arts Day Camp was a model even for art education around country. Judy's work with children, coupled with her gift for friendship, changed the nature of the Onofrio Home. In their formative years, it was not uncommon for the three Onofrio children to consider artists like Don Reitz, Warren Mackenzie, Curt Hoard, Walter Nottingham, Carole Fisher, and Jim Tanner as member of the family. [7]
Judy began clay work in early 1970s, which was the time for artist including craft movement and the women's movement in US and, Artists contented that not only art could be made from any material also, real art is found everywhere: among those classified as outsiders, the insane, the unschooled, the craft makers. Interested in art, especially clay, Judy learned from every artist whose work interested her even though self-taught. Throughout 1970s, Judy joined in male-dominated Upper Midwest world of clay often as the only woman, which this movement affected her early works. [7]
Known for glittery objects and installations, Onofrio began her artistic work in clay, working out of a clay studio in the basement of her family home. She was strongly influenced by outdoor art and built armatures on which to layer the collections of miscellaneous beads, glass, and hardware. This work was somewhat autobiographic, but humorously so. [8]
By the early 1980s, Onofrio was creating outdoor installations, influenced in part by regional Midwestern attractions such as the Dickeyville Grotto in Wisconsin and Grotto of the Redemption in Iowa. These large-scale outdoor installations led to events such as "fire performances" in at Drake University in Des Moines, Iowa in 1984 and Grand Forks, North Dakota in 1985, pieces in which wood-and-paper pyramids laced with gunpowder were set alight. [6] [9] Onofrio's first major exhibition, Judyland, opened at the Minneapolis Institute of Art in 1993. [6]
She has also worked with wood and in jewelry. Beginning in the late 2000s, her work became less colorful, with a focus on dried bone sculptures. [10] She had a health issue with a cancer at this time, and her interests turned to matters of life and death. Stacking bone series can be a basket, vessel, or wall-mounted object. [11] According to Tanya Hartman, "Onofrio's work has always celebrated Eros and Thanatos, the linked energies of living and dying. She has done this through colorful compilations of found detritus with sculpted clay objects." [12] Judy describes the bone work as a whole idea of life and death for the soul vessel. Bones imply not only death but another continuous and unceasing life cycle. [13]
In 2010, her work was exhibited in a collaboration at St. Olaf College with her daughter, photographer Jennifer Onofrio Fornes. [14]
Judy Land was related to Judy house where she collected mundane objects from various place and friends. It also indicates her exhibition title Judy Land, North Dakota Museum of Art, 1993, stemmed from her house. She recalled her Button collection one day. “Buttons- I have barrels full in the garage. There are tins full of selected colors and trunks full of collections other women have put together. I have a special area for my favorite buttons where I can select choice ones to use in my brooches, i.e., Bakelite and black jet, shells and stencils, fruits and vegetables, eyeballs and cats’ eyes. I have a wonderful collection of buttons on their original cards from the factory. I belong to the button society and have some button trading friends”. [7]
Judy's early background of living near the East Coast beach, and collecting and finding some objects from nature attributes her prominent work
After accepting clay as the media, she started out in ceramics learning to hand building the abstract expressionist sculpture of the time. The most influenced artist is not Peter Voulkos but Robert Arneson. Judy was obsessed with playfulness and irreverence rooted in Pop art. However, she went into making objects and by the end of eighties was building wall-mounted, clay body parts that implied at the childhood fascination with physical abnormalities. Also accepting multi mediums, she in this time period, late 1980s, described where she was at or what she encountered – the way a house is blown apart by a tornado. [7]
By describing and accumulating objects made out of clay around her, Judy appropriated colorful, playful, humorous depiction of imageries to articulate status between male and female, death and life and human condition adorned with mixed media: Ceramics, Buttons, beads, wood and paper. In late 2000s, she extended her work with animal bones after experiencing a cancer illness by celebrating the life.
Nancy Graves was an American sculptor, painter, printmaker, and sometime filmmaker known for her focus on natural phenomena like camels or maps of the Moon. Her works are included in many public collections, including those of the National Gallery of Art, the Brooklyn Museum of Art, the Smithsonian American Art Museum, the National Gallery of Australia (Canberra), the Des Moines Art Center, Walker Art Center (Minneapolis), and the Museum of Fine Arts. When Graves was just 29, she was given a solo exhibition at the Whitney Museum of American Art. At the time she was the youngest artist, and fifth woman to achieve this honor.
Hannah Wilke (born Arlene Hannah Butter; was an American painter, sculptor, photographer, video artist and performance artist. Her work is known for exploring issues of feminism, sexuality and femininity.
Nora Naranjo Morse is a Native American artist and poet. She currently resides in Española, New Mexico just north of Santa Fe and is a member of the Santa Clara Pueblo, part of the Tewa people. Her work can be found in several museum collections including the Heard Museum in Phoenix, Arizona, the Minneapolis Institute of Art in Minnesota, and the National Museum of the American Indian in Washington, DC, where her hand-built sculpture piece, Always Becoming, was selected from more than 55 entries submitted by Native artists as the winner of an outdoor sculpture competition held in 2005. In 2014, she was honored with a NACF Artist Fellowship for Visual Arts and was selected to prepare temporal public art for the 5x5 Project by curator Lance Fung.
Amalia K. Amaki is an African-American artist, art historian, educator, film critic and curator who recently resided in Tuscaloosa, Alabama, where she was Professor of Modern and Contemporary Art at the University of Alabama at Tuscaloosa from 2007 to 2012.
Gloria June Tew was an American abstract sculptor known for her work in marble, bronze and steel. Tew's sculptures are found in institutions, museums, churches and private collections including, King Carl XVI Gustaf and Queen Silvia of Sweden. She resided in Minneapolis.
Viola Frey was an American artist working in sculpture, painting and drawing, and professor emerita at California College of the Arts. She lived and worked in the San Francisco Bay Area and was renowned for her larger-than-life, colorfully glazed clay sculptures of men and women, which expanded the traditional boundaries of ceramic sculpture.
Harriet Bart is a Minneapolis-based conceptual artist, known for her objects, installations, and artists books.
Beth Lo in Lafayette, Indiana is an American artist, ceramist and educator. Her parents emigrated from China.
Anita Fields is an Osage/Muscogee Native American ceramic and textile artist based in Oklahoma. She is an enrolled citizen of the Osage Nation.
Monica E. Rudquist is a ceramic artist working out of Minneapolis, Minnesota. She is known for her distinctive "spiraling shapes" and works primarily in porcelain. In addition, her work features wheel-thrown functional wares as well as large-scale, abstract wall installations.
JoAnn Verburg is an American photographer. Verburg is married to poet Jim Moore, who is frequently portrayed as reading the newspaper or napping in her photographs. She lives and works in St. Paul, Minnesota and Spoleto, Italy.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Jody Louise Williams was an American artist, writer, and teacher. She created and published artist's books under the imprint Flying Paper Press in her studio in Minneapolis, Minnesota. She worked in a range of media, including artist's books, collages, drawings, etchings, bronze sculptures, and mixed-media boxes that she calls not-empty boxes.
Luise Clayborn Kaish was an American artist known for her work in sculpture, painting, and collage. Throughout her career, Kaish's work was exhibited and collected by major museums, including the Smithsonian Institution's National Museum of American Art, the Museum of Modern Art, the Whitney Museum, the Jewish Museum, and the Metropolitan Museum of Art. Kaish created monumental sculptures in bronze, aluminum, and stainless steel, which remain on view in educational, religious, and commercial settings across the United States and internationally.
Françoise Grossen is a textile artist known for her braided and knotted rope sculptures. She lives and works in New York City. Grossen’s work has been acquired by the Metropolitan Museum of Art, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, DC; and the State Hermitage Museum, Saint Petersburg, Russia.
Meg Webster is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements. She is closely affiliated with Post-Minimalism and the Land Art movement and has been exhibiting her work since 1980.
Jantje Visscher is an American mixed-media artist and teacher. Her work involves painting, printmaking, photography, and sculpture. Visscher uses geometry and mathematics to explore the dynamics of perception and optical effects through the use of nontraditional mixed media. She lives and works in Minneapolis, Minnesota, and is active in the Women's Art Resources of Minnesota Mentor Program and the Traffic Zone Center for Visual Art. Visscher is best known for hard-edge abstraction and minimalism within her scientific approach and exploration of perception and mathematics.
Rose B. Simpson is a Tewa sculptor of Khaʼpʼoe Ówîngeh is a mixed-media artist who works in ceramic, metal, fashion, painting, music, performance, and installation. She lives and works in Santa Clara Pueblo, New Mexico. Her work has been exhibited at SITE Santa Fe ; the Heard Museum ; the Museum of Contemporary Native Art, Santa Fe (2010); the National Museum of the American Indian, Smithsonian (2008); the Denver Art Museum; Pomona College Museum of Art (2016); Ford Foundation Gallery (2019); The Wheelwright Museum of the American Indian (2017); the Minneapolis Institute of Art (2019); the Savannah College of Art and Design (2020); the Nevada Museum of Art (2021); Whitney Museum of American Art, and the Norton Museum of Art (2024).
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Signe Margaret Stuart is an American artist best known for her abstract paintings and works on paper that are informed by Minimalism, quantum physics and the study of consciousness.
{{cite web}}: CS1 maint: bot: original URL status unknown (link)| International | |
|---|---|
| National | |
| Artists | |
