Susan Owen is an American operatic soprano. Born in Salisbury, North Carolina, she earned a Bachelor of Music degree from East Carolina University in 1980 and a Master of Music degree from the University of Texas at Austin in 1983. In 1990 she won the Metropolitan Opera National Council Auditions. From 1995 to 1999 she was a member of the Staatstheater Kassel, Intendant Michael Leinert. From 1999 to 2002 she was a member of the Staatstheater Darmstadt with Mark Albrecht.
Christiane Kohl is a German soprano in opera and concert.
Stadttheater Minden is a municipal theatre in Minden, North Rhine-Westphalia, Germany. The theatre has no ensemble, but stages some productions of its own. It became known for a Wagner project culminating in Der Ring in Minden.
Yoko Kawahara is a Japanese operatic soprano who made a career first in Germany, then also appearing internationally at opera houses and festivals. Her repertory includes parts by Mozart as well as contemporary music, in both opera and concert.
Andreas Schager is an Austrian operatic tenor. He began his career as a tenor for operettas, but has developed into singing Heldentenor parts by Richard Wagner including Tristan, Siegmund, Siegfried and Parsifal. A member of the Staatsoper Berlin, he has appeared internationally at venues including La Scala, The Proms and the Bayreuth Festival.
Frank Beermann is a German conductor. He was Generalmusikdirektor (GMD) at the Chemnitz Opera for several years, and has worked freelance at international opera houses from 2012. He has conducted premieres and recordings of rarely performed operas and orchestral works.
Dara Kristin Hobbs is an American operatic soprano, who has appeared internationally, mostly in European opera houses. Her repertoire has focused on dramatic soprano roles, such as Wagner's Isolde and Strauss' Ariadne. She appeared as Wagner's Brünnhilde in Der Ring in Minden.
Jutta Hanna Edith Hering-Winckler is a German lawyer and patron of music. Since 1977, she has been head of a law firm in Minden as a lawyer and notary. Since 1999, she has been president of the Richard Wagner Society in Minden. She received awards for her civic engagement as the driving force of the Wagner project at the Stadttheater Minden, particularly Der Ring in Minden, which brought her hometown to international recognition.
Ruth-Margret Pütz was a German operatic coloratura soprano and an academic voice teacher. She was a member of the Staatsoper Stuttgart for many decades, a frequent guest at the Vienna State Opera, and appeared at other major international opera houses and festivals. One of her signature roles was Konstanze in Mozart's Die Entführung aus dem Serail. She is regarded as one of the leading coloratura sopranos of the 1960s.
Der Ring in Minden was a project to stage Richard Wagner's cycle Der Ring des Nibelungen at the Stadttheater Minden, beginning in 2015 with Das Rheingold, followed by the other parts in the succeeding years, and culminating with the complete cycle performed twice in 2019. The stage director was Gerd Heinz, and Frank Beermann conducted the Nordwestdeutsche Philharmonie, playing on the stage of the small theatre. The singers acted in front of the orchestra, making an intimate approach to the dramatic situations possible. The project received international recognition and was compared favourably to the Bayreuth Festival.
Thomas Mohr is a German operatic tenor and academic voice teacher. He began his career as a baritone, but moved on to heldentenor and has performed roles in all tenor parts of Wagner's Der Ring des Nibelungen at Der Ring in Minden. He has appeared at major international opera houses and concert halls, and made recordings. Mohr is a professor of voice at the Hochschule für Künste Bremen. He also runs an agricultural estate where he founded a music festival.
Renatus Mészár is a German operatic bass who has performed leading roles such as Wotan in Wagner's Der Ring des Nibelungen at major opera houses and festivals. Now a member of the Badisches Staatstheater Karlsruhe, he appeared in the world premiere of Avner Dorman's Wahnfried and the first recording of Bruno Maderna's Requiem.
Kathrin Göring is a German operatic mezzo-soprano, a member of the Oper Leipzig who has appeared at other major opera houses, also in concert and recital, and made recordings. She has appeared in Leipzig in leading roles such as Bizet's Carmen and Wagner's Parsifal. She sang both Fricka and Waltraute in Der Ring in Minden.
Tijl Faveyts is a Belgian operatic bass. A current member of the Komische Oper Berlin, he has performed leading roles such as Mozart's Sarastro and Hunding in Wagner's Die Walküre and Gurnemanz Parsifal at major opera houses, concert halls and festivals, and made recordings.
Heiko Trinsinger is a German operatic baritone. A member of the Aalto Theatre in Essen, he has performed leading roles at major houses, such as Mozart's Papageno and Wagner's Alberich.
Laura Aikin is an American operatic coloratura soprano. She is noted for her portrayal of the title character in Lulu, which has received very positive reviews in the press. She has also appeared as Mozart's Queen of the Night, Zerbinetta by Richard Strauss and in contemporary opera at international opera houses and festivals.
Grace Hoffman was an American operatic mezzo-soprano and academic teacher. Based at the Staatsoper Stuttgart from 1955 to 1992, she performed roles such as Verdi's Azucena and Eboli at leading opera houses in Europe and the Americas. Her signature role was Wagner's Brangäne, performed at the Bayreuth Festival, among others.
Anne Lünenbürger is a German operatic soprano and Bavarian Kammersängerin.
Nadja Stefanoff is a German operatic soprano based at the Staatstheater Mainz. She began her career as a mezzo-soprano. She has performed leading roles there and as a guest at major opera houses in Europe, such as Marta in Weinberg's Die Passagierin at the Oper Graz, and Giordano's Fedora at the Oper Frankfurt.
Wilma Schmidt, also known as Wilma Schmidt-Liebethal, was a German operatic soprano. She performed for five decades in leading roles at the Staatsoper Hannover, and appeared as a guest at other opera houses and the Bayreuth Festival. Her broad repertoire included the Countess in Mozart's Figaro, Agathe in Weber's Der Freischütz, Elisabetta in Verdi's Don Carlo alongside Hans-Dieter Bader, Elisabeth in Wagner's Tannhäuser, and her favourite role, the Marschallin in Der Rosenkavalier by Richard Strauss.
