Bruce Mau is a Canadian designer and educator. He began his career a graphic designer and has since applied his design methodology to architecture, art, museums, film, eco-environmental design, education, and conceptual philosophy. Mau is the chief executive officer of Massive Change Network, a Chicago-based design consultancy he co-founded with his wife, Bisi Williams. In 2015, he became the Chief Design Officer at Freeman, a global provider of brand experiences. Mau is also a professor and has taught at multiple institutions in the United States and Canada.
The Oakland Museum of California or OMCA is an interdisciplinary museum dedicated to the art, history, and natural science of California, located adjacent to Oak Street, 10th Street, and 11th Street in Oakland, California. The museum contains more than 1.8 million objects dedicated to "telling the extraordinary story of California."
The Institute of Contemporary Art, Los Angeles is a contemporary art museum in Los Angeles, California, United States. As an independent and non-collecting art museum, it exhibits the work of local, national, and international contemporary artists. Until May 2015, the museum was based at the Bergamot Station Arts Center in Santa Monica, California. In May 2016, the museum announced an official name change to the Institute of Contemporary Art, Los Angeles and its relocation to Los Angeles's Downtown Arts District. The museum reopened to the public in September 2017.
Massive Change is an exhibition and book by designer Bruce Mau and the Institute without Boundaries, co-authored by Jennifer Leonard from her edited interviews.
The Art Gallery of Hamilton (AGH) is an art museum located in Hamilton, Ontario, Canada. The museum occupies a 7,000 square metres (75,000 sq ft) building on King Street West in downtown Hamilton, designed by Trevor P. Garwood-Jones. The institution is southwestern Ontario's largest and oldest art museum.
The Galeries Ontario / Ontario Galleries (GOG), formerly Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA), was established in 1968 to encourage development of public art galleries, art museums, community galleries and related visual arts organizations in Ontario, Canada. It was incorporated in Ontario in 1970, and registered as a charitable organization. It is a successor organization to the Southern Ontario Gallery Group founded in 1947, renamed the Art Institute of Ontario in 1952. In December 2020 Ontario Association of Art Galleries / Association Ontarienne des Galeries d’Art (OAAG/AOGA) rebranded to the name Galeries Ontario / Ontario Galleries (GOG) which included new brand identity, logo, and website to better serve art organizations in Ontario and Canada.
The Walter and McBean Galleries were located at in Russian Hill, as part of the former San Francisco Art Institute's Chestnut campus. It has presented an influential program of exhibitions highlighting innovative work by emerging artists and experimental work by more established artists, from throughout the United States and abroad.
Mildred Howard is an African-American artist known primarily for her sculptural installation and mixed-media assemblages. Her work has been shown at galleries in Boston, Los Angeles and New York, internationally at venues in Berlin, Cairo, London, Paris, and Venice, and at institutions including the Oakland Museum of California, the de Young Museum, SFMOMA, the San Jose Museum of Art, and the Museum of the African Diaspora. Howard's work is held in the permanent collections of numerous institutions, including the San Francisco Museum of Modern Art, the Oakland Museum of California, and the Ulrich Museum of Art.
Open Engagement is an international conference and artist project focusing on art and social practice. Directed and founded by Jen Delos Reyes in 2007, the conference incorporates workshops, exhibitions, residencies, pedagogy, curatorial practice and collaborative projects.
Ydessa Hendeles is a German-born Polish-Canadian artist-curator and philanthropist. She is also the founding director of the Ydessa Hendeles Art Foundation in Toronto, Ontario.
Deanna Bowen is an interdisciplinary artist whose practice includes films, video installations, performances, drawing, sculpture and photography. Her work addresses issues of trauma and memory through an investigation of personal and official histories related to slavery, migration, civil rights, and white supremacy in Canada and the United States. Bowen is a dual citizen of the US and Canada. She lives and works in Montreal.
Peggy Gale is an independent Canadian curator, writer, and editor. Gale studied Art History and received her Honours Bachelor of Arts degree in Art History from the University of Toronto in 1967. Gale has published extensively on time-based works by contemporary artists in numerous magazines and exhibition catalogues. She was editor of Artists Talk 1969-1977, from The Press of the Nova Scotia College of Art and Design, Halifax (2004) and in 2006, she was awarded the Governor General's Award in Visual and Media Arts. Gale was the co-curator for Archival Dialogues: Reading the Black Star Collection in 2012 and later for the Biennale de Montréal 2014, L’avenir , at the Musée d’art contemporain de Montréal. Gale is a member of IKT, AICA, The Writers' Union of Canada, and has been a contributing editor of Canadian Art since 1986.
Mary Evelyn Wrinch (1877–1969), was a Canadian artist who created miniature paintings, oil paintings, and block prints, sometimes inspired by the Northern Ontario landscape. She pioneered the 'Canadian style', painting landscapes with bold colours of the Algoma, Muskoka and Lake Superior regions, in situ. In her miniature paintings on ivory, she depicted her sitters with freshness and vitality. Her colour block prints are virtuoso examples of the medium.
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. From 2016 to 2023, she held the position of the inaugural curator of Indigenous Art at the Art Gallery of Ontario.
Jan Allen is a Canadian curator, writer, visual artist, and assistant professor in the Department of Art History and Art Conservation, and the Cultural Studies Program, at Queen's University, in Kingston, Ontario.
Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2022, Edmonds has been the Director and Curator of the Dalhousie Art Gallery in Halifax, Nova Scotia.
Nancy Dillow was a Canadian museum director, curator and writer.
Catharine Margaret Mastin is a Canadian curator. She is a specialist in modern and contemporary art with an emphasis on gender and women's art practices. She has worked at the Art Gallery of Windsor in Ontario and the Glenbow Museum in Calgary, Alberta. At the Art Gallery of Windsor, she was curator, arts administrator and executive director (2010-2020). She is an Adjunct Member of the Faculty of Graduate Studies in Art History at York University. Mastin also curated the exhibition "Franklin Carmichael: Portrait of a Spiritualist", an exhibition organized by the National Gallery of Canada, Ottawa which toured Canada between 1999 and 2001.
Anna Victoria Hudson is an art historian, curator, writer and educator specializing in Canadian Art, Curatorial and Indigenous Studies who is the Director of the Graduate Program in Art History & Visual Culture at York University, Toronto.
Barbara Fischer is an art curator and writer who specializes in contemporary art in all media with an emphasis on sculpture, installation, and projection/lens-based work. The Toronto Star called her the "unassuming nuclear reactor of the Toronto arts scene", adding that she is "doing seemingly impossible work that, at the same time, is both vital and otherwise neglected: building a memory bank of artistic expression in a city plagued with willful amnesia."
