Ethan Phillips is an American actor. He is best known for his television roles as Neelix on Star Trek: Voyager and PR man Pete Downey on Benson.
Wendy MacLeod is an American playwright.
Arena Stage is a not-for-profit regional theater based in Southwest, Washington, D.C. Established in 1950, it was the first racially integrated theater in Washington, D.C., and its founders helped start the U.S. regional theater movement. Its theater complex was completed for the company in 2010; it is called The Mead Center for American Theater.
Intiman Theatre is a resident theater company in Seattle, Washington, founded in 1972 by Margaret "Megs" Booker, who named it after Strindberg's Intimate Theater in Stockholm. Through its history, the professional theatre company has been based at various venues in Seattle; since 2021, it has been located as theatre-in-residence at Seattle Central College, performing in two venues on that campus.
Chay Yew is a playwright and stage director who was born in Singapore. He was artistic director of the Victory Gardens Theater in Chicago from 2011 to 2020.
Bill Rauch is an American theatre director. He was named the inaugural artistic director of the Ronald O. Perelman Performing Arts Center (PACNYC) at the World Trade Center in 2018. The Perelman was the final piece of the plan to revitalize the World Trade Center site and creates work which inspires hope.
Seattle Rep is a major regional theater located in Seattle, Washington, at the Seattle Center. It is a member of Theatre Puget Sound and Theatre Communications Group. Founded in 1963, it is led by Artistic Director Dámaso Rodríguez and Managing Director Jeffrey Herrmann. It received the 1990 Regional Theatre Tony Award.
Anna in the Tropics is a play by Nilo Cruz. It won the 2003 Pulitzer Prize for Drama.
Sheila Callaghan is a playwright and screenwriter who emerged from the RAT movement of the 1990s. She has been profiled by American Theater Magazine, "The Brooklyn Rail", Theatermania, and The Village Voice. Her work has been published in American Theatre magazine.
Libby Appel served as the fourth artistic director of the Oregon Shakespeare Festival (OSF) from 1995 to June 2007. Appel directed more than 25 productions at OSF, and her artistic vision influenced the 11 plays presented each year during her tenure. Despite the festival's name, she placed increased emphasis on new works. “We have made major connections with world playwrights, artists whose voices we’re particularly interested in.” Appel said. “We commission playwrights, we develop plays here; we have playwrights in residence. We’re a world force now, and I’m really proud of that.”
Philip Kan Gotanda is an American playwright and filmmaker and a third generation Japanese American. Much of his work deals with Asian American issues and experiences.
Bart DeLorenzo is a Los Angeles-based theater director and producer. He is the founding artistic director of the Evidence Room theater, a 17-year-old company renowned in Los Angeles for contemporary theater productions.
Lisa Loomer is an American playwright and screenwriter who has also worked as an actress and stand-up comic. She is best known for her play The Waiting Room (1994), in which three women from different time periods meet in a modern doctor's waiting room, each suffering from the effects of their various societies' cosmetic body modification practices. She also co-wrote the screenplay for the film Girl, Interrupted. Many of her plays deal with the experiences of Latinas and immigrant characters. Others deal with social and political issues through the lens of contemporary family life. Beyond that, Loomer's play The Waiting Room discusses issues such as body image, breast cancer, and non-Western medicine.
Sharon Langston Ott is a director, producer and educator who worked in regional theaters and opera throughout the United States. Two plays she directed, A Fierce Longing and Amlin Gray's How I Got That Story, each won an Obie award after their New York runs.
David Adjmi is an American playwright who is the recipient of the Tony Award for Best Play, a Drama Desk Award, the New York Drama Critics' Circle Award, the Outer Critics' Circle Award, a Guggenheim Fellowship, a Whiting Award, the inaugural Steinberg Playwright Award, a Bush Artists Fellowship, and the Kesselring Prize for Drama. In 2020, he released a memoir about his life growing up in Brooklyn, titled Lot Six. His plays include Stunning (2008) and Stereophonic (2023), the latter winning the Tony Award for Best Play.
Intimate Apparel is a play written by Lynn Nottage. The play is a co-production and co-commission between Center Stage, Baltimore, Maryland, and South Coast Repertory, Costa Mesa, California. The play is set in New York City in 1905 and concerns a young African-American woman who travels to New York to pursue her dreams, becoming an independent woman as a seamstress.
Mark Brokaw is an American theatre director. He won the Drama Desk Award, Obie Award and Lucille Lortel Award as Outstanding Director of a Play for How I Learned to Drive.
Desdemona Chiang is a Taiwan-born American theatre director, and co-artistic director of Azeotrope in Seattle, Washington. Her directing credits include the Guthrie Theater, Alley Theatre, South Coast Repertory, Oregon Shakespeare Festival, Seattle Repertory Theatre, California Shakespeare Theater, Playmakers Repertory Company, and ACT Theatre. She directs in a variety of genres, including Shakespeare, new plays, and musicals.
Laurie Woolery is a Latinx playwright, director, and educator based in New York City. She is the director of Public Works at The Public Theater and founding member of The Sol Project. In 2014 she was awarded a Fuller Road Artist Residency for Women Directors of Color. She is best known for her 2017 musical adaptation of As You Like It.
Jessica Wallenfels is an American actress, choreographer, movement and theatre director, and graphic designer, notable for her early cult roles in Twin Peaks and the movie Dogfight, along with her later work as a choreographer, director, and stage actress.
