Kerry Tribe | |
|---|---|
 Kerry Tribe, Production Still, Exquisite Corpse (2016) | |
| Born | 1973 [1] |
| Nationality | American |
| Education | Brown University, UCLA [1] |
| Known for | installation art, film, new media art, digital art, List of Whitney Biennial artists |
| Notable work | There Will Be ________/Greystone, Critical Mass, 2012, Milton Torres Sees a Ghost, 2010, The Last Soviet, 2010, H.M., 2009 |
Kerry Tribe (born 1973) is an American visual artist who works primarily in film, video, and installation. [1]
Tribe grew up in Cambridge and received a BA in 1997 from Brown University where she studied art and semiotics. She received a fellowship from the Whitney Independent Study Program in New York in 1998 and completed an MFA at the University of California, Los Angeles in 2002. During 2005–6, she was awarded a fellowship at the American Academy in Berlin. In 2012, she received a USA fellowship. [2]
Tribe's 30-minute narrative short, Greystone, revisits one of the 20th century's most shocking and mysterious society murders. Filmed on location at Greystone Mansion in Beverly Hills California, in the very rooms where the killings took place, and using only dialog appropriated from dozens of Hollywood feature films that were also shot within the storied estate, Greystone proposes a series of explanations for how a Los Angeles oil tycoon and his personal assistant might actually have arrived at their deaths. [3]
Critical Mass is Kerry Tribe's tribute to Hollis Frampton's groundbreaking experimental film Critical Mass (1971). Hollis Frampton's original work captures an argument between a couple and cuts it up into a series of rhythmic, repetitive, fragmented phrases. For the Tate Museum in 2012 and the Museum of Modern Art in 2013, Tribe had actors Nick Huff and Emelie O'Hara reenact this classic structuralist film. [4]
In Tribe's installation, Milton Torres Sees a Ghost, magnetic audio-tape loops between two listening stations. Each listening station is equipped with a reel-to-reel audio player and an oscilloscope that displays a visual representation of the soundtrack. The soundtrack features the account of an American fighter pilot's encounter with a UFO over British air space in 1957, which was kept secret until the British government released records of the event in 2008. The testimony is edited so that, at times, the man seems to be describing the technology used to image the mysterious aircraft, whilst at other times he could be talking about technology present in the installation itself. As the tape moves around the space, it passes through two decks—one continuously lays the track down while the other erases it, therefore, providing visitors an intact soundtrack in one location and a fragmented version in another. The installation also includes censored and later declassified documents relating to the investigation of Milton Torres’ sighting. [5]
The Last Soviet (2010) is a looping 10-minute video that tells the story of Russian cosmonaut Sergei Krikalev, who was stranded on the Mir space station for 311 days in 1991 during the collapse of the Soviet Union. Video footage of a model of the interior of Mir constructed in Tribe's studio is intercut with various archival materials related to this moment in history, including film footage of a performance of the ballet Swan Lake that was used to censor Russian news broadcasts of the political turmoil, images of tanks on the streets of Moscow, and photographs depicting aspects of the Russian space program. Throughout the image sequences, a male voiceover recounting the forgotten cosmonaut's story from a personal point of view in English with Russian subtitles alternates with a female voiceover giving a historical account of the period in Russian with English subtitles. [6]
H.M. is a two-channel presentation of a single film looping through two projectors so that the right screen is shows a section of film 20 seconds after the left screen. The film is based on the true story of an anonymous, memory-impaired man, the famous amnesiac known in scientific literature only as "Patient H.M." In 1953, when he was 27 years old, H.M. underwent experimental brain surgery intended to alleviate his epilepsy. The unintended result was a radical and persistent amnesia. Though he was no longer able to make lasting memories, his short-term recall, lasting about 20 seconds, remained intact. The structure of the installation and the nature of the material together produce a sensation of mnemonic dissonance much like that experienced by Patient H.M. [7]
Her solo exhibitions include the Arnofini, Bristol, England (2010), Kunstlerhaus Bethanien, Berlin, Germany (2006), and Los Angeles Contemporary Exhibitions, Los Angeles (2003). Selected group exhibition include the Whitney Biennial, New York (2010); The Cinema Effect at the Hirshhorn Museum, Washington, D.C.; Exile of the Imaginary at the Generali Foundation, Vienna (2007); and Adaptive Behavior, New Museum of Contemporary Art, New York (2004). [1] She also developed a performance called Critical Mass for the Tate Modern in 2012 and the Museum of Modern Art, New York in 2013. [8] [9]
Kerry Tribe is married to artist Mungo Thomson. [10] Her brother is new media artist and founder of Rhizome Mark Tribe, and her father is Harvard law professor Laurence Tribe.
Carl Andre was an American minimalist artist recognized for his ordered linear and grid format sculptures. His sculptures range from large public artworks, to large interior works exhibited on the floor, to small intimate works.
Shirin Neshat is an Iranian photographer and visual artist who lives in New York City, known primarily for her work in film, video and photography. Her artwork centers on the contrasts between Islam and the West, femininity and masculinity, public life and private life, antiquity and modernity, and bridging the spaces between these subjects.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
Hollis William Frampton, Jr. was an American avant-garde filmmaker, photographer, writer, theoretician, and pioneer of digital art. He was best known for his innovative and non-linear structural films that defined the movement, including Lemon (1969), Zorns Lemma (1970), and Hapax Legomena (1971–1972), as well as his anthology book, Circles of Confusion: Film, Photography, Video: Texts, 1968–1980 (1983).
Paul Jeffrey Sharits was a visual artist, best known for his work in experimental, or avant-garde filmmaking, particularly what became known as the structural film movement, along with other artists such as Tony Conrad, Hollis Frampton, and Michael Snow.
Natalie Bookchin is an artist based in Brooklyn, New York. She is well known for her work in media. She was a 2001-2002 Guggenheim Fellow. Her work is exhibited at institutions including PS1, Massachusetts Museum of Contemporary Art, the Museum of Contemporary Art in Barcelona, KunstWerke, Berlin, the Generali Foundation, Vienna, the Walker Art Center, the Whitney Museum of American Art, and the Shedhale in Zurich. Her works are in a variety of forms – from online computer games, collaborative performances and "hacktivist" interventions, to interactive websites and widely distributed texts and manifestos. In her work, she explores some of the far-reaching consequences of Internet and digital technologies on a range of spheres, including aesthetics, labor, leisure, and politics. Much of Bookchin's later works amass excerpts from video blogs or YouTube found online. From 1998 to 2000 she was a member of the collective RTMark, and was involved in the gatt.org prank they organized spoofing the 1999 General Agreement on Tariffs and Trade talks
Zorns Lemma is a 1970 American structural experimental film by Hollis Frampton. Originally starting as a series of photographs, the non-narrative film is structured around a 24-letter classical Latin alphabet. It remains, along with Michael Snow's Wavelength and Tony Conrad's The Flicker, one of the best known examples of structural filmmaking.
Hapax Legomena is a seven-part film cycle by American experimental filmmaker Hollis Frampton. The complete cycle premiered in November 1972.
# Susan Kleinberg - Artist Biography
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Jennifer Vanderpool is an American artist living and working in Los Angeles. In her work "there is a chipper cynicism to the retro character of the figures, buildings, fashions, and patterns, so that there is certainly a sense of tradition, yet there is also a sense of transference and surrealism."
May Sun is a Los Angeles–based artist known primarily for her public art projects. Sun works in the mediums of sculpture, mixed media, photography and installation. Her work has been exhibited nationally and internationally. She was born in Shanghai, China, moved to Hong Kong at the age of two with her family and immigrated to the United States in 1971 to attend the University of San Diego. "May Sun often refers to aspects of her Chinese heritage in her work, which consistently crosses cultural and political boundaries as well as the boundaries traditionally separating art forms and disciplines."
Colin Gardner is a British film and media studies theorist living in Shaker Heights, Ohio.
William Leavitt is a conceptual artist known for paintings, photographs, installations, and performance works that examine "the vernacular culture of L.A. through the filter of the entertainment industry...drawing on 'stock environments' and designs of films as well as the literature of the place." A critical figure in the West Coast conceptual art movement of the late 60s, Leavitt himself has managed to maintain a low profile. "Over the last 40 years, William Leavitt has made a name for himself as an influential artist while staying so far out of fame's spotlight that his hard-to-categorize works have been all but invisible to the public," wrote the LA Times. While his work is collected by high-profile artists such as John Baldessari and Mike Kelley, Leavitt himself has eschewed celebrity.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Marion Faller was an American photographer. Faller's work has been shown in a range of exhibitions and is held in various public collections.
Andrea Bowers, is an American artist working in a variety of media including video, drawing, and installation. Her work has been exhibited around the world, including museums and galleries in Germany, Greece, and Tokyo. Her work was included in the 2004 Whitney Biennial and 2008 California Biennial. She is on the graduate faculty at Otis College of Art and Design, and is Los Angeles–based.
Jody Zellen is an American artist and educator. Her practice, consisting of digital art, painting, video art, and drawing, has been showcased by way of interactive installations, public art, and curated exhibitions. She is also known for her art criticism.
Deborah Stratman is a Chicago-based artist and filmmaker who explores landscapes and systems. Her body of work spans multiple media, including public sculpture, photography, drawing and audio.
Laida Lertxundi is a Spanish artist, filmmaker and professor of fine arts based in the United States and the Basque Country.
{{cite book}}: CS1 maint: multiple names: authors list (link)
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
