Keyes, Lethbridge & Condon Keyes Condon Florance | |
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Practice information | |
Partners | David H. Condon FAIA ; Thomas Eichbaum FAIA; Philip Esocoff FAIA; Colden Florance FAIA; Arthur H. Keyes Jr. FAIA; David King FAIA; Francis D. Lethbridge FAIA; Nathaniel Satterlee FAIA; Chloethiel Woodard Smith FAIA |
Founders | Keyes, Lethbridge, Satterlee and Smith |
Founded | 1951 |
Dissolved | 1997 |
Location | Washington, D.C. |
Keyes, Lethbridge & Condon was an American architectural firm active, under several different names, in Washington, D.C. from 1951 to 1997. It was founded in 1951 as Keyes, Smith, Satterlee & Lethbridge before splitting into Keyes & Lethbridge and Satterlee & Smith in 1956. Keyes & Lethbridge became Keyes, Lethbridge & Condon in 1958 and Keyes Condon Florance in 1975. After two more name changes it reverted to Keyes Condon Florance in 1995 and was merged into SmithGroup in 1997.
Keyes, Lethbridge & Condon was established in 1951 as Keyes, Smith, Satterlee & Lethbridge, the partnership of Arthur H. Keyes Jr., Chloethiel Woodard Smith, Nathaniel Satterlee and Francis D. Lethbridge. All four had met working in the office of Berla & Abel, which was known as an incubator for young design talent. They were modernists and their work adhered to the architectural principles of the modern movement. In 1956 the firm was divided into two new firms, Keyes & Lethbridge and Satterlee & Smith. Smith's firm, which became Chloethiel Woodard Smith & Associates in 1963, was the largest woman-owned architectural practice in the country. [1]
In 1958 Keyes & Lethbridge were joined by a third partner, David H. Condon, and the firm was renamed Keyes, Lethbridge & Condon. In the 1960s the firm developed into the strongest design firm in the district, and was well known for large residential and institutional projects. In their designs, the partners adhered to the architectural principles of the modern movement. During this time they completed several award-winning projects, including the Tiber Island Cooperative Homes and the River Road Unitarian Universalist Church in Bethesda, both completed in 1965. [2] The firm declined in size in the 1970s, but in 1973 they were joined in partnership by Colden Florance, a former employee. [3]
Florance brought into the firm a focus on new project types, especially commercial projects. [2] Lethbridge withdrew from the partnership in 1975 and the firm was renamed Keyes Condon Florance. The increase in new projects led to significant growth, and in 1985 four new partners, Thomas Eichbaum, Philip Esocoff and David King, were added. Florance, Eichbaum, Esocoff and King adopted a more pluralistic approach to design than the founders, and embraced postmodernism and other contemporary trends. During these years the firm completed many office buildings as well as the conversion of historic buildings into the National Building Museum (1985), the National Museum of Women in the Arts (1987) and the National Postal Museum (1993). In 1991, as Keyes and Condon moved towards retirement, the name of the firm was extended to Keyes Condon/Florance Eichbaum Esocoff King. This was reduced to Florance Eichbaum Esocoff King in 1992. [2]
In 1995 Esocoff withdrew from the partnership, and the firm returned to its former name of Keyes Condon Florance. [4] In October, 1996 Florance and SmithGroup announced plans to merge Keyes Condon Florance into SmithGroup's Washington office, creating the largest architectural office in the city. The merger took effect at the start of 1997. Florance's initial role was as managing director of the office. [5] He retired in 2011.
Arthur Hawkins Keyes Jr. FAIA (May 26, 1917 – June 7, 2012) was born in Rutland, Vermont. He was educated at Princeton University and the Harvard Graduate School of Design, graduating from the latter with a BArch in 1942. He worked for architects Berla & Abel and Burket, Neufeld & DeMars until 1949, when he opened his own office. During World War II he served in the naval reserve. [6]
Keyes was married in 1941 to Lucille Sheppard and had three children. [6] He died in Washington at the age of 95. [7]
Francis Donald Lethbridge FAIA (October 5, 1920 – April 17, 2008) was born in Hackensack, New Jersey. He was educated at the Stevens Institute of Technology and Yale University, graduating from the latter in 1946. During World War II he served in the naval reserve. He worked for architects Berla & Abel and Faulkner, Kingsbury & Stenhouse before establishing the firm of Satterlee & Lethbridge with Nathaniel Satterlee in 1950. The work of Satterlee & Lethbridge included Holmes Run Acres (1952). [8] [9]
In 1965 he was also coauthor of the first edition of the AIA Guide to the Architecture of Washington, D.C. Upon leaving Keyes, Lethbridge & Condon in 1975 he established an independent practice, Francis D. Lethbridge & Associates, which had a focus on preservation. He retired in 1990. [8] [9]
Lethbridge was married to Mary Jane Christopher in 1947 and had four children. [8] He died in Nantucket, Massachusetts at the age of 87. [9]
David Holt Condon FAIA (March 15, 1916 – July 14, 1996) was born in Pasadena, California and was educated at the University of California, Berkeley, graduating with an AB in architecture in 1939. He served in the naval reserve during World War II, after which he moved to Washington, where he joined the office of Charles M. Goodman, Keyes, Smith, Satterlee & Lethbridge and Ronald S. Senseman before rejoining Keyes & Lethbridge in 1956. [10]
Condon was married to Sylvia Marquez in 1947 and had two children. [10] He died at home in Chevy Chase, Maryland at the age of 80. [11]
Colden l'Hommedieu Ruggles "Coke" Florance FAIA (January 24, 1931 – December 28, 2023) was born in Baltimore. He was educated at Princeton University, earning an AB in 1952 and an MFA in 1955. He served in the navy until 1959, when he joined Satterlee & Smith before moving to Keyes, Lethbridge & Condon in 1961. [12] He left in 1968 to form the partnership of Florance & Cohalan, and later managed a solo practice before returning to Keyes, Lethbridge & Condon. [13] [14]
Florance was married three times: to Barbara Dale Crosby, Elizabeth Owens and Nancy Griscom. He had three children. [14] He died in Washington at the age of 92. [15]
Like Berla & Abel before them, Keyes, Lethbridge & Condon and its successors were noted as an incubator for young architects. Their most notable alumni were George E. Hartman Jr. and Warren J. Cox, who founded Hartman-Cox Architects in 1965 after leaving the firm, and Hugh Newell Jacobsen, who worked for the firm in 1957–58. Other employees who established successful local and regional practices include Heather Cass of Cass & Associates, Winthrop W. Faulkner, William C. Gridley of Bowie Gridley Architects and Jack McCartney and Anne McCutcheon Lewis of McCartney Lewis Architects. [2]
The partners were recognized by the architectural community for their excellence in design. All of the name partners were elected Fellows of the American Institute of Architects (AIA), the AIA's highest membership honor. [16]
Embassy Row is the informal name for a section of Northwest Washington, D.C., with a high concentration of embassies, diplomatic missions, and diplomatic residences. It spans Massachusetts Avenue N.W. between 18th and 35th street, bounded by Scott Circle to the south and the United States Naval Observatory to the north; the term is often applied to nearby streets and neighborhoods that also host diplomatic buildings, such as Kalorama.
Warder Mansion is an apartment complex at 2633 16th Street Northwest, in the Meridian Hill neighborhood of Washington, D.C. It is the only surviving building in the city designed by architect Henry Hobson Richardson. In an early example of preservation commitment, the building was saved from demolition in the 1920s by being disassembled and moved 1.5 miles (2.4 km) north of its original site. In the 1990s, the Warder-Totten House's prospects for survival again looked bleak, but the building was saved a second time.
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Chloethiel Woodard Smith, was an American modernist architect and urban planner whose career was centered in Washington, D.C. She was the sixth woman inaugurated into the American Institute of Architects College of Fellows and at the peak of her practice led the country's largest woman-owned architecture firm.
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