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| Junior Boy's Own | |
|---|---|
| Founded | 1992 |
| Founder |
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| Genre | Electronic |
| Country of origin | United Kingdom |
| Location | London, England |
Junior Boy's Own is an English record label specialising in electronic dance music. [1] Underworld, The Chemical Brothers and X-Press 2 are its most successful artists.
The origins of the label go back to 1987, when a group of young clubbers started a fanzine named Boys Own, [2] inspired by a similar fanzine for Liverpool football fans called The End, edited by future singer of The Farm, Peter Hooton. The Boys Own crew, consisting of Terry Farley, Andrew Weatherall, Cymon Eckel and Steven Hall, knew fellow Chelsea fan Paul Oakenfold and through their connections with him they were invited to the early acid house club nights that Oakenfold was holding in London. [2]
As the crew began to become more involved in clubbing, the fanzine began to cover the nascent scene, becoming its key chronicler and influencing a wave of similar fanzines across the country. [3] In 1988, they began hosting their own events, [4] and in 1990 they formed Boy's Own Recordings (1990–1993) with London Records/FFRR releasing music by Bocca Juniors, One Dove, Jah Wobble, D.S.K, Denim and Less Stress.
In 1992, Farley and Steven Hall formed an independent label Junior Recordings Ltd., which started to use the name Junior Boy's Own. The label was run by Steven Hall, with A&R shared by Hall and Farley. Farley focused on 12" house releases and his own productions with Pete Heller while Steven Hall signed album-orientated live acts including The Chemical Brothers, Black Science Orchestra and Underworld. During the late '90s, the label split in two, with 12" vinyl dance tracks being released by Junior London and album projects through Hall's new joint venture label JBO, which partnered with Richard Branson's V2 and then Parlophone/EMI.
The Chemical Brothers are an English electronic music duo formed by Ed Simons and Tom Rowlands in Manchester in 1992. They were pioneers in bringing the big beat genre to the forefront of pop culture.
The Haçienda was a nightclub and music venue in Manchester, England, which became famous during the Madchester years of the 1980s and early 1990s. It was run by the record label Factory Records.
Exit Planet Dust is the debut studio album by English electronic music duo the Chemical Brothers. It was first released on 26 June 1995 in the United Kingdom by Junior Boy's Own, Freestyle Dust, and Virgin Records, and on 15 August 1995 in the United States by Astralwerks. The album was recorded between August and November 1994, with "Song to the Siren" performed live. Its title is a reference to their departure from their earlier name the Dust Brothers.
Genesis'88 was a party promotion crew who threw some of the first acid house parties also known as raves in the United Kingdom from 1988 to 1992.
The Second Summer of Love was a late-1980s social phenomenon in the United Kingdom which saw the rise of acid house music and unlicensed rave parties. Although primarily referring to the summer of 1988, it lasted into the summer of 1989, when electronic dance music and the prevalence of the drug MDMA fuelled an explosion in youth culture culminating in mass free parties and the era of the rave. The music of this era fused dance beats with a psychedelic, 1960s flavour, and the dance culture drew parallels with the hedonism and freedom of the 1967 Summer of Love in San Francisco. The smiley logo is synonymous with this period in the UK.
Peter Michael Tong is an English disc jockey who works for BBC Radio 1. He is the host of programmes such as Essential Mix and Essential Selection on the radio service, which can be heard through Internet radio streams, for his record label FFRR Records and for his own performances at nightclubs and music festivals. Tong has also worked as a record producer and is regarded as the "global ambassador for electronic music."
Andrew James Weatherall was an English musician, DJ, songwriter, producer and remixer. His career took him from being a DJ in the acid house movement of the late 1980s to being a remixer of tracks by Happy Mondays, New Order, Björk, the Orb, the Future Sound of London, My Bloody Valentine, Saint Etienne, Primal Scream, Moby and James.
Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. It later became the name of a more specific style of electronic dance/house music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance.
Mark Moore is a British dance music record producer and DJ. He was founder of the dance / sampling pioneers S'Express, and runs the London nightclubs, 'Electrogogo' and 'Can Can'.
Richard West, known as Mr. C, is an English house music DJ, producer and rapper. He was the resident DJ at the early acid house "RIP" nights at Clink Street, London, and later was the co-owner/co-founder of London's The End nightclub.
Darren Paul Emerson is an English musician, DJ and producer best known as a former member of the British electronic music group Underworld.
"Born Slippy .NUXX" is a song by the British electronic music group Underworld. It was first released as the B-side to another track, "Born Slippy", in May 1995. The fragmented lyrics describe the perspective of an alcoholic.
The Micronauts are a Paris-based dance music act. They formed when Christophe Monier met Canada-born George Issakidis whilst working at the Parisian music fanzine eDEN.
"Song to the Siren" is the first Chemical Brothers single released under the name The Dust Brothers. It was originally released under the "green label" for Diamond Records and was later released under the Junior Boys Own label. The song uses a reversed vocal sample from the Dead Can Dance's song "Song to Sophia", from 1988, as well as several other samples, including the song "King of the Beats" by Mantronix.
"Loaded" is a song by Scottish rock band Primal Scream, released on 19 February 1990 as the lead single from their third studio album Screamadelica (1991). Mixed and produced by Andrew Weatherall, it is a remix of an earlier song titled "I'm Losing More Than I'll Ever Have". In 2014, NME placed the song at number 59 in its list of the "500 Greatest Songs of All Time".
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
Terry Farley is a British DJ, remixer and producer from London, active since the mid-1980s.
Freaky Dancing was a fanzine produced for and about The Haçienda nightclub in Manchester during the rise of acid house and the Madchester music scene.
Shoom was a weekly all-nighter dance music event in London, England, between September 1987 and early 1990. It is widely credited with initiating the acid house movement in the UK. Shoom was founded by Danny Rampling, then an unknown DJ and record producer, and managed by his wife Jenni. The club began at a 300-capacity basement gym on Southwark Street in South London. By May 1988, its growing popularity necessitated a move to the larger Raw venue on Tottenham Court Road, Central London, and a switch from Saturday to Thursday nights. Later relocations were to The Park Nightclub, Kensington and Busby's venue on Charing Cross Road.
