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Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, it is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish and Irish ballads and dance tunes, as well as in blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as "Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
The music of Belize has a mix of Creole, Mestizo, Garìfuna, Mayan and European influences.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The music of Suriname is known for kaseko music, and for having an Indo-Caribbean tradition.
Kasékò is a musical genre from French Guiana. It also designates the drums as well as the dance of this musical genre. This is a fusion of African, European and American styles.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.
The Music of French Guiana is a very rich and varied music of several styles and cultures coming from Europe, Africa and the Americas by the Amerindians due to its history and its multi-ethnic diversity.
Gwo ka is a French creole term for big drum. Alongside Gwotanbou, simply Ka or Banboula (archaic), it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine played in kadri music, or even simply to drum (tanbou) in general.
Jaipongan, also known as Jaipong is a popular traditional dance of Sundanese people from Indonesia. The dance was created by Gugum Gumbira, based on the traditional Sundanese Ketuk Tilu music and pencak silat movements.
Kroncong is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong. A kroncong orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of kroncongs, a cello in Pizzicato style, string bass in pizzicato style, and a vocalist. Kroncong originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. By the late 19th century, kroncong reached popular music status throughout the Indonesian archipelago.
Surinamese culture has strong Asian, African and European influences. The population is mainly composed of the contribution of people from India, Africa, China, Europe, and Indonesia, as well as indigenous peoples who lived in the area, before the arrival of European settlers.
Julius Theodoor Hugo Uiterloo, better known by his stage-name Lieve Hugo and his nickname Iko, was a Surinamese singer. He was one of the pioneers of the kaseko-genre; hence his other nickname King of Kaseko.
Trafassi is a Surinamese-Dutch band. Their music is a mixture of Caribbean music genres, pop and own material. In the Netherlands they scored hits like Wasmasjien, Lollypop and Punani.
Kawina, also spelled kawna or kauna, is a musical genre from Suriname. It originated in the last decades of the 19th century under the influence of the music and dance forms banya, laku and tuka. It is related to African music.
Nationale Top 40 Suriname is a weekly record chart in Suriname. It is updated every Thursday by the Natio40 Foundation.
Dance in Suriname is practiced from the amateur to the professional level for cultural, social and spiritual reasons, among others. Suriname has a variety of traditional and contemporary dance styles which have developed from the cultures of its ethnic groups. In addition, several foreign popular styles have been adopted from the West, the greater Caribbean, Java and Bollywood.
References
- ↑ Leymarie, Isabelle (9 December 1998). Músicas del Caribe (con CD) (in Spanish). Ediciones AKAL. ISBN 9788446008941.
- ↑ S. Broughton, M. Ellingham (2000). World Music: The Rough Guide. Latin and North America, Caribbean, India, Asia and Pacific . Rough Guides. p. 298. ISBN 9781858286365.
Kaseko.
- 1 2 "Muziekencyclopedie – Kaseko". www.muziekencyclopedie.nl (in Dutch).
- ↑ "Surinaamse artiesten brengen swingend eerbetoon aan Ewald Krolis". Waterkant (in Dutch). 26 July 2018.
