The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past thirty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by Time magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it shares with the Harvard-Radcliffe Dramatic Club. The A.R.T. operates the Institute for Advanced Theater Training.
The San Jose Repertory Theatre was the first resident professional theatre company in San Jose, California. It was founded in 1980 by James P. Reber. In 2008, after the demise of the American Musical Theatre of San Jose, the San Jose Rep became the largest non-profit, professional theatre company in the South Bay with an annual operating budget of $5 million. In 2006, it was saved from impending insolvency by a $2 million bailout loan from the city of San Jose; this was later restructured into a long-term loan similar to a mortgage.
Great Lakes Theater, originally known as the Great Lakes Shakespeare Festival, is a professional classic theater company in Cleveland, Ohio, United States. Founded in 1962, Great Lakes is the second-largest regional theater in Northeast Ohio. It specializes in large-cast classic plays with a strong foundation in the works of Shakespeare and features an educational outreach program. The company performs its main stage productions in rotating repertory at the Hanna Theatre in Playhouse Square, which reopened on September 20, 2008. The organization shares a resident company of artists with the Idaho Shakespeare Festival. On its main stage and through its education programs, GLT connects approximately 85,000 adults and students to the classics each season.
The American Conservatory Theater (A.C.T.) is a nonprofit theater company in San Francisco, California, United States, that offers both classical and contemporary theater productions. It also has an attached acting school.
Robert Sanford Brustein is an American theatrical critic, producer, playwright, writer, and educator. He founded both the Yale Repertory Theatre in New Haven, Connecticut, and the American Repertory Theatre in Cambridge, Massachusetts, where he remains a creative consultant, and was the theatre critic for The New Republic. He comments on politics for the Huffington Post.
Seattle Repertory Theatre is a major regional theatre located in Seattle, Washington, at the Seattle Center. It is a member of Theatre Puget Sound and Theatre Communications Group. Founded in 1963, it is led by Artistic Director Braden Abraham and Managing Director Jeffrey Herrmann. It received the 1990 Regional Theatre Tony Award.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
The Marin Theatre Company (MTC) is a 501(c)3 nonprofit organization and professional LORT D regional theater located in Mill Valley, California. Jasson Minadakis is the company's Artistic Director and Meredith Suttles its Managing Director / CEO.
Detroit Repertory Theatre is a regional theatre located at 13103 Woodrow Wilson in Detroit, Michigan with a seating capacity of 194. It is Michigan's longest running, non-profit, professional (union) Theatre. The theatre began as a children's musical touring company in 1957 and performed throughout Michigan, Indiana, Ohio and Pennsylvania, before it established itself on Woodrow Wilson Avenue in Detroit in 1963. It survived the race riots of 1967 and has been over the nearly 60 years of its existence often the only fully professional non-profit theatre in Detroit. The theatre averages about 60,000 admissions each year.
Kansas City Repertory Theatre is a professional resident theater company serving the Kansas City metropolitan area, and is the professional theater in residence at the University of Missouri-Kansas City (UMKC).
TheatreWorks Silicon Valley is a Tony Award-winning non-profit, professional theatre company based in Palo Alto, California, founded in July, 1970. The company is a member of the League of Resident Theatres (LORT) and employs some 300 artists annually, including Equity and non-Equity actors, directors, designers and specialty artists. The company stages a year-round season of eight productions - comedies, dramas, and musicals - in the Mountain View Center for the Performing Arts and in the California Mission-style Lucie Stern Theatre complex in Palo Alto.
Rick Shiomi is an internationally recognized, award-winning Japanese Canadian playwright, stage director, artistic director and taiko artist, and a major player in the Asian American/Canadian theatre movement. He is best known for his groundbreaking play Yellow Fever, which earned him the Bay Area Theater Circle Critics Award and “Bernie” Award. Over the last couple decades, Shiomi has also become a notable artistic and stage director. He directed the world premiere of the play Caught by Christopher Chen for which he received the Philadelphia Barrymore Award Nomination for Outstanding Direction. He is currently the Co-Artistic Director of Full Circle Theater Company.
The Oklahoma City Ballet is a professional dance company and school located in Oklahoma City. The company began under the artistic direction of Ballet Russe de Monte Carlo dancers Yvonne Chouteau and Miguel Terekhov in the Science and Arts Foundation building on the Oklahoma City Fairgrounds,
The Actor's Workshop was a theatre company founded in San Francisco in 1952. It was the first professional theatre on the west coast to premiere many of the modern American classics such as Arthur Miller's Death of a Salesman and The Crucible, and the world dramas of Samuel Beckett, Bertolt Brecht, Jean Genet and Harold Pinter. For the 1953–1954 season, the Workshop offered six plays: Lysistrata, by Aristophanes; Venus Observed, by Christopher Fry; Death of a Salesman, by Arthur Miller; a revival of Playboy; The Cherry Orchard, by Anton Chekhov; and Tonight at 8.30, by Noël Coward. On April 15, 1955, the Actor's Workshop signed the first Off-Broadway Equity contract to be awarded outside New York City.
City Theatre is a professional theater company located in Pittsburgh's South Side. It specializes in productions of new plays and has commissioned new works by playwrights on the national theatre scene, including Christopher Durang, Adam Rapp, and Jeffrey Hatcher. Established in 1975 as the City Players under the direction of Marjorie Walker, it was originally composed mainly of Carnegie Mellon graduates and was part of Pittsburgh's Department of Parks and Recreation, performing at schools, parks, and housing projects. Initially the group shared their performance space in the North Side's Allegheny Center with Pittsburgh Public Theater. In 1979, the group was offered a residency at the University of Pittsburgh and renamed itself City Theatre. “Homeless” for a brief period of time, the University of Pittsburgh theatre department offered to shelter the theater company in 1980. Attilo Favorini, head of the department, thought that, “The City Theater offered us [Pitt] the opportunity for Pitt’s students to work a professional company.”(Steele, Bruce “Artistic Struggles -The City Theater Company: A History of Bad Luck and Good Theater” pg. 27) In addition to receiving a new troupe of professional actors, arts funding through CETA enabled the expansion of the company and the creation of the Three Rivers Shakespeare Festival in the summer of 1980. In 1981, under the artistic direction of Marc Masterson, the company moved to a new performance space on Bouquet Street in Oakland. The company again moved to a new performance space at the former Bingham United Methodist Church in the South Side in 1991, where in addition to its own season it acted as a host space for the earliest productions of the Pittsburgh New Works Festival. Marc Masterson became artistic director of Actors Theatre of Louisville in Kentucky, and Tracy Brigden became artistic director in 2001.
Actors Theatre of Louisville is a non-profit performing arts theater located in downtown Louisville, Kentucky. Actors Theatre was founded in 1964 following the merging of two local companies, Actors, Inc. and Theatre Louisville, operated by Louisville natives Ewel Cornett and Richard Block. Designated as the "State Theater of Kentucky" in 1974, the theatre has been called one of America's most consistently innovative professional theatre companies, with an annual attendance of 150,000.
Ogunquit Playhouse is a regional theater at 10 Main Street in Ogunquit, Maine. Ogunquit Playhouse is one of the last remaining summer theaters from the Summer Stock which still produces musical theatre. The Playhouse is listed on the National Register of Historic Places as a National Level of Significance "in consideration of the significant contributions made by its founder Walter J. Hartwig and the Playhouse to Performing Arts Education throughout the nation."
Rick Lombardo is a prolific and award-winning American theatre director, playwright and adaptor. He is the former producing artistic director of San Jose Repertory Theatre, and the former Artistic Director of New Repertory Theatre in Watertown, Massachusetts. Lombardo is currently the artistic director of Penn State Center Stage, and the director of the School of Theatre at Penn State University and the Penn State College of Arts and Architecture.
The Mirror Theater was founded by Sabra Jones in 1983, who was also the Founding Artistic Director. The first program of the theater was the Mirror Repertory Company (MRC). Founding members of the company included Eva Le Gallienne, John Strasberg, and Geraldine Page. Sabra Jones reached out to Ellis Rabb, artistic director of the APA Phoenix Repertory Company, John Houseman of the Mercury Theater, and Eva Le Gallienne of the Civic Repertory Theatre Company. The company was intended to be "an alternating repertory company in the classic sense" of actor-manager leadership, which Rabb, Houseman, and La Gallienne pioneered. Alternating repertory refers to when one company performs a variety of plays in the same season with the same actors, which was formerly a mainstay of theater tradition. This system has been attributed with helping actors grow in their craft through a wide variety of roles. MRC was funded in its inception primarily by philanthropist Laurance S. Rockefeller, with additional donations from philanthropists and actors such as Paul Newman, Al Pacino, Dustin Hoffman, and others.
