Kirk Dunn

Last updated

Kirk Dunn
Born(1964-02-04)February 4, 1964
Occupations
  • Actor
  • Playwright
  • Fibre Artist
Years active1988 – present
SpouseClaire Ross Dunn
ChildrenTwo

Kirk Andrew Dunn (February 4, 1964) is an actor, writer, and fibre artist best known for his use of texture and colour in knitting, and most particularly, for the giant triptych installation, "Stitched Glass," and the one-man show he co-wrote and tours about that work, The Knitting Pilgrim.

Contents

Early life

Kirk Dunn was born on February 4, 1964, in Kingston, Ontario. His father, the Reverend Zander Dunn, presided at St. Paul's Presbyterian Church on Amherst Island. His family relocated to Guyana for three years before settling in North Bay, Ontario. [1] Dunn moved to Toronto to attend York University, where he studied performance between 1983 and 1987, graduating with a Bachelor of Fine Arts Honours in Theatre Performance. [2]

Career

Acting

Dunn trained in theatre performance at York University and after graduation branched out into film and television. He obtained the lead role in the critically acclaimed short film, Like A Dream: The Mario Lanza Story (1989), written and directed by John Martins-Manteiga, [3] which screened at the Cannes Film Festival International Critics' Week Short Film Competition in 1990. [4] Other film appearances include 20th Century Fox's comedy, Trapped in Paradise (1994), [5] and Day Pass (1997). [6]

In the mid-1990s, Dunn landed a role on TVO/PBS's The Adventures of Dudley the Dragon , an award-winning Canadian children's television series akin to Barney and Friends . Dudley the Dragon finds himself in a foreign, modern world but is assisted by two 10-year-olds and a host of guest characters played by Canadian celebrities (Jackie Burroughs, Graham Greene, Ann-Marie MacDonald, Rick Mercer, Eric Peterson, Mary Walsh). Dunn played Dudley, concealed in an eight-foot-tall green dragon puppet suit for seasons three through to five (1995 – 1997). [7]

Dunn continued to act for the theatre with stage credits including Dads! The Musical (Charlottetown Festival, 1994/95); [8] Romeo and Juliet (Ford Centre, Shakespeare in Action, 1996); [9] The Affections of May (1994), Dads! The Musical (1995),The War Show (1996), A Flea in Her Ear (1997), and Don't Dress for Dinner (1999) for Drayton Entertainment; [10] and Merlin [11] and The Complete Works of William Shakespeare (Abridged) for Toronto's Young People's Theatre (2001/02). [12]

In 2000, Dunn was cast in the title role of Billy Bishop Goes to War , a monodrama about the Canadian WWI fighter pilot, produced by The Gypsy Theatre in Fort Erie, Ontario. Accompanied by pianist Don Simpson, Dunn played the show in rep to great acclaim, [13] and he reprised the role for a province-wide tour of Ontario in 2002 with Ergo Arts Theatre (Toronto, Ontario), which they remounted again in 2005 with Dunn in the lead. [14]

In 2019, Dunn started performing and touring his multidisciplinary solo show, The Knitting Pilgrim. [15]

Writing

In the mid to late 1990s, Dunn mainly wrote children's content. For television, he penned multiple episodes of The Adventures of Dudley the Dragon (YTV, TVO and PBS), Ants in Your Pants (Treehouse), Fuzzpaws (Treehouse), and Hello Mrs. Cherrywinkle (OWL TV for PBS). [16]

For the theatre, Dunn has written the book and lyrics for three TYA (Theatre for Young Audiences) musicals: Pete's Feat, The Lost Land, and Derek the Viking. These plays have been produced across North America, and the latter two won Storybook Theatre's playwriting competition in Calgary, Alberta. [17]

A member of the Playwrights Guild of Canada, [18] Dunn has co-authored, with his wife Claire Ross Dunn, The Knitting Pilgrim, a "one-man play and talkback about the artistic and spiritual fifteen-year journey of knitting a triptych of stained glass [sic] windows." The piece premiered in Toronto, produced by Ergo Arts Theatre, and it toured provincially throughout 2019 and 2020, up until COVID-19 halted all performances. [19]

The Dunns are currently working on a new play entitled Spycraft about women allied operatives in WWII who spied on the Germans and coded secret messages into their knitting and they have optioned several original TV properties over the years. [20]

Fibre arts

Depending on the source, Dunn originally took up the art of knitting to woo a girlfriend (the craft outlasting the relationship), [21] or to pass the time in the van while working as an actor on tour. [22] Knitting since 1988, [23] Dunn began designing in 1996, garments at first, before transitioning to installations as a means to explore "how to use knitting in unexpected ways." [24] He apprenticed with the renowned American-born, British-based decorative artist, "knitting guru," Kaffe Fassett in London, England in 1998. [25] He is additionally influenced by British designer, Brandon Mably, manager of the Kaffe Fassett Studio, [26] as well as by the Impressionists, and M.C. Escher, [27] as demonstrated by Dunn's use of colour and 3-D geometric patterns.

Dunn's work can be situated as part of an ongoing discussion about the intersectionality of art and craft in the world of textiles. Participating in acts of craftivism, Dunn adopts the "ancient technique" of knitting, so "deceptively simple, primarily using a binary stitch" to produce works of "great resonance, complexity, beauty, and meaning." Dunn believes that knitting is an art form that is "tangible and accessible enough so that it can speak to many," all the while producing "startling, meaningful, awe-inspiring and beautiful works, and not just hats and scarves." [28]

Installations

Dunn's work often re-imagines knitting "as complex and colourful three-dimensional unexpected things from the natural world." [29] This is most evident with his series of marine life creatures, which include "Lionfish (Invasive Species)"; "Not for Dinner "[a puffer fish]; "North Pacific Gyre Jellyfish"; "Painted Turtle, Extinct"; "Folk Arts Crabs"; and "Escher's Salamander." Some of these creations were made for the Textile Museum of Canada's annual Shadow Box Silent Auction, as with Painted Turtle [30] and Lionfish. [31] These works are intended to "take people by surprise, so they see what knitting is capable of – and so they see the many colours and wondrous shapes of our natural world, and feel connected to it, a part of a greater whole." [32]

Dunn's fibre art practice is characterized by three unique knitting techniques. The first he calls "improvisation on the needle," as he does not pre-plan his colour choices and combinations, but rather chooses them on the go, as he knits, often using three to five strands of yarn at once. Second, Dunn creates an "Impressionistic pointillism effect" by twisting multiple yarns as he knits, simulating small dots of paint. Third, also in emulation of the Impressionists, Dunn pairs complementary colours (such as adding orange to blues) to make colour choices that are rich and have depth. This technique produces a luminous kind of effect that appears as if light is shining on and through the knitting. [33]

Dunn has been featured in various publications for his fibre art, such as Enroute, [34] Family Circle Knitting, [35] Maclean's Magazine, [36] Vogue Knitting International, [37] and Vogue's Knit.1. [38]

Dunn also guest lectures and leads workshops, as in the past at The Aga Khan Museum, The Textile Museum of Canada, The Mississippi Valley Textile Museum, and the Fashion Arts Creative Textiles Studio. [39]

Activism

Dunn turned his skills to activist work in 2017 when Donald Trump was elected President of the United States. Many Canadians donned pussyhats and joined the Women's March on Washington D.C. to protest comments made by Trump. Dunn took part in the Pussyhat Project, [40] knitting "pussyhats" for friends, including Erin Smith, AD of Soulo Theatre, and Savoy Howe, founder of the Toronto Newsgirls Boxing Club, both of whom led a Toronto contingent to Washington, DC for the protests. [41]

In 2019, Dunn created a crocheted rainbow yarn bomb or "tree sweater." The piece was originally installed on the family's front lawn in east Toronto in support of Pride month and gender rights. By the following year, the project had been named the "Travelling Community Support Rainbow Yarn Bomb." [42] The piece travels to different locations across Ontario, expressing solidarity with LGBTQIA+ communities, and raising money for the Rainbow Railroad. [43]

Stitched Glass

Reimagining knitting as a large-scale installation practice, Dunn created "Stitched Glass" a work instigated by Nataley Nagy, past Executive Director of the Textile Museum of Canada (current Executive Director of the Kelowna Art Gallery), [44] who encouraged Dunn to pursue "exhibition art" with his knitting. As a result, Dunn developed the concept for three 5' x 9' "tapestries," or knitted panels, designed in the style of religious stained-glass windows. [45] It was shortly after 9/11, and Dunn had been struggling with the contentious relationship between the Abrahamic Faiths – Judaism, Christianity, and Islam – so, he decided to "explore the commonalities and the conflicts of the three faiths by pulling the medieval art form of stained glass into the present, and combining it with the accessible craft of knitting – and by employing these two art forms – that ironically don't use words – to provoke a conversation of nuance and colour about how the faiths are relating to one another." [46] Thus, "Stitched Glass" was a response to a creative prompt from Nagy, but also to what Dunn saw happening in the world around him.

Dunn was awarded an Ontario Arts Council Chalmers Foundation Fellowship to support the work on "Stitched Glass" in 2003, and he began working on the project in 2004. Although he estimated in his grant application that the whole project from beginning to end would take approximately ten months, it took him fifteen years to complete. [47]

The Toronto Star's Tara Deschamps describes the piece as "composed of about 100 pounds of knitting and $10,000 of yarn," which is "sprinkled with religious symbols including the Star of David, the Kaaba, the burning bush, a dove and a menorah." [48]

Dunn's "Stitched Glass" creation caught the attention of filmmakers Ian Daffern and Omar Majeed, who created a documentary about the project, entitled Stitched Glass – The Documentary. [49] Produced by Idfactory, edited by Jay Wolting, cinematography by Curry Leamen, Daniel Everitt Lock, Hernan Morris, Gisela Restrepo, and Andy Wolting, and music by Scott Haynes and Jenny Mitchell of Bird City, the film premiered at the 39th edition of The International Festival of Films on Art (Le FIFA) in Montreal, March 16–28, 2021, [50] and was nominated for Best Documentary Arts/Culture at the 2021 Yorkton Film Festival, [51] and for Best Short Documentary at the 2021 Short Encounters International Film Festival. [52] It also screened at the Forest City Film Festival in London, Ontario in October 2021 where it won the Best Short Documentary Award. [53]

Filmmaker Todd Witham made Threads of Abraham, another documentary film about Dunn and his "Stitched Glass" project. An abridged version of this film can be found on YouTube, and it provides lecture footage and insights into the process and themes prevalent in Dunn's work. [54]

The Knitting Pilgrim

Dunn developed a one-man show chronicling his journey creating the "Stitched Glass" tapestries, called The Knitting Pilgrim. Co-written with his wife, Claire Ross Dunn, and with dramaturgy by Beverley Cooper, the play was directed by Jennifer Tarver, and produced by Ergo Arts Theatre in Toronto, Ontario. [55] Supported in part by the Toronto Arts Council and the Canada Council, [56] The Knitting Pilgrim premiered at the Aga Khan Museum in Toronto in May 2019. [57] In conjunction with the play's run, and taking inspiration from the Museum's permanent collection, Dunn also offered a four-hour knitted pillow workshop. [58]

The Knitting Pilgrim merges Dunn's artistic interests, using the mammoth "Stitched Glass" panels as a backdrop and setting to performatively recount his artistic and spiritual journey hand-knitting the giant tapestries. The show combines personal storytelling, image projection, and the three huge, knitted panels. [59] Dunn's intention with The Knitting Pilgrim is to spark vital conversations about xenophobia, anti-Semitism, and Islamophobia, and the realization that people can have a lot in common despite different faiths. [60] To aid in this pedagogical process, Dunn follows all performances of the play with a talkback session with the audience. [61]

Following its premiere, The Knitting Pilgrim garnered accolades on an Ontario tour, playing cities such as Barrie, Burlington, Collingwood, Orillia, North Bay, Stratford, and Waterloo. In Ottawa, Dunn opened to rave reviews from apt613 critic, Colin Noden, [62] and Eric Coates, also writing for apt613, named the play a top pick of the 2019 Ottawa Fringe Festival. [63] At the Toronto Fringe Festival, Lynn Slotkin of The Slotkin Letter endorsed the work with a complementary review, [64] and she later awarded the play a 2019 Tootsie Award (similar to a Top Ten Award). [65] Additional accolades followed: in her "Fringe My Way" review, Aurora Browne picked The Knitting Pilgrim as one of "Aurora's List" fringe picks, [66] and it was listed as one of the 'Top Ten Shows to See' by Toronto's NOW Magazine. [67] In Hamilton, the play was given six out of five stars by CFMU's theatre critic, Olivia Fava, who found the show personally "transformative," noting she "had never seen anything like this before" in all her years watching and performing theatre. [68]

Dunn toured The Knitting Pilgrim and offered occasional workshops in tandem with the production throughout 2019 and into 2020 up until March, when COVID-19 forcibly paused the tour, [69] which was to continue across Ontario to the UK and Austria. Dunn's goal is to take the show to the Edinburgh Fringe Festival and follow-up with a European tour. [70]

Personal life

Dunn is married to Canadian writer Claire Ross Dunn. [71] The younger of their two children, Emmett Ross Dunn, plays soccer for the Isthmian League South-East Division Step 4 Chichester City Football Club, based in Chichester, West Sussex, England. [72]

He has two brothers; [73] the younger, Marc Dunn, is a University of Toronto Hall of Famer for men's volleyball, [74] who played Beach Volleyball for Team Canada at the 1996 Olympics in Atlanta. [75]

Related Research Articles

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

<span class="mw-page-title-main">Knitting</span> Method of forming fabric

Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.

<span class="mw-page-title-main">Knitting needle</span>

A knitting needle or knitting pin is a tool in hand-knitting to produce knitted fabrics. They generally have a long shaft and taper at their end, but they are not nearly as sharp as sewing needles. Their purpose is two-fold. The long shaft holds the active (unsecured) stitches of the fabric, to prevent them from unravelling, whereas the tapered ends are used to form new stitches. Most commonly, a new stitch is formed by inserting the tapered end through an active stitch, catching a loop of fresh yarn and drawing it through the stitch; this secures the initial stitch and forms a new active stitch in its place. In specialized forms of knitting the needle may be passed between active stitches being held on another needle, or indeed between/through inactive stitches that have been knit previously.

A knit cap is a piece of knitted headwear designed to provide warmth in cold weather. It usually has a simple tapered shape, although more elaborate variants exist. Historically made of wool, it is now often made of synthetic fibers.

<span class="mw-page-title-main">History of knitting</span> History of knitting

Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric. The word is derived from knot, thought to originate from the Dutch verb knutten, which is similar to the Old English cnyttan, "to knot". Its origins lie in the basic human need for clothing for protection against the elements. More recently, hand knitting has become less a necessary skill and more of a hobby.

<span class="mw-page-title-main">Revolutionary Knitting Circle</span>

The Revolutionary Knitting Circle (RKC) is an international activist group that engages in craftivism, focusing on knitting and textile handicrafts to promote social change. Established in Calgary, Alberta, Canada, by Grant Neufeld in 2000. The group uses knitting to contrast with the ideas that protests are violent and the ways in which police handle the protests. The movement has expanded, with groups forming in various regions of the United States and Europe.

<span class="mw-page-title-main">Craftivism</span> Form of activism centered on practices of craft

Craftivism is a form of activism, typically incorporating elements of anti-capitalism, environmentalism, solidarity, or third-wave feminism, that is centered on practices of craft - or what has traditionally been referred to as "domestic arts". Craftivism includes, but is not limited to, various forms of needlework including yarn-bombing or cross-stitch. Craftivism is a social process of collective empowerment, action, expression and negotiation. In craftivism, engaging in the social and critical discourse around the work is central to its production and dissemination. Practitioners are known as craftivists. The word 'craftivism' is a portmanteau of the words craft and activism.

<span class="mw-page-title-main">Stephanie Pearl-McPhee</span>

Stephanie Anne Pearl-McPhee, also known as the Yarn Harlot is a writer, knitter, International Board Certified Lactation Consultant (IBCLC), and doula living in Toronto, Ontario, Canada.

<span class="mw-page-title-main">Lace knitting</span> Knitting method with a pattern of holes

Lace knitting is a style of knitting characterized by stable "holes" in the fabric arranged with consideration of aesthetic value. Lace is sometimes considered the pinnacle of knitting, because of its complexity and because woven fabrics cannot easily be made to have holes. Famous examples include the Orenburg shawl and the wedding ring shawl of Shetland knitting, a shawl so fine that it could be drawn through a wedding ring. Shetland knitted lace became extremely popular in Victorian England when Queen Victoria became a Shetland lace enthusiast. Her enthusiasm resulted i.a. in her choosing knitted lacework for presents; e.g. when in ca. 1897 the Queen gave a lace shawl as a present to American abolitionist Harriet Tubman. From there, knitting patterns for the shawls were printed in English women's magazines where they were copied in Iceland with single ply wool.

<span class="mw-page-title-main">Warp knitting</span> Manufacturing process

Warp knitting is defined as a loop-forming process in which the yarn is fed into the knitting zone, parallel to the fabric selvage. It forms vertical loops in one course and then moves diagonally to knit the next course. Thus the yarns zigzag from side to side along the length of the fabric. Each stitch in a course is made by many different yarns. Each stitch in one wale is made by several different yarns.

<span class="mw-page-title-main">Double knitting</span> Form of hand knitting in which two fabrics are knitted simultaneously on one pair of needles

Double knitting is a form of hand knitting in which two fabrics are knitted simultaneously on one pair of needles. The fabrics may be inseparable, as in interlock knitted fabrics, or they can simply be two unconnected fabrics. In principle, an arbitrary number of fabrics can be knitted simultaneously on one pair of knitting needles with yarns, as long as one is careful.

<span class="mw-page-title-main">Selvage</span> Narrow edge of a woven fabric parallel to its length

A selvage or selvedge is a "self-finished" edge of a piece of fabric which keeps it from unraveling and fraying. The term "self-finished" means that the edge does not require additional finishing work, such as hem or bias tape, to prevent fraying.

Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.

I Knit London is a knitting organisation based in London, England, UK, comprising a knitting group, knitting shop and knitting events. I Knit London was formed in December 2005, and is run, by Gerard Allt and Craig Carruthers.

<span class="mw-page-title-main">Yarn bombing</span> Type of graffiti or street art

Yarn bombing is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.

Aran knitting patterns are heavily textured knitting patterns which are named after the Aran Islands, which are located off the west coast of Ireland from County Galway and County Clare. The patterns are knitted into socks, hats, vests, scarves, mittens, afghans, pillow covers, and, most commonly, sweaters.

Janet Lynn Morton is a Canadian visual artist who is known for her knitted works.

<span class="mw-page-title-main">Twined knitting</span> Knitting technique

Twined knitting is a traditional Scandinavian knitting technique. It refers to knitting where two strands of yarn are knitted into the fabric alternatively and twisted once and always in the same direction before every stitch. The technique is called tvåändsstickning in Swedish, tvebandsstrikking in Norwegian, and tvebinding in Danish. Their literal meaning is "two-end knitting", referring to the traditional way of knitting with both yarn ends from one ball of yarn.

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