Related Research Articles
Buck-Tick is a Japanese rock band formed in Fujioka, Gunma in 1983. The group consisted of lead vocalist Atsushi Sakurai, lead guitarist Hisashi Imai, rhythm guitarist Hidehiko Hoshino, bassist Yutaka Higuchi and drummer Toll Yagami from 1985 until Sakurai's death in 2023. The band has experimented with many different genres of music throughout their four decade career, including punk rock, gothic rock and industrial rock. Buck-Tick are commonly credited as one of the main founders of the visual kei movement.
Taboo is the fourth studio album by the Japanese rock band Buck-Tick. It was released on cassette, CD and as a two-record vinyl set on January 18, 1989, through Victor Entertainment. Taboo was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Angelic Conversation" was re-recorded as the b-side to the group's single "M・A・D" in 1991. "Just One More Kiss", "Iconoclasm" and "Taboo" were later re-recorded for the compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). "Iconoclasm" was covered by J for the Buck-Tick tribute album, Parade -Respective Tracks of Buck-Tick- (2005). Taboo peaked at number one on the Oricon charts, selling 298,620 copies in the first year, and at least 300,000 in total.
Sexual XXXXX! is the second studio album by the Japanese rock band Buck-Tick. It was the group's major label debut and was released on vinyl, cassette and CD on November 21, 1987 through on Victor Entertainment. The album was digitally remastered and re-released on September 19, 2002, with a different cover. Sexual XXXXX! was remastered and re-released again on September 5, 2007. The songs "Do the I Love You" and "Hyper Love" were later re-recorded for the band's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). "My Eyes & Your Eyes" was also re-recorded for the b-side to their "Rendezvous" single in 2007. At the time of its release, the album peaked at number 33 on the Oricon charts and as of 2011, has sold 40,000 copies.
Hurry Up Mode is the debut studio album by Japanese rock band Buck-Tick. It was released on both vinyl and CD on April 4, 1987 through Taiyo Records with the catalog number LEO 009. The CD version merges "Prologue" into "Plastic Syndrome Type II" as one track, and had two bonus tracks, "Vacuum Dream" and "No No Boy". The entire album was later remixed and re-released in 1990, excluding the two bonus tracks. "Moonlight" was later re-recorded again for the band's 1992 self-cover album Koroshi no Shirabe: This Is Not Greatest Hits.
Cosmos is the ninth studio album by the Japanese rock band Buck-Tick. The album was released on June 21, 1996, through Victor Entertainment. It was the group's last album released through Victor and peaked at number six on the Oricon charts. Cosmos has sold 130,000 copies within two weeks. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. The song "Tight Rope" was later re-recorded as the b-side to the group's "Alice in Wonder Underground" single in 2007, and "Sane" was re-recorded in 2012 for their "Elise no Tame ni" single. The album was heavily influenced by electronic music, as the band started gravitating towards cyberpunk music.
Kurutta Taiyou is the sixth studio album by the Japanese rock band Buck-Tick. It was released on cassette and CD on February 21, 1991, through Victor Entertainment. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Speed", "M・A・D" and "Jupiter" were later re-recorded for the group's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992).
Hisashi Imai is a Japanese musician and songwriter. He is best known as the lead guitarist of the rock band Buck-Tick since 1983. He has also performed in side-projects such as the duo Schaft with Soft Ballet member Maki Fujii, the supergroup Schwein, and the rock trio Lucy. Imai is known for his visual aesthetics, and Buck-Tick are commonly credited as one of the founders of the visual kei movement.
"To-Search" is the debut single by the Japanese rock band Buck-Tick. It was released on October 21, 1986 through the independent label Taiyo Records with the catalog number LEO 007. "To-Search" peaked at number 6 on the Japanese Indie Singles chart. The single's b-side, "Plastic Syndrome Type-2", was later featured on the group's debut studio album Hurry Up Mode in 1987, while "To-Search" was later released as the b-side to the "Just One More Kiss" single in 1988.
"Just One More Kiss" is the second single by the Japanese rock band Buck-Tick. It was released on October 26, 1988 by Victor Entertainment as the band's major label debut.
Aku no Hana (悪の華) is the third single released by the Japanese rock band Buck-Tick, released on January 24, 1990, and labeled with Victor Entertainment.
"Speed" (スピード) is the fourth single released by the Japanese rock band Buck-Tick. It was released as the first single from the group's sixth studio album, Kurutta Taiyou, on January 21, 1991, through Victor Entertainment. The single was released as an 8 cm CD in a cassette-like sleeve case that featured a re-worked version of the cover to Kurutta Taiyou. "Speed" peaked at number 3 on the Oricon music chart during the third week of 1991. It is band's 3rd best-selling single, with over 180,000 copies sold.
"M・A・D" is the fifth single released by the Japanese rock band Buck-Tick, released on June 5, 1991. It is labeled with Victor Entertainment. It appeared 5 times in the Oricon Chart.
"Dress" is the seventh single by Japanese rock band Buck-Tick, released on May 21, 1993. The song was written by vocalist Atsushi Sakurai, composed by guitarist Hidehiko Hoshino, and produced by the band themselves. It was the first single released off of their seventh studio album Darker Than Darkness -Style 93-, which was released a month later. It reached number 5 on the Oricon Singles Chart. It is band's fourth best-selling single, with over 171,000 copies sold.
"Gessekai" (月世界) is the fifteenth single released by the Japanese rock band Buck-Tick, released on May 13, 1998. The song "Gessekai" was used as opening theme of the anime Nightwalker: The Midnight Detective. Track three is a remix of "Muchi no Namida" from Sexy Stream Liner done by Tomoyasu Hotei.
"Sasayaki" (囁き) is the fourteenth single released by the Japanese rock band Buck-Tick, released on March 11, 1998.
"Kuchizuke" is the thirtieth single by the Japanese rock band Buck-Tick, released on September 1, 2010. The song was used as the first opening theme of the anime Shiki.
"Miss Take: Boku wa Miss Take" is the thirty-second single by the Japanese rock band Buck-Tick, released on July 4, 2012.
"Kemonotachi no Yoru/RONDO" (獣たちの夜/RONDO) is the 38th single by the Japanese rock band Buck-Tick, released on May 22, 2019 on the label Lingua Sounda. The song "Rondo" is used as the ending theme for the GeGeGe no Kitaro anime since episode 50. Cube Juice, the project of the music producer Nagao Shinichi, participates in track 3 with Kemonotachi no Yoru's remix. The track Kemonotachi no Yoru, in a different version, is part of the album Abracadabra.
Abracadabra is the 22nd studio album by the Japanese rock band Buck-Tick, released on September 21, 2020 by the label Lingua Sounda, subdivision of Victor Entertainment and November 20, 2020 internationally by JPU Records. It was released in two editions in Japan: regular and limited in three formats: CD + Blu-ray, cassette and vinyl. Internationally it was released on CD and cassette with bonus tracks.
"Datenshi" is the thirty-ninth single from the Japanese rock band Buck-Tick. It was released on January 29, 2020, by the label Lingua Sounda in three editions: a regular edition and two limited editions. The main track, "Datenshi", in a different version, is on the album Abracadabra.
