Katerina Atanassova | |
---|---|
Born | 1965 Sofia, Bulgaria |
Nationality | Canadian |
Known for | curator, art historian and museum administrator specializing in historical and contemporary Canadian art |
Katerina Atanassova (born 1965) has been the Senior Curator of Canadian Art at the National Gallery of Canada since 2014. She is an art historian and museum administrator of diverse interests, from medieval to contemporary Canadian art. At the National Gallery of Canada, she is responsible for developing the national collections of Canadian painting, sculpture, prints and drawings, and decorative arts, dating up to 1980, and she has re-installed the permanent collection of Canadian art as well as curating exhibitions. [1]
Atanossova was born in Sofia, Bulgaria and received her B.A. in History and Art from the University of Sofia. She came to Canada in 1990. She holds an M.A. in Medieval Studies from the University of Toronto (1994). [2] She was a Ph.D. candidate and adjunct instructor at York University, Department of Visual Arts and Culture, when she was hired by the Fredrick Horsman Varley Art Gallery of Markham in Unionville in 1999 as the education/program co-ordinator [1] and as Collection curator. [3] Her exhibitions for the Varley Art Gallery included William Berczy - man of enlightenment (2004); Towards the Spiritual in Canadian Art (2005) and F.H. Varley: Portraits into the Light (2007). [4]
In 2009, she was hired at the McMichael Canadian Art Collection in Kleinburg, Ontario as director of exhibitions and chief curator. She re-installed the permanent collection and also co-curated the exhibition Painting Canada: Tom Thomson and the Group of Seven (2011), organized by London's Dulwich Picture Gallery and the National Gallery of Canada. Her shows at the McMichael included You Are Here: Kim Dorland and the Return to Painting (2013) and Eyes on Quebec: treasures from the Andrée Rhéaume Fitzhenry & Robert Fitzhenry Collection (2014). [5]
She was hired by the National Gallery of Canada in 2014. For the National Gallery, she organized Morrice: the A.K. Prakash collection in trust to the nation (2017) and Canada and Impressionism: New Horizons: 1880-1930 (2019) which travelled to the Kunsthalle München, Munich, Germany; the Fondation de l'Hermitage, Lausanne, Switzerland; and the Musée Fabre, Montpellier, France before arriving in Ottawa in the National Gallery of Canada in 2022, where it received acclaim from television channels such as Ottawa – CTV News as "a beautiful chance to escape to beauty". [6] [7] In 2021, she co-curated Magnetic North: Imagining Canada in Painting 1910-1940 (2021), co-organized by the Schirn Kunsthalle Frankfurt, the Art Gallery of Ontario, and the National Gallery of Canada. [8]
Atanassova wrote William Berczy - man of enlightenment (2004) and F.H. Varley: Portraits into the Light (2007) for the Varley Art Gallery as well as co-authoring The sacred image of the icon: a world of belief (2008). [3] At the National Gallery of Canada, she co-authored Morrice: the A.K. Prakash collection in trust to the nation (2017); and Canada and Impressionism: New Horizons (2020) praised as "not just a coffee table book but also a major contribution to the history of World Impressionism" by the Canadian Art Review RACAR. [9]
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
William von Moll Berczy was a German-born Upper Canada pioneer and painter. He is considered one of the co-founders of the Town of York, Upper Canada, now Toronto, Ontario, Canada.
James Wilson Morrice was one of the first Canadian landscape painters to be known internationally. In 1891, he moved to Paris, France, where he lived for most of his career. W. Somerset Maugham knew him and had one of his characters say,
...when you've seen his sketches...you can never see Paris in the same way again.
Frederick Horsman Varley was a member of the Canadian Group of Seven.
Laura Muntz Lyall was a Canadian Impressionist painter, known for her sympathetic portrayal of women and children.
James Edward Hervey MacDonald (1873–1932) was an English-Canadian artist, best known as a member of the Group of Seven who asserted a distinct national identity combined with a common heritage stemming from early modernism in Europe in the early twentieth century. He was the father of the illustrator, graphic artist and designer Thoreau MacDonald.
Mireille Eagan is a Canadian arts writer and curator.
Maurice Cullen is considered to be the father of Canadian Impressionism because he was the first artist to skillfully adapted French Impressionism to Canadian conditions. He is best known for his paintings of snow and his depictions of ice harvest scenes, featuring horse-drawn sleighs traveling across the frozen waters of Quebec during winter. The Laurentians were his greatest love and he painted there often. He excelled in painting crisp northern light.
Kathleen Frances Daly was a Canadian painter. She is known for her depictions of First Nations and the Inuit in Canada.
Emily Coonan was a Canadian impressionist and post-impressionist painter, born in the Pointe-Saint-Charles area of Montreal. As a member of the Beaver Hall Group, Coonan mostly did figure paintings. Influenced by William Brymner and James Wilson Morrice in early years and later on by work done in Europe, Coonan's work has features that are related both to impressionism and modernism.
Franklin Brownell was a landscape painter, draughtsman and teacher active in Canada. His artistic career in Ottawa spanned over fifty years.
Mary Evelyn Wrinch (1877–1969), was a Canadian artist who created miniature paintings, oil paintings, and block prints, sometimes inspired by the Northern Ontario landscape. She pioneered the 'Canadian style', painting landscapes with bold colours of the Algoma, Muskoka and Lake Superior regions, in situ. In her miniature paintings on ivory, she depicted her sitters with freshness and vitality. Her colour block prints are virtuoso examples of the medium.
Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2022, Edmonds has been the Director and Curator of the Dalhousie Art Gallery in Halifax, Nova Scotia.
Ash K. Prakash is a philanthropist and scholar of Canadian art.
Roald Nasgaard is a champion of abstract art in Canada.
Joyce Zemans is a Canadian art historian, curator, cultural policy specialist and academic. She is known as the first woman to serve as York University`s Dean of Fine Arts and as director of the Canada Council for the Arts (1988-1992).
Tobi Bruce has been the Director of Exhibitions and Collections and Senior Curator at the Art Gallery of Hamilton since 2015. She is a Canadian art historian who places curatorial collaboration at the centre of her practice.
Alicia Boutilier is the Chief Curator and Curator of Canadian Historical Art at the Agnes Etherington Art Centre in Kingston. She has been Curator of Canadian Historical Art since 2008 and was appointed Chief Curator in 2017. In 2020, she served as the Interim Director at the gallery and received a special recognition award from Queen's University at Kingston for her work as a team leader, adapting to the new realities caused by Covid. She is a Canadian art historian with wide-ranging concerns, among them women artists, the building of collections, and the combination of art with craft.
Anna Victoria Hudson is an art historian, curator, writer and educator specializing in Canadian Art, Curatorial and Indigenous Studies who is the Director of the Graduate Program in Art History & Visual Culture at York University, Toronto.
Sandra Paikowsky is a Canadian art historian, academic, curator, and writer with a career spanning five decades. In 2015, she received the Order of Canada for her contributions to the development of Canadian art history as a discipline.