Keith Terry | |
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Born | Waxahachie, Texas, United States | November 22, 1951
Occupation(s) | Percussionist, rhythm dancer, educator |
Years active | 1959–present |
Keith Terry (born November 22, 1951, in Waxahachie, Texas) is an American percussionist, rhythm dancer, and educator. He is best known for pioneering the art form, Body Music. [1] He is a soloist and the ensemble director of Crosspulse, an Oakland, California-based, non-profit organization dedicated to the creation and performance of rhythm-based intercultural music and dance. [2] Crosspulse was founded by Terry with Deborah Lloyd and Jim Hogan and produces dance and music works ranging in size from solos and duos to ensembles of one hundred performers, touring ambitious and logistically complex performances throughout the world. In addition, Crosspulse produces educational and outreach programs for children and adults and audio and video recordings and books, including "The Rhythm of Math." [3] His teaching method has been praised by music educators, especially within the Orff system. In 2008, Terry was honored with a Guggenheim Fellowship. [4]
Terry is also the founding director of the International Body Music Festival(IBMF), an annual six-day Body Music festival that has been produced in the United States, Brazil, Turkey, Indonesia, Ghana, Italy, Greece and France. As part of the 10th International Body Music Festival in Accra, Ghana, Terry was awarded the 2018 PERCUACTION Lifetime Achievement Award, acknowledging his achievements in the fields of performance, industry and education. Previous honorees include: Jose Luis Quintana 'Changuito', Reinhard Flatischler, Dame Evelyn Glennie, Remo Belli, Zakir Hussain and Keiko Abe.
In 1979, Terry became a charter member of the San Francisco Bay Area-based Gamelan Sekar Jaya, founded by Michael Tenzer, Rachel Cooper, and I Wayan Suweca, a community Balinese music and dance group that has become the foremost Balinese group outside of Bali. At the same time, Terry worked with the Pickle Family Circus and Jazz Tap Ensemble (JTE). At JTE, from 1979-1983 he created several original body percussion works with the dancers and musicians including “Tune for KB” and “Hey Rube.” During one rehearsal, Terry had a revelation that he could displace everything he was doing with the drums onto his body. He stood up and started dancing his music. [5] Keith originated the term “body music” to describe his new inventions. [6]
As a soloist Terry has appeared at Lincoln Center, Bumbershoot, the Vienna International Dance Festival, and the Paradiso van Slag World Drum Festival in Amsterdam and been featured on NPR’s All Things Considered and PRI's, "The World". [7] His groups – Corposonic, Slammin All-Body Band, Crosspulse Percussion Ensemble, Professor Terry’s Circus Band Extraordinaire, Body Tjak (with I Wayan Dibia), and Free Dive – have performed in a variety of venues, including Joe’s Pub, WNYC, and Lincoln Center Out-of-Doors (NY); Grand Performances, LACMA Jazz, Freight and Salvage, Berkeley, [8] the Roxy, and the Skirball Center (Los Angeles); SFJazz, Vancouver Island MusicFest, and the Bali Arts Festival. Keith has performed with artists including Charles “Honi” Coles, Turtle Island Quartet, Gamelan Sekar Jaya, Kenny Endo, Freddie Hubbard, Tex Williams, Robin Williams, and Bobby McFerrin.
Terry collaborates with many of the International Body Music Festival artists including Evie Ladin, Bryan Dyer, Fernando Barba (and members of Barbatuques), Dewa Putu Berata (and members of Çudamani), Leela Petronio, Thanos Daskalopoulos, Jep Melendez, and Raul Cabrera. [9] He tours extensively in the Americas, Asia, and Europe, where his Body Music performances, workshops, residencies and choreographic commissions are popular among professional performers and educators.
Keith Terry has a BA in World Music from Antioch University/West, San Francisco. From 1998 to 2005 Terry was on the faculty at UCLA’s Department of World Arts and Cultures. In 2006 he conceived and directed the first International Body Music Performance Project for the Orff Institute in Salzburg, Austria. In 2010 Terry was on the Dance Program faculty at UC Berkeley. [10]
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called kendhang/Kendang, which register the beat. The kemanak and gangsa are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a rebab, a zither-like instrument siter and vocalists named sindhen (Female) or gerong (Male).
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
Kecak, known in Indonesian as tari kecakilolahhe, is a form of Balinese Hindu dance and music drama that was developed in the 1930s in Bali, Indonesia. Since its creation, it has been performed primarily by men, with the first women's kecak group having started in 2006. The dance is based on the story of the Ramayana and is traditionally performed in temples and villages across Bali.
Michael Tenzer is a composer, performer, and music educator and scholar.
Joged bumbung is a style of gamelan music from Bali, Indonesia on instruments made primarily out of bamboo. The ensemble gets its name from joged, a flirtatious dance often performed at festivals and parties. This style of Gamelan is especially popular in Northern and Western Bali, but is easily found all over the island. Unlike many styles of Balinese Gamelan which have sacred roles in religious festivals, Joged music is much more secular, and in many ways has become the folk music of Bali. With the rapid rise of tourism in recent decades, Joged music is now often found being performed at hotels and restaurants.
Legong: Dance of the Virgins is a 1935 drama travelogue silent film, one of the last feature films shot using the two-color Technicolor process, and one of the last silent films shot by a major Hollywood studio. It is a drama based on a Balinese native tale, with travelogue elements depicting Balinese culture. Legong and the follow up travelogue drama Kliou, the Killer were the last mainstream silent films to be released in the US.
Gamelan Sekar Jaya is a Balinese gamelan ensemble located in the San Francisco Bay Area. It has been called "the finest Balinese gamelan ensemble outside of Indonesia" by Indonesia's Tempo Magazine. It performs the music and dance of Bali in many different genres of Balinese gamelan, mainly gamelan gong kebyar, gamelan angklung, gender wayang, and gamelan jegog. Past performances have also featured ensembles playing in other styles as well, including gamelan joged bumbung, kecak, gender batel, gamelan gambuh, genggong, and beleganjur. GSJ has also performed contemporary pieces featuring instruments from the Western tradition.
Gamelan, although Indonesia is its origin place, is found outside of that country. There are forms of gamelan that have developed outside Indonesia, such as American gamelan and Malay Gamelan in Malaysia.
Balinese dance is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes.
Richard Marriott is an American composer and performer. He has composed for film, television, dance, theater, opera, installations and video games. He is the founder and artistic director of the Club Foot Orchestra, an important modern ensemble for live music performance with silent films. His teachers include Dominick Argento and Paul Fetler at the University of Minnesota, Pauline Oliveros at UCSD, North Indian sarod master Ali Akbar Khan, shakuhachi master Masayuki Koga, and Balinese composers Nyoman Windha and Made Subandi. Marriott was a member of Snakefinger's History of the Blues and has recorded with The Residents, Brazilian Girls, "Singer at Large" Johnny J. Blair, and many others. He performs on brass and woodwind instruments, Western and Asian.
I Wayan Suweca is a highly respected performer of Balinese gamelan. Since the 1970s, he has taught and performed extensively throughout Asia, Europe, and America. In the early 1980s, along with his students Michael Tenzer and Rachel Ann Cooper, he founded and led the famous Sekar Jaya gamelan ensemble in Berkeley, California. In 1993, he cofounded the ensemble Giri Kedaton in Montreal. From 1982 to 2004, he was professor at the National Arts Academy of Indonesia (STSI) in Bali. From 1987 to 1993, he was a guest teacher at Université de Montréal in Canada and in Rochester, USA. For other students, See: List of music students by teacher: R to S#I Wayan Suweca.
I Wayan Gde Yudane is a gangsa player and an exponent of Balinese music in New Zealand.
Patrick Liddell is a composer and video artist living in Oakland, California. He earned his Doctor of Music from Northwestern University in 2009. His thesis is titled "Arrow To The Sun: Postmodernism As Compositional Tool", which outlines the contextual processes in postmodernist art, as well as includes a detailed description of the compositional, theoretical, and contextual framework for all his output. The music from "Arrow To The Sun" was the basis for Liddell's first solo studio release.
Gambuh is an ancient form of Balinese dance-drama. It is accompanied by musicians in a gamelan gambuh ensemble.
Christine Southworth is an American composer of postminimal music and works with combinations of Western ensembles, electronics, and world music ensembles including Balinese gamelan and bagpipes. She performs Balinese gamelan and gender wayang with Cambridge, Massachusetts-based Gamelan Galak Tika, as well as Galician Gaita and Great Highland Bagpipes. She co-founded Ensemble Robot, a cooperative of engineers, artists and musicians working together to invent robotic musical instruments. She was also the general manager of Gamelan Galak Tika from 2004 through 2013. Her own music incorporates her work with Balinese gamelan and with technology and electronics, as well as reaching beyond these influences with an expanded palette of contemporary classical, jazz and rock, and world music from Africa, Asia and Eastern Europe.
I Made Subandi is a gamelan composer and performer from Gianyar, Bali. Having studied with his father, drummer and gender wayang player I Made Dig, and at SMKI ('85-'88) and STSI ('89-'93), he teaches at the Indonesian Academy of Performing Arts in Bali. In 1999, during his residency with Gamelan Sekar Jaya, he composed a soundtrack for the 1933 silent film "Legong Dance of the Virgins" with American composer Richard Marriott, scored for Balinese gamelan, string quartet, trumpet and clarinet. He has collaborated with Dutch trio Boi Akih and American ensemble Club Foot Orchestra. He is well known for his use of experimentation. Tenzer describes Subandi as one of a few composers who, "have achieved a self-conscious and fundamental break with the tabuh kreasi form of the recent past."
Panyembrama is a secular Balinese dance form designed by I Wayan Berata and first performed in 1971. It includes movements from several sacral Balinese dances, which it was intended to replace for performance in front of tourists.
Kebyar Duduk is a traditional Balinese dance created by a Balinese man I Ketut Marya and first performed publicly in 1925. Inspired by the development of the quick-paced gamelan gong kebyar, kebyar duduk is named for the seated and half-seated positions taken by the dancers. It does not convey a story, but is interpretative.
Evie Ladin is an American musician, singer-songwriter, percussive dancer, choreographer, square dance caller living in Oakland, California. She performs with The Evie Ladin Band, a trio with Keith Terry and Erik Pearson, and also collaborates with Keith Terry as a duo. Other projects include two all-female groups: The Stairwell Sisters, an old-time group utilizing clawhammer banjo, guitar, bass and percussive dance; and MoToR/dance. Ladin's 2012 CD titled Evie Ladin Band was voted Americana Album of the Year by the Independent Music Awards (IMAs) Vox Pop Vote. A banjo player since childhood, Ladin features regularly on the annual Banjo Babes compilation album and calendar. Ladin is also the Executive Director of the International Body Music Festival (IBMF), a project of the Oakland-based arts non profit Crosspulse.