Related Research Articles
Jeevan Mrityu is a 1970 Hindi-language crime thriller film produced by Tarachand Barjatya for Rajshri Productions. The film starred Dharmendra, Raakhee, Ajit, Rajindernath and Leela Chitnis. The film was a remake of a 1967 Bengali film Jiban Mrityu starring Uttam Kumar and Supriya Devi in lead roles. The film's music was composed by Laxmikant Pyarelal while Anand Bakshi penned the lyrics. The film was dubbed in Malayalam as Jeevitha Samaram.
Khemchand Prakash was a music composer in the Hindi film industry. He had few peers in 1940s, the decade for Indian film music which started with Saigal very active on the scene and ended with Lata Mangeshkar firmly established in the industry. Lata had fruitful association with him when she started making a name for herself.
Pagal is a 1940 Indian Hindi-language film. It was the fourth highest grossing Indian film of 1940. The psycho-social melodrama was directed by A. R. Kardar for Ranjit Movietone. Kardar also wrote the dialogues and story for the film. Khemchand Prakash composed the music with lyrics written by D. N. Madhok. The film's protagonist was Prithviraj Kapoor playing a doctor with psychological problems, working in a "lunatic asylum". The rest of the cast included Trilok Kapoor, Madhuri, Sitara Devi, Noor Mohammed Charlie, Khatoon, and Sunalini Devi.
Tansen is a 1943 Indian Hindi language film directed by Jayant Desai, featuring K. L. Saigal and Khursheed Bano in the lead roles. The film was based on Tansen, the 16th century musician in the court of Mughal emperor, Akbar. The film featured 13 hit songs, performed by the leads, including "More Balapan Ke Saathi", "Rum Jhum Rum Jhum Chal Tihari", "Kahe Guman Kare Gori", "Bina Pankh Ka Panchhi", "Sapt Suran Teen Gram", "Diya Jalao" and "Baag Laga Doon Sajni". It was the second highest grossing Indian film of 1943. In 2009, it was reported that another film based on the life of Tansen would be directed by Satish Kaushik.
Bhanwara is an Indian Hindi language film. It was the third highest grossing Indian film of 1944. It was released in 1944. The film was directed by Kidar Sharma for Ranjit Movietone. It starred K. L. Saigal, Arun, Kamala Chatterjee, Monica Desai, Lala Yakub and Brijmala.
Bambai Ki Sair also known as Holiday in Bombay is a Bollywood social comedy film. It was released in 1941 and directed by Sarvottam Badami for Sudama Productions. The music direction was by Khemchand Prakash with lyrics by D. N. Madhok, Munshi Dil, B.R. Sharma and Pandit Indra. The film starred Shobhna Samarth, Sabita Devi, E. Billimoria, Jal Merchant, Arun, Vatsala Kumtekar Kantilal and Ghory.
Aankh Micholi is a 1942 Hindi social film. The music direction was done by Gyan Dutt with lyrics written by Pandit Indra, Satyakam Sharma and Shatir Ghaznavi. The cast included Nalini Jaywant, Sulochana, Satish, Jilloobai, Hadi, Pratima Devi and Anand Prasad Kapoor.
Dhiraj (Patience) is a Bollywood social film. It was released in 1942. The film was directed by Chaturbhuj Doshi for Ranjit Movietone. Gyan Dutt was the music director, with lyrics by Pandit Indra. The cast included Sitara Devi, Ishwarlal, Kesari, Nurjehan.
Bharthari is a Bollywood film. It was released in 1944. The film was directed by Chaturbhuj Doshi for Navin Pictures and produced by P. B. Zaveri. The music was composed by Khemchand Prakash and the lyricist was Pandit Indra Chandra. The cast included Surendra, Mumtaz Shanti, Jehanara Kajjan, Aroon, Sulochana Chatterji and Yashwant Dave. It was the fifth-highest-grossing Indian film of 1944.
Ek Hi Raasta is a 1939 Hindi social film directed by Mehboob Khan. The director of photography was Faredoon Irani with story by Babubhai A. Mehta and Wajahat Mirza. The film was produced by Sagar Movietone. The cast included Arun Kumar Ahuja, Sheikh Mukhtar, Anuradha, Kanhaiyalal and Harish. This was the debut film of Sheikh Mukhtar, who went on to act in and direct several successful films, and Arun Kumar Ahuja, a prominent actor in the 1940s. Ek Hi Raasta is a film about wrongs of society and its laws. It was one of the early Hindi films to make a noticeable application of WW II.
Ladies Only is a 1939 Indian Hindi-language social comedy film directed by Sarvottam Badami. Produced by Sagar Movietone, it had music by Anupam Ghatak and starred Surendranath, Sabita Devi, Bibbo and Prabha. This was the last comedy film made by Sarvottam Badami before he left Sagar Movietone. He joined his mentor Ambalal Patel, at Sudama Pictures to start making "socially relevant" films.
Sajani is a 1940 Hindi social film directed by Sarvottam Badami for Sudama Productions. Scripted by Zia Sarhadi, the film had music by Gyan Dutt and starred Prithviraj Kapoor, Sabita Devi, Snehprabha Pradhan, Noor Jehan, Dixit, and Ghory. Badami left Sagar Movietone where he had made satirical comedies to join his "mentor" Ambalal Patel at Sudama Productions to make "socially relevant film(s)", where Sajani was one of the first. Snehprabha Pradhan acted in several films produced by Chimanbhai Desai in 1940, including Sajani.
Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal. Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani. The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki.
Leather Face, also known as Farzand-e-Watan, is a 1939 Indian Hindi-language action film produced and directed by Vijay Bhatt for his production company Prakash Pictures. Bhatt cast the young Mahjabeen, then six years, who went on to become the famous actress, Meena Kumari. The story writers were Batuk Bhatt and Sampatlal Srivastava. The music direction was by Lallubhai Nayak and Shankar Rao Vyas with the lyrics written by Pandit Anuj. It starred P. Jairaj, Mehtab, Jal Writer, Shirin, M. Zahur, Lallubhai Nayak, Bholaram and Baby Mahjabeen.
Samaj Ko Badal Dalo is a 1947 Indian Hindi social melodrama film directed by Vijay Bhatt. Produced under the Prakash Pictures banner, its music composer was Khemchand Prakash, with lyrics by Pandit Indra, Roopdas, and Qamar Jalalabadi. The story, screenplay and dialogues were by Pandit Girish. Its cinematographer was Yusuf Mulji and the film starred Arun Ahuja, Mridula, Yakub, Leela Pawar, Umakant and Bikram Kapoor.
Sawan Aya Re is a 1949 Hindi romantic drama film, directed by Kishore Sahu. Produced by Sahu under his "Hindustan Chitra" banner, it had Khemchand Prakash as the music director. The cast included Kishore Sahu, Ramola Devi, David, Pratima Devi, Ramesh Gupta, Sofia and Mohana.
Sindoor is a 1947 Hindi social film directed by Kishore Sahu. The film was produced Sasadhar Mukherjee Productions for Filmistan and had the actor Mehmood in one of his early films. The story, dialogues and part of the lyrics were written by Kishore Sahu. One of the lyricists was Qamar Jalalabadi, with music composed by Khemchand Prakash. The film starred Kishore Sahu, who played the hero, with Shamim Bano, Paro Devi, Gulab, Mehmood, Pratima Devi, Sushil Sahu and Moni Chatterjee.
Holi is a 1940 Hindi/Urdu social drama film directed by A. R. Kardar. Holi was produced by Ranjit Movietone and had music composed by Khemchand Prakash with lyrics by D. N. Madhok. It had Khursheed and Motilal starring in the lead with Sitara Devi, Ishwarlal, Keshavrao Date, Dixit, Ghory and Manohar Kapoor.
![<i>Bhabhi</i> (1938 film) 1938 [[British India]] film](https://upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Bhabhi_1938.jpg/320px-Bhabhi_1938.jpg)
Bhabhi (Sister-in-Law) is a 1938 social family drama Hindi film directed by Franz Osten. The film was based on a Bengali novel written by Sharadindu Bandyopadhyay called "Bisher Dhoan". Bandyopadhyay was a famous Bengali novelist and short story writer also known as the creator of the fictional detective Byomkesh Bakshi. The cinematographers were Wirsching and Pareenja. Dialogues and lyrics by J. S. Casshyap. V. H. Desai, the comedian, got his "big break" in Bhabhi when he joined Bombay Talkies. He became popular as the nervous father of the heroine Renuka Devi. S. N. Tripathi started his acting with a small role in the film. The film had the new found Renuka Devi in the lead.
References
- ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. pp. 2–. ISBN 978-1-135-94325-7 . Retrieved 4 October 2014.
- ↑ "Khilona". Hindi Geetmala. Retrieved 4 October 2014.
- ↑ The Illustrated Weekly of India. Published for the proprietors, Bennett, Coleman & Company, Limited, at the Times of India Press. July 1970. Retrieved 4 October 2014.
- ↑ "Khilona". Alan Goble. Retrieved 4 October 2014.
- ↑ "Khilona". Muvyz, Inc. Retrieved 4 October 2014.
