Senegal, officially the Republic of Senegal, is the westernmost country in West Africa, situated on the Atlantic Ocean coastline. It borders Mauritania to the north, Mali to the east, Guinea to the southeast and Guinea-Bissau to the southwest. Senegal nearly surrounds The Gambia, a country occupying a narrow sliver of land along the banks of the Gambia River, which separates Senegal's southern region of Casamance from the rest of the country. It also shares a maritime border with Cape Verde. Senegal's economic and political capital is Dakar.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Mbalax is the urban dance music of Senegal and the Gambia. The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism. A cultural value proved by Wolof is their one's and respect of other cultural and musical practices. Therefore the origins of mbalax include a fusion of Wolof, Soce, and Serer music, rhythms, and instrumentation. The Wolof ability to include the diverse styles from Senegambian groups has allowed the sabar and its modern music formation to thrive. It is not uncommon, for example, for a sabar event to include music of the Serer such as the njuup, which is connected to sacred ndut rite ceremonies. In this way many ethnic groups may participate and the inclusion also increases the accessibilyt and popularity of the genre. In the 1970s, mbalax arose as Senegalese fused indigenous music styles with urban dance music from the African diaspora, the West, and the continent. These foreign sounds included U.S. soul, jazz, and salsa. Afro Cuban musics from the diaspora, Congolese rumba, and rock were also fused with the rhythms of sabar that were now played on the electric bass, guitar and keyboards.
Djibril Diop Mambéty was a Senegalese film director, actor, orator, composer and poet. Though he made only five feature films and two short documentary films, they received international acclaim for their original and experimental cinematic technique and non-linear, unconventional narrative style.
The Serer people are a West African ethnoreligious group. They are the third-largest ethnic group in Senegal, making up 15% of the Senegalese population. They also reside in northern Gambia and southern Mauritania.
The Thiaroye massacre was a massacre of French West African soldiers, committed by the French Army on the morning of 1 December 1944 near Dakar, French Senegal. Those killed were members of the Tirailleurs Sénégalais, and were veterans of the 1940 Battle of France who had been recently liberated from prison camps in Europe. After being repatriated to West Africa, they mutinied against poor conditions and unpaid wages at the Thiaroye military camp. Between 35 and 300 people were killed.
Annette Mbaye d’Erneville is a Senegalese writer. She is the mother of filmmaker Ousmane William Mbaye, and was the subject of his 2008 documentary film, Mère-Bi.
Safi Faye was a Senegalese film director and ethnologist. She was the first Sub-Saharan African woman to direct a commercially distributed feature film, Kaddu Beykat, which was released in 1975. She has directed several documentary and fiction films focusing on rural life in Senegal.
The cinema of Senegal is a relatively small film industry which experienced its prime from the 1960s through to the early 1980s, but has since declined to less than five feature films produced in the last ten years. Senegal is the capital of African cinema and the most important place of African film production after its independence from France in 1960.
Senegalese literature is written or literary work which has been produced by writers born in the West African state. Senegalese literary works are mostly written in French, the language of the colonial administration. However, there are many instances of works being written in Arabic and the native languages of Wolof, Pulaar, Mandinka, Diola, Soninke and Serer. Oral traditions, in the form of Griot storytellers, constitute a historical element of the Senegalese canon and have persisted as cultural custodians throughout the nation's history. A form of proto-Senegalese literature arose during the mid 19th century with the works of David Abbé Boilat, who produced written ethnographic literature which supported French Colonial rule. This genre of Senegalese literature continued to expand during the 1920s with the works of Bakary Diallo and Ahmadou Mapaté Diagne. Earlier literary examples exist in the form of Qur’anic texts which led to the growth of a form African linguistic expressionism using the Arabic alphabet, known as Ajami. Poets of this genre include Ahmad Ayan Sih and Dhu al-nun.
Mossane is a 1996 Senegalese drama film directed by Safi Faye. It was screened in the Un Certain Regard section at the 1996 Cannes Film Festival. Unlike some of Faye's earlier films which use a documentary style, Mossane is purely fictional.
Sarraounia is a 1986 historical drama film written and directed by Med Hondo. It is based on a novel of the same name by Nigerien author Abdoulaye Mamani, who co-wrote the screenplay. The novel and film concern the real-life Battle of Lougou between Azna queen Sarraounia and the advancing French Colonial Forces of the Voulet-Chanoine Mission in 1899. Sarraounia was one of the few African tribal leaders that resisted the advances of French expansionists Paul Voulet and Julien Chanoine. The film won the first prize at the Panafrican Film and Television Festival of Ouagadougou (FESPACO) and was critically well received.
Women in Senegal have a traditional social status as shaped by local custom and religion. According to 2005 survey, the female genital mutilation prevalence rate stands at 28% of all women in Senegal aged between 15 and 49.
Yandé Codou Sène was a Senegalese singer from the Serer ethnic group. She was born in 1932 at Somb in the Sine-Saloum delta and died on July 15, 2010, at Gandiaye in Sénégal. She was the official griot of president Léopold Sédar Senghor. Most of her music is in the Serer language.
Lingeer was the title given to the mother or sister of a king in the Serer kingdoms of Sine, Saloum, and previously the Kingdom of Baol; and the Wolof kingdoms of Cayor, Jolof, Baol and Waalo in pre-colonial Senegal. The word "Lingeer" means "queen" or "princess" in Serer and Wolof language. The Lingeer was considered the “great princess of royal courts.” These kingdoms utilized a bilineal system, as a candidate for kingship could not succeed to the throne if he was not a member of the reigning materlineage, and thus, the Lingeer's maternal lineage was highly significant. In similarity, a candidate could not succeed to the throne as king if he was not a member of the noble reigning patriclans. That was particular so among the Serer who retained much of their old culture, customs and traditional religion where women played a significant role compared to the Wolof who adopted Islam. Various Lingeers have been noted for their resistance efforts to colonial conquest.
Femmes aux yeux ouverts is a Togolese documentary film directed by Anne-Laure Folly. It covers the lives of contemporary African women in Burkina Faso, Mali, Senegal and Benin.
Ndèye Coumba Mbengue Diakhaté was a Senegalese educator and poet who was active in promoting the education of mothers and their children. Her poetry is published in Filles du soleil.
Women are involved in the African film industry in a variety of roles, though they have been underrepresented in creative positions.
Selbe: One Among Many (originally as Selbé et tant d'autres, is a 1982 Senegalese documentary short directed by Safi Faye and produced by Pierre Hoffmann for Faye Films.
The École normale de Rufisque was a teacher-training institute for women from French West Africa in Rufisque, Senegal. It existed from 1938 to 1958.
