Buck-Tick is a Japanese rock band formed in Fujioka, Gunma in 1983. The group consisted of lead vocalist Atsushi Sakurai, lead guitarist Hisashi Imai, rhythm guitarist Hidehiko Hoshino, bassist Yutaka Higuchi and drummer Toll Yagami from 1985 until Sakurai's death in 2023. The band has experimented with many different genres of music throughout their four decade career, including punk rock, gothic rock and industrial rock. Buck-Tick are commonly credited as one of the main founders of the visual kei movement.
Flow is a Japanese rock band formed in 1998 as a five-piece band made up of two vocalists, a guitarist, a bassist, and a drummer. They are signed to Sacra Music. As of November 2023, the band has released 40 singles and 12 studio albums. Their songs have been featured in the opening sequences of several anime and Japanese drama series.
Sound Horizon is a Japanese symphonic rock musical group with composer Revo as the leader and only permanent member. They describe themselves as a "fantasy band" and have released works that closely resemble classical suites. Their songs often revolve around historical events and classic fairytales. When creating music based on other people's stories, the band uses the name Linked Horizon.
Darker Than Darkness: Style 93 is the seventh studio album by the Japanese rock band Buck-Tick. It was released on June 23, 1993, through Victor Entertainment. The album peaked at number two on the Oricon chart, became a certified gold seller by July 1993, and subsequently sold 213,260 copies. Darker Than Darkness: Style 93 was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Dress" was remixed and used as the opening theme for the anime Trinity Blood (2005), this version was also released as a single. The album was named one of the top albums from 1989 to 1998 in a 2004 issue of the music magazine Band Yarouze.
Tenshi no Revolver is the fifteenth studio album by Japanese rock band Buck-Tick, released by BMG Japan on September 19, 2007. The group deliberately focused on melody and adopted a straight rock "band sound" for the album. Preceded by the singles "Rendezvous" and "Alice in Wonder Underground", Tenshi no Revolver reached number five on the Oricon Albums Chart. Buck-Tick continued the musical approach they adopted on this album for their next two as well, Memento Mori (2009) and Razzle Dazzle (2010).
Juusankai wa Gekkou is the fourteenth album by Japanese rock band Buck-Tick, released on April 5, 2005.
"Royal Chocolate Flush" is the eighteenth single by Japanese recording artist Misia. It was released on December 5, 2007 as the second single from Misia's eighth studio album Eighth World.
Memento Mori is the sixteenth album by Japanese rock band Buck-Tick, released on February 18, 2009. The limited edition came with a DVD of the making of the album. It reached number seven on the Oricon chart with 23,410 copies sold.
Hisashi Imai is a Japanese musician and songwriter. He is best known as the lead guitarist of the rock band Buck-Tick since 1983. He has also performed in side-projects such as the duo Schaft with Soft Ballet member Maki Fujii, the supergroup Schwein, and the rock trio Lucy. Imai is known for his visual aesthetics, and Buck-Tick are commonly credited as one of the founders of the visual kei movement.
Yume Miru Uchuu is the 18th studio album by Japanese rock band Buck-Tick, released on September 19, 2012. It is their first on their own record label Lingua Sounda, which was founded the previous year. The album reached the number 14 position on the Oricon chart and number 12 on Billboard Japan, selling 19,807 copies.
Lazygunsbrisky was an all-female Japanese rock band that was active from 2006 to 2012, and again from 2015 to 2022. The group was influenced by western 1960s and 1970s rock acts such as The Beatles and Led Zeppelin.
BRADIO (ブラディオ) is a Japanese funk rock band. Their name is an acronym for "Break the Rule And Do Image On" and means that they will break the rules of everyday life, and while having a wonderful image all around, they will make a new good place. The members call their fans Funky Party People (FPP).
Kana-Boon is a Japanese rock band formed in 2008. They made their major debut with Ki/oon Music in 2013. Ever since, they've had four albums reach the top ten on the weekly Oricon Albums Chart, with Doppel being their best-charting album, reaching the third place on the chart. They have also had five singles reach the top ten on the weekly Oricon Singles Chart, with "Full Drive" (フルドライブ) being their best-charting single, reaching the sixth place on the chart. Three of their singles have been used in the Naruto franchise, with "Silhouette" being used as the 16th Naruto: Shippuden opening theme, and "Diver" as the theme song for Boruto: Naruto the Movie and "Baton Road" as the first season opening for Boruto: Naruto Next Generations. The B-side for "Diver", "Spiral", was the theme song for Naruto Shippuden: Ultimate Ninja Storm 4 video game.
Mary's Blood is a Japanese all-female heavy metal band from Tokyo, formed in 2009 by four former members of Destrose. It consists of vocalist Eye, drummer Mari, guitarist Saki and bassist Rio since 2012. After releasing three EPs as an independent band, they signed to Nippon Columbia for their first album, Countdown to Evolution (2014). Mary's Blood then switched to Victor Entertainment for the release of Bloody Palace (2015) and Fate (2016). They signed to Tokuma Japan Communications in 2018 and released three further studio albums, including their highest-charting, Confessions (2019). Mary's Blood began an indefinite hiatus on April 9, 2022.
9999 is the tenth studio album by Japanese rock band The Yellow Monkey, released on April 17, 2019 by Atlantic Records. It is the band's first album of new material in 19 years and their first since reuniting in 2016. The album was produced by lead singer Kazuya Yoshii, who also wrote almost all of the songs.
Yorushika (ヨルシカ) is a Japanese rock duo founded in 2017 represented by Universal Music Japan. The group is composed of N-buna, a vocaloid music producer, and Suis, a female vocalist. They are known for their juxtaposition of "passionate" and "upbeat" production and instrumentation fused with heavier lyrical content, which often explore ideas such as love and human emotion and draw from works of literature including Masuji Ibuse and Jules Verne. The name "Yorushika" is taken from a lyric in their song "The Clouds and the Ghost"; "yoru shika mō nemurezu ni". The eye-designed logo mark is a motif of two moons facing each other and also serves as a clock hand, portraying the time "from 6:00 to night".
Aina the End, stylized as AiNA THE END, is a Japanese singer, actress, and idol. She is a former member of the idol group Bish.
Abracadabra is the 22nd studio album by the Japanese rock band Buck-Tick, released on September 21, 2020 by the label Lingua Sounda, subdivision of Victor Entertainment and November 20, 2020 internationally by JPU Records. It was released in two editions in Japan: regular and limited in three formats: CD + Blu-ray, cassette and vinyl. Internationally it was released on CD and cassette with bonus tracks.
Kizuna is the second studio album by the Japanese boy band JO1. It includes songs from their previous EP singles, Challenger, Stranger, and Wandering. Lapone Entertainment released the album into five physical editions on May 25, 2022, while the digital version was released two days earlier, with the Japan Hot 100 number-one song "With Us" serving as the main promotional single. It features familiar collaborators like Full8loom, Alive Knob, Teito, Score, and Megatone as well as new contributors like Lee Woo-min (Collapsedone), Justin Reinstein, Purple Night, UTA, and others.
The Book 3 is the third Japanese-language EP by Japanese duo Yoasobi. It was released on October 4, 2023, through Sony Music Entertainment Japan, one year and ten months after their second EP The Book 2 (2021). Continuing with the "reading CD" concept as previous records, the EP spans electropop and synth-pop genres, comprising ten tracks, which were solely written and produced by one half of the duo Ayase.
