Karl Gerhardt | |
---|---|
Born | January 7, 1853 Boston, Massachusetts |
Died | May 7, 1940 87) | (aged
Nationality | American |
Notable work | Death mask of Ulysses S. Grant, American Civil War statues |
Spouse | Harriet ("Josie") Josephine Gloyd |
Patron(s) | Samuel Clemens (Mark Twain) |
Karl Gerhardt (1853-1940) was an American sculptor, best known for his death mask of President Ulysses S. Grant and a portrait bust of Mark Twain.
Karl Gerhardt was born in Boston, Massachusetts, on January 7, 1853. [1] He attended Phillips School in Boston. By 1870 he was apprenticed to a house painter in Chicopee, Massachusetts, where he later became a machinist at Ames Foundry. He showed considerable talent in mechanics, and later became a designer of machinery at Hartford, Connecticut. [2]
In 1874, he went to California. By 1880, he had returned east to Hartford, and married Harriet Josephine Gloyd. He worked for a spell as chief machinist at the Pratt and Whitney Machine Tool Company in Hartford and pursued sculpting in his leisure hours. [2]
His first known sculpture was a bust of his wife, Josie, titled, A Startled Bather. On February 21, 1881, Harriet Gerhardt knocked on Samuel Clemens's door and asked Clemens to come to their home to view a sculpture that Gerhardt had completed. Clemens went to the couple's home and was surprised to see that the sculpture was a life sized depiction of Josie, nude to the waist. Clemens asked painter James Wells Champney and prominent portrait bust sculptor, John Quincy Adams Ward to evaluate Gerhardt's work. After consulting with the art experts, Clemens and his wife Olivia decided to finance Gerhard's art education in Paris at the École des Beaux-Arts. [3]
With the support of Clemens's prominent artist friends, including Ward, Augustus St. Gaudens and Olin Warner, Gerhardt sailed to Paris with his wife in March 1881. Gerhardt passed the entrance examination to the École des Beaux-Arts on his first attempt and was enrolled in classes by August 1881. Gerhardt soon requested additional money from Clemens to pay for living models and private art instruction. Clemens agreed to the extra funding and offered drawing lessons for Gerhardt's wife, whom Clemens affectionately called "Mrs Joe". [3] By 1883, the Gerhardts were running low on money and sent letters to Clemens asking for more funds. Clemens helped Gerhardt in getting commissions, and was probably instrumental in Gerhardt being given the commission for a Nathan Hale statue for the Connecticut Capitol in Hartford in 1885. A photograph of the portrait bust of Clemens, that Gerhardt created, was used on the frontispiece of Clemens's first edition of The Adventures of Huckleberry Finn. [3]
Over time, Clemens became increasingly dissatisfied with Gerhardt's constant demands for funds and his lack of gratitude. [3] Putting his disappointment aside, Clemens passed along Gerhardt's request to Adam Badeau, Grant's military secretary, to cast the death mask of the terminally ill President Grant. Grant's son Fred agreed to the request. [2] After President Grant had died and the death mask had been cast, Gerhardt refused to give the mask to Grant's family, asserting that the mask was his personal property. Clemens was dismayed by Gerhardt's refusal, and intervened when the family threatened Gerhardt with a lawsuit. Clemens agreed to forgive all debts that Gerhardt owed to Clemens and his wife, an amount of $17,000, in return for returning the mask to Grant's family. It is not known if Clemens was aware at the time that Gerhardt had secretly made a second death mask of Grant. [3]
In the mid- to late 1880s, Gerhardt received commissions for memorial statues in New Jersey, New York, Connecticut, Massachusetts, Vermont, and Pennsylvania. Gerhardt's wife gave birth to a son, Lawrence, in 1890. In the late 1880s, Clemens faced financial difficulties of his own due to investment failures. He closed his mansion in Hartford in 1891 and moved with his family to Europe. Gerhard's sole patron would no longer be able to help him find work. Gerhardt's commissions had decreased dramatically by 1891 and he eventually sought work as a draftsman and machinist. In 1897, Gerhardt was working for bicycle manufacturer, Pope Manufacturing Company in Hartford.
Gerhardt's wife died in 1897 succumbing to tetanus after being injured by a rusty nail. By 1906, Gerhardt had moved to New Orleans. In 1909, it was reported by the New Orleans Times Democrat that the famous sculptor was struggling financially and working as a manual laborer. By 1920, Gerhardt had moved to Shreveport, Louisiana, and was working as a tailor. Gerhardt died May 7, 1940, in Shreveport. [1]
Edward Clark Potter was an American sculptor best known for his equestrian and animal statues. His most famous works are the marble lions, nicknamed Patience and Fortitude, in front of the New York Public Library Main Branch
John Quincy Adams Ward was an American sculptor, whose most familiar work is his larger than life-size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City.
William Rudolf O'Donovan was an American sculptor.
Charles Henry Niehaus was an American sculptor.
Randolph Rogers was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. He died in Rome Italy on January 15 1892 at age 66.
Caspar Buberl was an American sculptor. He is best known for his Civil War monuments, for the terra cotta relief panels on the Garfield Memorial in Cleveland, Ohio, and for the 1,200-foot (370 m)-long frieze on the Pension Building in Washington, D.C.
George Edwin Bissell was an American sculptor.
Franklin Bachelder Simmons was a prominent American sculptor of the nineteenth century. Three of his statues are in the National Statuary Hall Collection, three of his busts are in the United States Senate Vice Presidential Bust Collection, and his statue of Ulysses S. Grant is in the United States Capitol Rotunda.
John Massey Rhind was a Scottish-American sculptor. Among Rhind's better known works is the marble statue of Dr. Crawford W. Long located in the National Statuary Hall Collection in Washington D.C. (1926).
Francis Edwin Elwell was an American sculptor, teacher, and author.
Jakob Otto Schweizer was a Swiss-American sculptor noted for his work on war memorials.
Henry Jackson Ellicott was an American sculptor and architectural sculptor, best known for his work on American Civil War monuments.
Carl H. Conrads was an American sculptor best known for his work on Civil War monuments and his two works in the National Statuary Hall Collection at the U.S. Capitol in Washington, D.C. He was also known as Charles Conrads.
The New England Granite Works was a firm incorporated in Hartford, Connecticut on June 16, 1871 by James G. Batterson. It was notable for creating a large number of works in the New England area until it was dissolved on June 26, 1926.
Stephen F. Brown was a Union Army officer in the American Civil War. He became famous for entering the Battle of Gettysburg armed only with a camp hatchet. He soon acquired a sword and pistol from a Confederate he took prisoner. Brown distinguished himself in battle and aiding other soldiers.
Edward Ludwig Albert Pausch was a Danish-American sculptor noted for his war memorials.
Melzar Hunt Mosman was an American sculptor who made a number of Civil War and Spanish–American War monuments in Massachusetts.
August Zeller was an American sculptor and teacher.
The Israel Putnam Monument is an equestrian statue located in Brooklyn, Connecticut, United States. The monument, designed by sculptor Karl Gerhardt, was dedicated in 1888 in honor of Israel Putnam, a Connecticut native who served as a general in the Continental Army during the American Revolutionary War. The monument was created as a response to the deteriorated condition of Putnam's grave in Brooklyn's cemetery, and the state government allocated funds for the monument with the provision that it also serve as a tomb for Putnam. Upon its completion, Putnam's remains were reinterred under the monument. The dedication was held on June 14 in a large ceremony with several guests of honor, including the governors of Connecticut and Rhode Island. The monument was criticized by contemporary reviewers, who especially criticized the horse, with one review noting that it appeared to be suffering from bone spavin.