Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
A Gesamtkunstwerk is a work of art that makes use of all or many art forms or strives to do so. The term is a German loanword accepted in English as a term in aesthetics.
Otto Koloman Wagner was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressing their function. They are considered predecessors to modern architecture.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
The Otto-Wagner-Spital is a hospital in Vienna, Austria. It was originally a psychiatric hospital and center for pulmonology.
Koloman Moser was an Austrian artist who exerted considerable influence on twentieth-century graphic art. He was one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.
The Minoritenplatz is one of the oldest public squares in Vienna. It is located in the first district Innere Stadt, and is dominated by the Minoritenkirche church, after which the square is named. The church itself was constructed by the Greyfriars (Minoriten), after the Austrian Duke Leopold VI of Austria invited them to Austria in 1224. Since the square is in direct proximity to the Hofburg Imperial Palace, a number of aristocratic families took up residence in the square from the 16th to the 18th century.
Am Spiegelgrund was a children's clinic in Vienna during World War II, where 789 patients were murdered under child euthanasia in Nazi Germany. Between 1940 and 1945, the clinic operated as part of the psychiatric hospital Am Steinhof later known as the Otto Wagner Clinic within the Baumgartner Medical Center located in Penzing, the 14th district of Vienna.
Penzing is the 14th borough of Vienna and consists of the localities of Penzing, Breitensee, Baumgarten, Hütteldorf and Hadersdorf-Weidlingau. In the west, it shares a border with Purkersdorf and Mauerbach. A large portion of the district is made up of greenery, including the Steinhof park, the Dehnepark and a portion of the Wienerwald.
Othmar Schimkowitz was a Hungarian-born architectural sculptor who worked on the greatest landmarks of the Vienna Secession.
Am Schöpfwerk Church is a Roman Catholic parish church, dedicated to Saint Francis of Assisi, and is the most recently built church in Meidling, the 12th district of Vienna, Austria.
St. Francis of Assisi Church, also known as the Emperor's Jubilee Church and the Mexico Church, is a Basilica-style Catholic church in Vienna, Austria. Built between 1898 and 1910, it was consecrated in 1913. It is located on the Mexikoplatz in Vienna's Second District, Leopoldstadt, and is administered by the Order of the Holy Trinity.
St. Ulrich is a Roman Catholic parish and church in Neubau, the 7th district of Vienna, Austria. The official name of the church is Pfarrkirche hl. Ulrich und Maria Trost, it is also known as Ulrichskirche. The Baroque hall church with two towers was built in 1721. It is consecrated to St. Ulrich and St. Mary.
Leopold Forstner was an artist who was part of the Viennese Secession movement, working in the Jugendstil style, focusing particularly on the mosaic as a form.
Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages, Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian. As National Romantic style is also referred to Art Nouveau, churches of that style are also listed here, as well as some temples not of pure Art Nouveau style but with distinctive Art Nouveau features.
The Linke Wienzeile Buildings are two apartment buildings in Vienna constructed by Otto Wagner in 1898-99 in the Vienna Secession style. They are both lavishly decorated with colorful tiles, sculpture and wrought iron. One house, at 40 Linke Wienzeile, has a facade covered with majolica, or glazed earthenware tiles in floral designs, is popularly known as the Majolica House. The second, at 38 Linke Wienzeile, is called the Medallion House, for the bronze medallions on the facade. It also features sculpted angels on the roof. A third building nearby, at 3 Köstlergasse, was the town residence of Wagner for a time.
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware. Prominently makers, from the 1890s onwards, are in France René Lalique, Emile Gallé and the Daum brothers, the American Louis Comfort Tiffany, Christopher Dresser in Scotland and England, and Friedrich Zitzman, Karl Koepping and Max Ritter von Spaun in Germany. Art Nouveau glass included decorative objects, vases, lamps, and stained glass windows. It was usually made by hand, and was usually colored with metal oxides while in a molten state in a furnace.
Maximilian Hegele was an Austrian architect, regarded as one of the leading exponents of Vienna's Secessionist architecture.
Steinhof in Vienna, Austria, is an old name for an area of Vienna that today contains the Otto-Wagner-Spital as well as its church Kirche am Steinhof and the surrounding parks of the Steinhofgründe, which were opened in 1907. Historically the area is also linked to the Am Spiegelgrund clinic, where 789 patients, mostly children, were murdered during World War II under the child euthanasia in Nazi Germany from 1940 to 1945.
The Chapel of St. Roch is a Catholic chapel in Penzing at Penzinger Street 70, Austria. The chapel is dedicated to the two plague saints, Roch and Sebastian.
