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Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
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Michael Tenzer is a composer, performer, and music educator and scholar.
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Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Legong: Dance of the Virgins is a 1935 drama travelogue silent film, one of the last feature films shot using the two-color Technicolor process, and one of the last silent films shot by a major Hollywood studio. It is a drama based on a Balinese native tale, with travelogue elements depicting Balinese culture. Legong and the follow-up travelogue drama Kliou, the Killer were the last mainstream silent films to be released in the US.
Mythili Kumar is a dancer, teacher, and choreographer. She performs the Bharatanatyam, Kuchipudi, and Odissi styles of Indian classical dance. Founder of Abhinaya Dance Company of San Jose and she is a lecturer in dance at University of California, Santa Cruz.
Mantle Hood was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying.
Gamelan Sekar Jaya is a Balinese gamelan ensemble located in the San Francisco Bay Area. It has been called "the finest Balinese gamelan ensemble outside of Indonesia" by Indonesia's Tempo Magazine. It performs the music and dance of Bali in many different genres of Balinese gamelan, mainly gamelan gong kebyar, gamelan angklung, gender wayang, and gamelan jegog. Past performances have also featured ensembles playing in other styles as well, including gamelan joged bumbung, gamelan semar pegulingan, kecak, gender batel, gamelan gambuh, genggong, and beleganjur. GSJ has also performed contemporary pieces featuring instruments from the Western tradition.
Kanjeng Pangeran Harjo Notoprojo, also known as Tjokrowasito, Wasitodipuro, Wasitodiningrat, among other names, was one of the most highly respected performers of Javanese gamelan. He led the Paku Alaman palace gamelan as well as the gamelan for the Radio Republik Indonesia Yogyakarta, and taught gamelan in universities around the world. He was also a noted composer and rebab performer.
Gamelan, although Indonesia is its origin place, is found outside of that country. There are forms of gamelan that have developed outside Indonesia, such as American gamelan and Malay Gamelan in Malaysia.
(Joseph) Vincent McDermott was a classically trained American composer and ethnomusicologist. His works show particular influence from the musics of South and Southeast Asia, particularly the gamelan music of Java. He was among the second generation of American composers to create and promote new compositions for gamelan.
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I Wayan Suweca is a highly respected performer of Balinese gamelan. Since the 1970s, he has taught and performed extensively throughout Asia, Europe, and America. In the early 1980s, along with his students Michael Tenzer and Rachel Ann Cooper, he founded and led the famous Sekar Jaya gamelan ensemble in Berkeley, California. In 1993, he cofounded the ensemble Giri Kedaton in Montreal. From 1982 to 2004, he was professor at the National Arts Academy of Indonesia (STSI) in Bali. From 1987 to 1993, he was a guest teacher at Université de Montréal in Canada and in Rochester, USA. For other students, See: List of music students by teacher: R to S#I Wayan Suweca.
The Malay Gamelan is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia and Malaysia as well.
Patrick Liddell is a composer and video artist living in Oakland, California. He earned his Doctor of Music from Northwestern University in 2009. His thesis is titled "Arrow To The Sun: Postmodernism As Compositional Tool", which outlines the contextual processes in postmodernist art, as well as includes a detailed description of the compositional, theoretical, and contextual framework for all his output. The music from "Arrow To The Sun" was the basis for Liddell's first solo studio release.
Christine Southworth is an American composer of postminimal music and works with combinations of Western ensembles, electronics, and world music ensembles including Balinese gamelan and bagpipes. She performs Balinese gamelan and gender wayang with Cambridge, Massachusetts-based Gamelan Galak Tika, as well as Galician Gaita and Great Highland Bagpipes. She co-founded Ensemble Robot, a cooperative of engineers, artists and musicians working together to invent robotic musical instruments. She was also the general manager of Gamelan Galak Tika from 2004 through 2013. Her own music incorporates her work with Balinese gamelan and with technology and electronics, as well as reaching beyond these influences with an expanded palette of contemporary classical, jazz and rock, and world music from Africa, Asia and Eastern Europe.
I Made Subandi was a gamelan composer and performer from Gianyar, Bali.
The Oakland Asian Cultural Center, also referred to as the OACC, is an Oakland-based nonprofit cultural center that carries out Asian and Pacific Islander American arts and culture programs. It is located in the Pacific Renaissance Plaza in Oakland Chinatown, residing three blocks away from the 12th Street Civic Center BART station on Broadway.
Keith Terry is an American percussionist, rhythm dancer, and educator. He is best known for pioneering the art form, Body Music. He is a soloist and the ensemble director of Crosspulse, an Oakland, California-based, non-profit organization dedicated to the creation and performance of rhythm-based intercultural music and dance. Crosspulse was founded by Terry with Deborah Lloyd and Jim Hogan and produces dance and music works ranging in size from solos and duos to ensembles of one hundred performers, touring ambitious and logistically complex performances throughout the world. In addition, Crosspulse produces educational and outreach programs for children and adults and audio and video recordings and books, including "The Rhythm of Math." His teaching method has been praised by music educators, especially within the Orff system. In 2008, Terry was honored with a Guggenheim Fellowship.
References
- ↑ "Our People | New York". Asia Society . Retrieved 2013-06-10.
- ↑ "Rachel Cooper: Indonesia flowing through her veins". The Jakarta Post. 2010-03-23. Retrieved 2013-06-10.
- ↑ Campbell, Brett (2011-08-15). "American Gamelan's Pioneering Flower Still in Full Bloom: San Francisco Classical Voice". Sfcv.org. Retrieved 2013-06-10.
- ↑ "Creative Voices of Muslim Asia". Asia Society. Retrieved 2013-06-10.
- ↑ "Ratan Thiyam's Chorus Repertory Theatre Returns to the U.S. for Five-City Tour This Fall". Asia Society. 2006-10-11. Retrieved 2013-06-10.
- ↑ "Proueng Chhieng and the Spirit of Cambodia". Asia Society. Retrieved 2013-06-10.
- ↑ Bo Ruo Chen (2012-09-20). "Interview: Rachel Cooper on Indonesia's Envelope-Pushing Dance Troupe". Asia Society. Retrieved 2013-06-10.
- ↑ "A Soul of Asia Program: In The Path of Rumi (concert in New York)". Payvand.com. Retrieved 2013-06-10.
- ↑ "Fellows & Experts". Asia Society. Retrieved 2013-06-10.