Kara Cooney | |
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Born | Kathlyn Cooney |
Alma mater | |
Occupation(s) | Egyptologist and Assistant Professor of Egyptian Art and Architecture at UCLA |
Website | karacooney |
Kathlyn M. (Kara) Cooney is an American Egyptologist and archaeologist. She is a professor of Egyptian Art and Architecture at the University of California, Los Angeles specializing in craft production, coffin studies, and economies in the ancient world, particularly the Ramesside era (Nineteenth through Twentieth Dynasties) and chair of the Department of Near Eastern Language and Cultures at UCLA. [1] [2] [3] [4] [5] As well as for her scholarly work, she is known for hosting television shows on ancient Egypt on the Discovery Channel as well as for writing a popular-press book on the subject.
Raised in Houston, she obtained her Bachelor of Arts in German and Humanities from the University of Texas at Austin in 1994. She was awarded a PhD in 2002 by Johns Hopkins University for Near Eastern Studies. She was part of an archaeological team excavating at the artisans' village of Deir el Medina in Egypt, as well as Dahshur and various tombs at Thebes. In 2002 she was Kress Fellow at the National Gallery of Art and worked on the preparation of the Cairo Museum exhibition Quest for Immortality: Treasures of Ancient Egypt. After a temporary one-year position at UCLA, she took a three-year postdoctoral teaching position at Stanford University, [6] during which, In 2005, she acted as fellow curator for Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. She also worked for two years at the Getty Center before landing a tenure-track position at UCLA in 2009. [6] Cooney's current research in coffin reuse, primarily focusing on the 20th Dynasty, is ongoing. Her research investigates the socioeconomic and political turmoil that have plagued the period, ultimately affecting funerary and burial practices in ancient Egypt. [7] She currently resides in Los Angeles.
She hosted two Discovery Channel documentary series: Out of Egypt, [8] [9] first aired in August 2009, [10] and Egypt's Lost Queen, [11] which also featured Zahi Hawass.
Cooney's paternal grandparents were from County Cork in Ireland. She is named after her Irish-Protestant grandmother Kathlyn Mary, who was disowned by her family for marrying Cooney’s Irish-Catholic grandfather James. Her mother is Italian, her grandmother was from the Abruzzi region, and her grandfather from Naples. [18] She uses the name Kathlyn for her scholarly work, and her nickname Kara for professional but non-academic work. [6]
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Hatshepsut was the Great Royal Wife of Pharaoh Thutmose II and the fifth Pharaoh of the Eighteenth Dynasty of Egypt, ruling first as regent, then as queen regnant from c. 1479 BC until c. 1458 BC. She was Egypt's second confirmed queen regnant, the first being Sobekneferu/Nefrusobek in the Twelfth Dynasty.
Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.
The New Kingdom, also called the Egyptian Empire, refers to ancient Egypt between the 16th century BC and the 11th century BC. This period of ancient Egyptian history covers the Eighteenth, Nineteenth, and Twentieth dynasties. Through radiocarbon dating, the establishment of the New Kingdom has been placed between 1570 BC and 1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period. It was the most prosperous time for the Egyptian people and marked the peak of Egypt's power.
Sobekneferu or Neferusobek was a pharaoh of ancient Egypt and the last ruler of the Twelfth Dynasty of the Middle Kingdom. She ascended to the throne following the death of Amenemhat IV, possibly her brother or husband, though their relationship is unproven. Instead, she asserted legitimacy through her father Amenemhat III. Her reign lasted 3 years, 10 months, and 24 days, according to the Turin King List.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
Tomb KV60 is an ancient Egyptian tomb in the Valley of the Kings, Egypt. It was discovered by Howard Carter in 1903, and re-excavated by Donald P. Ryan in 1989. It is one of the more perplexing tombs of the Theban Necropolis, due to the uncertainty over the identity of one female mummy found there (KV60A). She is identified by some, such as Egyptologist Elizabeth Thomas, to be that of the Eighteenth Dynasty pharaoh Hatshepsut; this identification is advocated for by Zahi Hawass.
The necropolis of Draʻ Abu el-Naga' is located on the West Bank of the Nile at Thebes, Egypt, just by the entrance of the dry bay that leads up to Deir el-Bahari and north of the necropolis of el-Assasif. The necropolis is located near the Valley of the Kings.
Neferure or Neferura was an Egyptian princess of the Eighteenth Dynasty of Egypt. She was the daughter of two pharaohs, Hatshepsut and Thutmose II. She served in high offices in the government and the religious administration of Ancient Egypt.
TT1 is the burial place of the ancient Egyptian official Sennedjem and members of his family in Deir el-Medina, on the west bank of the Nile opposite Luxor. The funerary complex consists of three pyramid-shaped chapels dedicated to, from south to north, Sennedjem's father or brother, Sennedjem himself, and Sennedjem's son Khonsu. Of the three shafts associated with the chapels, only the shaft in front of Sennedjem's chapel was unrobbed. It leads to a series of underground rooms, including the extensively decorated burial chamber.
Ramose was the father and Hatnofer the mother of Senenmut, one of the most important state officials under the reign of the Egyptian queen Hatshepsut in the Eighteenth Dynasty of Egypt. The commoner origins of Ramose and the rise of his son Senenmut were long considered to be prime examples of high social mobility in New Kingdom Egypt. For instance, almost nothing is known of Ramose's origins, but he seems to have been a man of modest means—anything from a tenant peasant or farmer, to an artisan or even a small landowner. When Ramose died he was a man aged 50–60. Hatnofer was an elderly lady, with grey or even white hair. They are believed to have been born at Armant, a town only ten miles (16 km) south of Thebes within Upper Egypt presumably during the reign of Ahmose I, the founder of Egypt's illustrious 18th dynasty.
Mentuhotep was an ancient Egyptian queen of the Second Intermediate Period, wife of pharaoh Djehuti. Her main title was Great Royal Wife. Another title was Khenemetneferhedjet.
Bas-relief carvings in the ancient Egyptian temple of Deir el-Bahari depict events in the life of the pharaoh or monarch Hatshepsut of the Eighteenth Dynasty. They show the Egyptian gods, in particular Amun, presiding over her creation, and describe the ceremonies of her coronation. Their purpose was to confirm the legitimacy of her status as a woman pharaoh. Later rulers attempted to erase the inscriptions.
Henuttawy or Henettawy, was an ancient Egyptian princess and priestess during the 21st Dynasty.
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
Tayt was an Egyptian goddess. Some attest her husband was Neper while others state she was possibly the consort of Hedjhotep.
The Theban Tomb TT358 is located in Deir el-Bahari, part of the Theban Necropolis, on the west bank of the Nile, opposite to Luxor. The tomb belongs to the king's wife Ahmose-Meritamun, the sister and the wife of Pharaoh Amenhotep I. The tomb was later used for the additional burial of the King's daughter Nany, who was a daughter of Pharaoh Pinedjem I.
Solange Ashby is an Africanist and archaeologist whose expertise focuses on language, religion and the role of women in ancient Egypt and Nubia. She is an assistant professor in the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles.
Bab el-Gasus, also known as the Priestly Cache and the Second Cache, was a cache of ancient 21st dynasty Egyptian mummies found at Deir el-Bahari in 1891. It was excavated by French Egyptologists Eugène Grebaut and Georges Daressy, with Urbain Bouriant and Ahmed Kamal, on the direction of Mohamed Ahmed Abd al‑Rassul, who had also revealed the location of the Royal Cache in 1881. The tomb entrance was located on the flat area just outside the precinct wall in front of the Mortuary Temple of Hatshepsut. The find was significant for Egyptology, particularly in respect of religion, mummification, and coffin studies. It is the largest intact tomb ever found in Egypt. Today, the contents of the tomb are spread between 30 museums worldwide.