Keoma | |
---|---|
Directed by | Enzo G. Castellari [1] |
Screenplay by | Mino Roli Nico Ducci Luigi Montefiori Enzo G. Castellari [1] Dialogue: Joshua Sinclair (uncredited) [2] [3] |
Story by | Luigi Montefiori [1] |
Produced by | Manolo Bolognini [1] |
Starring | Franco Nero William Berger Olga Karlatos Woody Strode |
Cinematography | Aiace Parolin [1] |
Edited by | Gianfranco Amicucci [1] |
Music by | Guido & Maurizio De Angelis [1] |
Production company | Uranos Cinematografica [1] |
Distributed by | F.A.R. International Films |
Release date |
|
Running time | 101 minutes [1] |
Country | Italy [1] |
Languages | Italian English |
Box office | ₤1.571 billion (Italian lira) |
Keoma is a 1976 Italian spaghetti Western film directed by Enzo G. Castellari and starring Franco Nero. It is frequently regarded as one of the better 'twilight' Spaghetti Westerns, being one of the last films of its genre, and is known for its incorporation of newer cinematic techniques of the time (such as slow motion and close/medium panning shots) and its vocal soundtrack by Guido & Maurizio De Angelis. [4]
After the American Civil War, ex-Union soldier Keoma Shannon, part-Indian and part-white, returns to his home town to find his half-brothers in alliance with a petty tyrant named Caldwell. Caldwell and his gang rule over the town with an iron fist. With the help of his father and George, an old Black friend, he vows revenge. Keoma also shows compassion when he saves a pregnant woman from a group sent by Caldwell's group to be quarantined in a mine camp full of plague victims. Keoma is constantly visited by the apparition of an older woman ("The Witch") who saved him during the massacre of an Indian camp.
While participating in the filming of 21 Hours at Munich , Franco Nero was approached by his longtime friend and collaborator Enzo G. Castellari and producer Manolo Bolognini on the proposition of appearing in a Spaghetti Western, despite dwindling demand for films of that genre. At the time, no stories or scripts had been written - Nero, Castellari and Bolognini did, however, decide to name their pet project Keoma , which was a Native American name that, according to Bolognini, meant 'freedom' (in reality, the name means 'far away'). [3]
Keoma was reportedly planned as a sequel to Sergio Corbucci's Django , which Bolognini co-produced. [5] The original treatment was written by actor George Eastman (Luigi Montefiori) and developed into a script by Mino Roli and Nico Ducci, neither of whom were experienced writers of Spaghetti Westerns. Roli and Ducci's screenplay arrived three days after shooting began and was quickly thrown out by Castellari and Nero, unanimously believing that it was not appropriate for a Western. Castellari proceeded to rewrite the script on a daily basis throughout filming, taking suggestions from cast and crew members, as well as being influenced by the works of Shakespeare and Sam Peckinpah, among other sources. Most of the dialogue as it appears in the film was written by actor John Loffredo, although Nero also contributed a substantial amount of his own lines, including his final exchange with "The Witch". [2] [3] In a 2012 interview, Nero explained that he lifted a line from a book called The Cowboy and the Cossack, by Nero's friend Claire Huffaker, for the scene with the Witch. [6]
The film was shot over a period of eight weeks, with most principal photography being done at the Elios Studios in Rome, where Corbucci had previously filmed Django. [2] The studio's set was in dire need of repair, which made it easier for Castellari to film as they did not have to redress the sets. [5] The film was also shot on location at Lago di Camposecco. [5]
According to Nero, the music by Guido & Maurizio De Angelis was inspired by Leonard Cohen. [6]
Keoma premièred in Italy on November 25, 1976, [7] [8] and was considered a mild success in Italy at the time. [9] The film grossed a total of 1,571,995,000 Italian lira in Italy on its theatrical release. [10]
It was later released on Blu-ray by Mill Creek Entertainment as a double-feature with The Grand Duel utilizing a restored print.
Some countries promoted the film as a Django film. These included France (Django Rides Again) and West Germany (Django's Great Return). [11] In the UK, the film was released in 1977 by Intercontinental Films as The Violent Breed, [12] while Vadib Productions released the film in the United States as Keoma the Avenger in 1978. [13] Spanish promotion for the film lists Sergio Leone as a producer which he is not credited with anywhere else. [11]
In a contemporary review, the Monthly Film Bulletin reviewed a dubbed 85 minute version of the film. [1] The review noted that the film was "too severely cut to follow its plot easily let alone its multiple Freudian undercurrents", but stated that "visually it has many impressive if conventional aspects", noting the introduction and various flash back scenes. [1] The review also praised Franco Nero as "endlessly enjoyable" and concluded that Keoma "is an effective reminder that the Italian Western was always formally more intriguing than its critics would have one believe." [1]
In a retrospective review, AllMovie gave the film four stars out of five, and referred to the film as one of the "finest efforts" of the Spaghetti Western genre. [14] The review noted that the "plentiful gunplay is choreographed with balletic grandeur, the camera work is sweeping and lyrical" and Luigi Montefiore's script "is heavy with spiritual metaphor while still adhering to established Western tenets." [14] AllMovie also commented on the score as "the film's sole drawback", finding it "often tone-deaf". [14]
The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.
Francesco Clemente Giuseppe Sparanero, known professionally as Franco Nero, is an Italian actor, producer, and director. His breakthrough role was as the title character in the Spaghetti Western film Django (1966), which made him a pop culture icon and launched an international career that includes over 200 leading and supporting roles in a wide variety of films and television productions.
George Eastman is an Italian actor and screenwriter well known for his frequent collaborations with notorious director Joe D'Amato. He is most famous for his role as the insane, cannibalistic serial killer Klaus Wortmann in the gory 1980 horror film Antropophagus. He also played a similar role in its 1981 follow-up, Absurd. Both films were directed by D'Amato and written by Eastman.
The Great Silence is a 1968 revisionist spaghetti Western film directed and co-written by Sergio Corbucci. An Italian-French co-production, the film stars Jean-Louis Trintignant, Klaus Kinski, Vonetta McGee and Frank Wolff, with Luigi Pistilli, Mario Brega, Marisa Merlini and Carlo D'Angelo in supporting roles.
Sergio Corbucci was an Italian film director, screenwriter and producer. He directed both very violent Spaghetti Westerns and bloodless Bud Spencer and Terence Hill action comedies.
Django is a 1966 spaghetti Western film directed and co-written by Sergio Corbucci, starring Franco Nero as the title character alongside Loredana Nusciak, José Bódalo, Ángel Álvarez and Eduardo Fajardo. The film follows a Union soldier-turned-drifter and his companion, a mixed-race prostitute, who become embroiled in a bitter, destructive feud between a gang of Confederate Red Shirts and a band of Mexican revolutionaries. Intended to capitalize on and rival the success of Sergio Leone's A Fistful of Dollars, Corbucci's film is, like Leone's, considered to be a loose, unofficial adaptation of Akira Kurosawa's Yojimbo.
Tomas Milian was a Cuban-born actor and singer with American and Italian citizenship, known for the emotional intensity and humor he brought to starring roles in European genre films.
Enzo Girolami Castellari is an Italian film director, screenwriter and actor.
Texas, Adios is a 1966 Italian/Spanish international co-production Spaghetti Western film directed by Ferdinando Baldi and starring Franco Nero. It is often referenced in connection with Django, also starring Nero, and although was referred to as Django 2 in some countries, it is not considered a sequel. The film is mostly remembered as a lesser known Spaghetti Western.
Django is a fictional character who appears in a number of Spaghetti Western films. Originally played by Franco Nero in the Italian film of the same name by Sergio Corbucci, he has appeared in 31 films since then. Especially outside of the genre's home country Italy, mainly Germany, countless releases have been retitled in the wake of the original film's enormous success.
Cry, Onion! is a 1975 Spaghetti Western comedy film directed by Enzo G. Castellari. It is openly comedic and parodic.
The Shark Hunter, also known as Guardians of the Deep, is a 1979 Italian adventure film directed by Enzo G. Castellari.
Day of the Cobra is a 1980 Italian poliziottesco film directed by Enzo G. Castellari.
Johnny Hamlet (Italian: Quella sporca storia nel West, lit. 'That Dirty Story in the West' is a 1968 Italian film directed by Enzo G. Castellari. The film is a Spaghetti Western version of William Shakespeare's tragedy Hamlet.
Jonathan of the Bears is a 1995 spaghetti Western film directed by Enzo G. Castellari. It was coproduced and filmed in Russia, where it was released as Месть - белого индейца.
Django Strikes Again is a 1987 Italian spaghetti Western film directed by Nello Rossati, under the pseudonym "Ted Archer". It is the only official sequel to Django.
A Few Dollars for Django is a 1966 Italian/Spanish co-production Spaghetti Western film directed by León Klimovsky and Enzo G. Castellari and starring Anthony Steffen. Although credited only to León Klimovsky, A Few Dollars for Django was predominantly directed by an uncredited Enzo G. Castellari.
Leopoldo de Anchóriz Fustel was a Spanish actor and writer, most notable for appearing in Spaghetti Western films.
Go Away! Trinity Has Arrived in Eldorado is a comedic Spaghetti Western from 1972. It is one of the first of various "Trinity" films inspired by the earlier They Call Me Trinity and Trinity Is Still My Name.