Author | William S. Burroughs, Jr. |
---|---|
Country | United States |
Language | English |
Genre | Autobiographical |
Publisher | E. P. Dutton |
Publication date | 1973 |
Media type | Print (Hardcover and Paperback) |
Pages | 194 pp (first edition, hardback) |
ISBN | 0-525-13850-1 (first edition, hardback) |
OCLC | 650064 |
813/.5/4 | |
LC Class | PZ4.B9719 Ke PS3552.U749 |
Kentucky Ham, published in 1973, was the second novel by William S. Burroughs, Jr., the son of Beat Generation author William S. Burroughs.
Like its predecessor, Speed , the book is an autobiographical novel based upon Burroughs' own life. It covers his time spent in a prison farm in Kentucky, working on a fishing boat in Alaska, and visiting his father's old haunt, Tangiers, among other events.
Burroughs Jr. went on to write a third novel, Prakriti Junction, but it was never completed. Jennie Skerl, the academic who has published critical reviews of Burroughs' father's work, the Beats and Jane Bowles, befriended Billy and reported that his third novel included material about his liver transplant in 1976. Material from the third novel was edited into his third published work, Cursed From Birth . [1]
As with Speed, Kentucky Ham is often erroneously listed as part of the Burroughs, Sr. literary canon. In 1993 it was republished in an omnibus edition alongside Speed.
Brion Gysin was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices.
Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
William Seward Burroughs II was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced popular culture and literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays, and five books have been published of his interviews and correspondences; he was initially briefly known by the pen name William Lee. He also collaborated on projects and recordings with numerous performers and musicians, made many appearances in films, and created and exhibited thousands of visual artworks, including his celebrated "Shotgun Art".
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
Naked Lunch is a 1959 novel by American writer William S. Burroughs. The book is structured as a series of loosely connected vignettes, intended by Burroughs to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.
The Soft Machine is a 1961 novel by American author William S. Burroughs. It was originally composed using the cut-up technique partly from manuscripts belonging to The Word Hoard. It is the first part of The Nova Trilogy.
Joan Vollmer was an influential participant in the early Beat Generation circle. While a student at Barnard College, she became the roommate of Edie Parker. Their apartment became a gathering place for the Beats during the 1940s, where Vollmer was often at the center of marathon, all-night discussions. In 1946, she began a relationship with William S. Burroughs, later becoming his common-law wife. In 1951, Burroughs killed Vollmer. He claimed, and shortly thereafter denied, the killing was a drunken attempt at playing William Tell.
The Beat Hotel was a small, run-down hotel of 42 rooms at 9 Rue Gît-le-Cœur in the Latin Quarter of Paris, notable chiefly as a residence for members of the Beat poetry movement of the mid-20th century.
William Seward Burroughs III, also known as William S. Burroughs Jr. and Billy Burroughs, was an American novelist. He bears the name of his father, William S. Burroughs, as well as his great-grandfather, William Seward Burroughs I, the inventor of the Burroughs adding machine. He wrote three novels, two of which were published as Speed (1970) and Kentucky Ham (1973). His third novel, Prakriti Junction, begun in 1977, was never completed, although extracts from it were included in his third and final published work Cursed From Birth.
Junkie: Confessions of an Unredeemed Drug Addict is a novel by American beat generation writer William S. Burroughs, initially published under the pseudonym William Lee in 1953. His first published work, it is semi-autobiographical and focuses on Burroughs' life as a drug user and dealer. It has come to be considered a seminal text on the lifestyle of heroin addicts in the early 1950s.
James Grauerholz is a writer and editor. He is the bibliographer and literary executor of the estate of William S. Burroughs.
Grove Press is an American publishing imprint that was founded in 1947. Imprints include: Black Cat, Evergreen, Venus Library, and Zebra. Barney Rosset purchased the company in 1951 and turned it into an alternative book press in the United States. He partnered with Richard Seaver to bring French literature to the United States. The Atlantic Monthly Press, under the aegis of its publisher, Morgan Entrekin, merged with Grove Press in 1991. Grove later became an imprint of the publisher Grove/Atlantic, Inc.
The Ticket That Exploded is a 1962 novel by American author William S. Burroughs, published by Olympia Press and later by Grove Press in 1967. Together with The Soft Machine and Nova Express it is part of a trilogy, referred to as The Nova Trilogy, created using the cut-up technique, although for this book Burroughs used a variant called 'the fold-in' method. The novel is an anarchic tale concerning mind control by psychic, electronic, sexual, pharmaceutical, subliminal, and other means. Passages from the other two books and even from this book show up in rearranged form and are often repeated. This work is significant for fans of Burroughs, in that it describes his idea of language as a virus and his philosophy of the cut-up technique. It also features the cut-up technique being used by characters within the story. The Ticket That Exploded lays the groundwork for Burroughs' ideas of social revolution through technology, which he would later detail in his book-length essay The Electronic Revolution.
And the Hippos Were Boiled in Their Tanks is a novel by Jack Kerouac and William S. Burroughs. It was written in 1945, a full decade before the two authors became famous as leading figures of the Beat Generation, and remained unpublished in complete form until 2008.
Dead Fingers Talk, first published in 1963, was the fifth novel published by Beat Generation author William S. Burroughs. The book was originally published by John Calder in association with Olympia Press.
Port of Saints is a novel by Beat Generation author William S. Burroughs. First published in 1973, it was the last major work Burroughs wrote during his self-imposed exile in Europe during the late 1960s and early 1970s.
The Yage Letters, first published in 1963, is a collection of correspondence and other writings by Beat Generation authors William S. Burroughs and Allen Ginsberg. It was issued by City Lights Books.
Speed, first published in 1970, was the first of three published works by William S. Burroughs, Jr., the son of the Beat Generation author William S. Burroughs.
Ali's Smile: Naked Scientology is a collection of essays and a short story by American Beat writer William S. Burroughs (1914–1997). First published in 1971 as the short story "Ali's Smile", the book eventually contained a group of previously published newspaper articles as well, all of which address Scientology. Burroughs had been interested in Scientology throughout the 1960s, believing that its methods might help combat a controlling society. He joined the Church of Scientology later in the decade. However, he became disenchanted with the authoritarian nature of the organization. In 1970 Burroughs had published a "considered statement" on Scientology's methods because he felt they were significant enough to warrant commentary. These pieces were later gathered together into Ali's Smile: Naked Scientology, which religious studies scholar Hugh B. Urban describes as a "nonscholarly popular exposé of Scientology". Burroughs's texts argue that while some of Scientology's therapies are worthwhile, the dogmatic nature of the group and its secrecy are harmful.
Cyclops was a comic-strip tabloid published in London in 1970 by former International Times art editor Graham Keen working with Matt Hoffman an American, handling advertising and distribution. Published by Innocence & Experience, Cyclops had national distribution and a large print run, but lasted only four issues.