Ancient Moirang, also known as Keke Moirang, [1] was an ancient civilization that flourished in the southern plains of the present day Manipur, India. [2] [3] [4] [5] [6] The Keke Kangla served as the capital city of the kingdom since time immemorial. [7] The major body of accounts related to the history, literature, mythology of the kingdom are collectively called Moirang Kangleirol.
The contemporary periods of the kingdom had parallelism with the Chinese Golden Ages. The period started from 52 BC in Moirang and 208 BC in China. [8]
The Moirang Ningthourol (genealogy of the ancient rulers) were calculated with reference to many ancient texts, including the Cheitharol Kumpapa. [9]
The Iwang Puriklai (ruler of Moirang) was the absolute monarch of the kingdom. For a smooth and sound administration, the kingdom was divided into eight leikais (wards or sectors). Along with this division, there were also nine organized marketplaces. [10] There were various institutions of the Phamnaiba Loishangs (Offices hold by Scholars), for smooth and proper conduct of the Thangjing Haraoba in the kingdom. [11]
The ancient people worshipped Lord Thangjing, the presiding deity, as the progenitor of the kingdom. [12] [13]
The history of Manipur is reflected by archaeological research, mythology and written history. Historically, Manipur was an independent sovereign kingdom ruled by Meitei dynasty but at different point of time it was invaded and rule over by other state and authority. The Kangleipak State developed under King Loiyumba with its first written constitution in the early 12th century. Manipur under the 18th-century king Pamheiba saw the legendary burning of sacred scripture.
Meitei literature, also known as Manipuri literature, is literature written in the Meitei language of Manipur. An ancient institution of learning, the Luwang Nonghumsang, later known as the Pandit Loishang, collected sources of indigenous Meitei knowledge and philosophy until the 18th century. Writing by Meiteis is assumed to go back to the Kingdom of Kangleipak in the early 12th century. The Meitei script is a Brahmic abugida. It is known only from the Puya manuscripts discovered in the first half of the 20th century. Manuscripts of the 18th and 19th centuries were written using the Bengali alphabet. The existence of the Meitei script in the 15th-century hinges on the authenticity of an inscription dated to the reign of Senbi Kiyamba. The first printed Manipuri book, Manipurer Itihas, appeared in 1890 from the Baptist Mission Press, Calcutta. Though the kings of Manipur had established contact with the British from the middle of the eighteenth century onward the real impact of the contact came much later. Johnstone Middle English School, based on the western system of education, was started in 1885 at Imphal, and in 1891 Manipur lost its independence to the British. British domination facilitated the introduction of new systems in the civil, political and educational spheres, which hastened the process of modernization in Manipur, exposed as it was to new ideas and influences.
Nongshaba is a lion god in Sanamahism and Meitei mythology. He is also regarded as a king of the gods. He is credited with producing light in the primordial universe and is regarded as the maker of the sun. He is worshipped by the people of both the Ningthouja clans as well as the Moirang clans. Nongshaba was worshipped by the people of Moirang clan as a lineage deity and regarded as the father of the god Thangching. He is the greatest of the Umang Lais but he made his only son Thangching the chief deity of Moirang.
The Khamba Thoibi Sheireng, also spelled as the Khamba Thoibi Seireng, is a Classical Meitei language epic poem based on the ancient love story of Khuman prince Khamba and Moirang princess Thoibi of Ancient Moirang kingdom of Ancient Kangleipak. It is the magnum opus of Hijam Anganghal, the "Bard of Samurou". It is regarded as the national epic of the Manipuris. It is regarded as the greatest of all the epic poems in Meitei literature, with 39,000 verses, thereby being the third longest Indian epic poem, next to the Mahabharata and the Ramayana.
Meitei architecture, sometimes also referred to as Manipuri architecture, is the architecture produced by the Meitei speaking people, whose culture flourished in the Kangleipak kingdom and its neighbouring kingdoms from the middle of the fifteenth century BC. The Meitei architecture is best known for its temples, found scattered in the Kangleipak. Other architectural forms that are still in existence are the grand gates (Hojang), Traditional houses (Yumjao), Public houses (Sanglen), Official buildings (Loishang), etc.
Phou-oibi, the Rice Goddess is a 2013 Meitei language ballad opera, based on the story of goddess Phouoibi, adapted from Meitei mythology and folklore, performed by the Laihui Ensemble from Manipur, India, as a part of the "Tapestry of Sacred Music 2013" programme, held at the Esplanade in Singapore.
Kangleipak was an ancient, lesser known civilisation, consisting of the modern day Manipur, India which is still known to some residents as Kangleipak, and other neighbouring regions. The Kangla served as the foremost capital city of this realm from the 15th century BCE, up to medieval times.
Akongjamba was a nobleman in Ancient Moirang in Meitei mythology. He was a lover of the harvest Goddess Phouoibi. According to mythology, fate did not permit the lovers to unite, so they reincarnated. The lives of the two legendary lovers were believed to be enacted by Thangjing as a part of the epic cycles of incarnations.
Yumjao Leima or Yumjao Lairembi or Yumjao Lairemma is the mother goddess of house, household, royalty, rule and power in Meitei mythology and religion. She is designated as the all time ruling Queen Mother. Legend says she assumes a human form in white clothes and blesses kings. She is one of the divine incarnations of Leimarel Sidabi.
Koujeng Leima is a goddess in Sanamahism, the indigenous religion of Manipur. She is a wife of God Koupalu. She was a tribal woman, but later worshipped by the Meiteis as a goddess. She is one of the nine goddesses (laibenthous) who participated in the festival of God Thangjing.
Thangching or Thangjing is a primordial deity in Sanamahism, the indigenous religion of Manipur. He is the ruling deity of the Moirang dynasty. He rules supreme on the banks of the landlocked sea, Loktak lake. He is one of the four cardinal Umang Lais. The guardianship of the south western direction is alluded to Thangjing and the other directions to Koubru, Marjing and Wangbren.
In Meitei mythology and folklore, the epic cycles of incarnations in Moirang is a cyclic epic of seven incarnations of two divine lovers in the kingdom of Moirang in the realm of Ancient Kangleipak.
The ancient legend of Khuyol Haoba and Yaithing Konu is one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Moirang kingdom of Ancient Kangleipak. It concerns the fateful love of Khuyol Haoba, an orphan man, for the beautiful Yaithing Konu. Khuyol Haoba was the son of late Khundouremba, a court official of Moirang. Yaithing Konu was the daughter of Luwang Huiningsumba, an influential nobleman of Moirang.
The ancient legend of Kadeng Thangjahanba and Tonu Laijinglembi is an epic cycle of incarnations of Meitei mythology and folklore from Moirang kingdom of Ancient Kangleipak. It concerns the fateful love of Kadeng Thangjahanba, a skilled blacksmith, for the beautiful Tonu Laijinglembi.
The ancient legend of Ura Naha Khongjomba and Pidonnu is an epic cycle of incarnations of Meitei mythology and folklore from the Moirang kingdom of Ancient Kangleipak. It concerns the love and adventures of the forgotten prince Ura Naha Khongjomba for the beautiful woman Pidonnu.
The ancient legend of Wanglen Pungdingheiba and Sappa Chanu Silheibi is one of the tales of incarnations described in the Moirang Shayon. Moirang was an independent kingdom, but later became a province of Manipur. It concerns the tragi-comic romantic adventures of Wanglen Pungdingheiba for his ladylove Sappa Chanu Silheibi). Wanglen Pungdingheiba was a skilled craftsman known for making musical instrument pung. Lady Sappa Chanu Silheibi was a skilful weaving artisan. Both the lovers are equally noted for their talents and good looks, thereby becoming the matters of envy of many young men and women in the kingdom of Moirang.
The ancient legend of Khamba and Thoibi is a classic, as well as one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Ancient Moirang kingdom of Ancient Kangleipak . It is referred to as the "National Romantic Legend of Manipur" by Padma Vibhushan awardee Indian scholar Suniti Kumar Chatterjee.
The Moirang kangleirol is a collection of history, literature, folklore, mythology, legends, and other accounts from the ancient kingdom of Keke Moirang.
Koiren Leima or Leinung Yuchakha Chanu or Ayangleima is the name of the consort of Thangjing, the presiding deity of Ancient Moirang, a province in Ancient Manipur. There are two goddesses, Ayangleima Ahal and Ayangleima Atonpi, who are the first and the second wives of the god respectively. Their accounts are mentioned in the Moirang Ningthourol Lambuba, the royal chronicle of Ancient Moirang.