Kara Cooney | |
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Born | Kathlyn Cooney |
Alma mater | |
Occupation(s) | Egyptologist and Assistant Professor of Egyptian Art and Architecture at UCLA |
Website | karacooney |
Kathlyn M. (Kara) Cooney is an Egyptologist, archaeologist, professor of Egyptian Art and Architecture at UCLA [1] and chair of the Department of Near Eastern Language and Cultures at UCLA. [2] [3] As well as for her scholarly work, she is known for hosting television shows on ancient Egypt on the Discovery Channel as well as for writing a popular-press book on the subject. She specialises in craft production, coffin studies, and economies in the ancient world. [4]
Raised in Houston, she obtained her Bachelor of Arts in German and Humanities from the University of Texas at Austin in 1994. She was awarded a PhD in 2002 by Johns Hopkins University for Near Eastern Studies. She was part of an archaeological team excavating at the artisans' village of Deir el Medina in Egypt, as well as Dahshur and various tombs at Thebes. In 2002 she was Kress Fellow at the National Gallery of Art and worked on the preparation of the Cairo Museum exhibition Quest for Immortality: Treasures of Ancient Egypt. After a temporary one-year position at UCLA, she took a three-year postdoctoral teaching position at Stanford University, [5] during which, In 2005, she acted as fellow curator for Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. She also worked for two years at the Getty Center before landing a tenure-track position at UCLA in 2009. [5] Cooney's current research in coffin reuse, primarily focusing on the 20th Dynasty, is ongoing. Her research investigates the socioeconomic and political turmoil that have plagued the period, ultimately affecting funerary and burial practices in ancient Egypt. [6] She currently resides in Los Angeles.
She hosted two Discovery Channel documentary series: Out of Egypt, [7] [8] first aired in August 2009, [9] and Egypt's Lost Queen, [10] which also featured Zahi Hawass.
Cooney's paternal grandparents were from County Cork in Ireland. She is named after her Irish-Protestant grandmother Kathlyn Mary, who was disowned by her family for marrying Cooney’s Irish-Catholic grandfather James. Her mother is Italian, her grandmother was from the Abruzzi region, and her grandfather from Naples. [17] She uses the name Kathlyn for her scholarly work, and her nickname Kara for professional but non-academic work. [5]
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Hatshepsut was the Great Royal Wife of Pharaoh Thutmose II and the fifth Pharaoh of the Eighteenth Dynasty of Egypt, ruling first as regent, then as queen regnant from c. 1479 BC until c. 1458 BC. She was Egypt's second confirmed queen regnant, the first being Sobekneferu/Nefrusobek in the Twelfth Dynasty.
Mut, also known as Maut and Mout, was a mother goddess worshipped in ancient Egypt. Her name means mother in the ancient Egyptian language. Mut had many different aspects and attributes that changed and evolved greatly over the thousands of years of ancient Egyptian culture.
Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.
Nekhbet is an early predynastic local goddess in Egyptian mythology, who was the patron of the city of Nekheb. Ultimately, she became the patron of Upper Egypt and one of the two patron deities for all of Ancient Egypt when it was unified.
Nefertari, also known as Nefertari Meritmut, was an Egyptian queen and the first of the Great Royal Wives of Ramesses the Great. She is one of the best known Egyptian queens, among such women as Cleopatra, Nefertiti, and Hatshepsut, and one of the most prominent not known or thought to have reigned in her own right. She was highly educated and able to both read and write hieroglyphs, a very rare skill at the time. She used these skills in her diplomatic work, corresponding with other prominent royals of the time. Her lavishly decorated tomb, QV66, is one of the largest and most spectacular in the Valley of the Queens. Ramesses also constructed a temple for her at Abu Simbel next to his colossal monument there.
Amenhotep I or Amenophis I, was the second Pharaoh of the 18th Dynasty of Egypt. His reign is generally dated from 1526 to 1506 BC.
The New Kingdom, also referred to as the Egyptian Empire, was the ancient Egyptian nation between the 16th century BC and the 11th century BC. This period of ancient Egyptian history covers the Eighteenth, Nineteenth, and Twentieth Dynasties. Through radiocarbon dating, the establishment of the New Kingdom has been placed between 1570 BC and 1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period. It was the most prosperous time for the Egyptian people and marked the peak of Egypt's power.
Sobekneferu or Neferusobek was a pharaoh of ancient Egypt and the last ruler of the Twelfth Dynasty of the Middle Kingdom. She ascended to the throne following the death of Amenemhat IV, possibly her brother or husband, though their relationship is unproven. Instead, she asserted legitimacy through her father Amenemhat III. Her reign lasted 3 years, 10 months, and 24 days, according to the Turin King List.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The necropolis of Draʻ Abu el-Naga' is located on the West Bank of the Nile at Thebes, Egypt, just by the entrance of the dry bay that leads up to Deir el-Bahari and north of the necropolis of el-Assasif. The necropolis is located near the Valley of the Kings.
Neferure or Neferura was an Egyptian princess of the Eighteenth Dynasty of Egypt. She was the daughter of two pharaohs, Hatshepsut and Thutmose II. She served in high offices in the government and the religious administration of Ancient Egypt.
TT1 is the burial place of the ancient Egyptian official Sennedjem and members of his family in Deir el-Medina, on the west bank of the Nile opposite Luxor. The funerary complex consists of three pyramid-shaped chapels dedicated to, from south to north, Sennedjem's father or brother, Sennedjem himself, and to Sennedjem's son Khonsu. Of the three shafts associated with the chapels, only the shaft in front of Sennedjem's chapel was unrobbed. It led to a series of underground rooms, including the extensively decorated burial chamber.
Bas-relief carvings in the ancient Egyptian temple of Deir el-Bahari depict events in the life of the pharaoh or monarch Hatshepsut of the Eighteenth Dynasty. They show the Egyptian gods, in particular Amun, presiding over her creation, and describe the ceremonies of her coronation. Their purpose was to confirm the legitimacy of her status as a woman pharaoh. Later rulers attempted to erase the inscriptions.
The Eighteenth Dynasty of Egypt is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. The Eighteenth Dynasty spanned the period from 1550/1549 to 1292 BC. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose.
Women in ancient Egypt had some special rights other women did not have in other comparable societies. They could own property and were, at court, legally equal to men. However, Ancient Egypt was a patriarchal society dominated by men. Only a few women are known to have important positions in administration, though there were female rulers and even female pharaohs. Women at the royal court gained their positions by relationship to male kings.
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
Solange Ashby is an Africanist and archaeologist whose expertise focuses on language, religion and the role of women in ancient Egypt and Nubia. She is an assistant professor in the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles.
Taemwadjsy was an Ancient Egyptian woman living at the end of the 18th Dynasty.