Kitty Pultara Napaljarri

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Kitty Pultara Napaljarri (born c. 1930) is an Anmatyerre-speaking Indigenous artist from Australia's Western Desert region. Born at Napperby Station east of Yuendumu, Northern Territory, she worked on the station and first learned to paint there around 1986. Her work is held in the collections of the Art Gallery of South Australia and South Australian Museum.

Contents

Life

Kitty Pultara was born on Napperby Station, east of Yuendumu and north-west of Alice Springs in Australia's Northern Territory, [1] around 1925 or on 1 June 1938: the two main reference works give alternative dates. Johnson's 1994 biographical dictionary suggests that she may have been born as early as 1925, [2] while Birnberg's 2004 biographical dictionary gives 1 June 1938. [3] The ambiguity around the year of birth may be in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. [4]

'Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. [5] [6] Thus 'Kitty Pultara' is the element of the artist's name that is specifically hers.

Kitty's close relatives include Clifford Possum Tjapaltjarri and Tim Leura Tjapaltjarri. Her husband is Malcolm Tjampitjinpa, while her daughter Beatrix Dixon Nangala is also an artist. [2] Kitty Pultara worked on Napperby Station as a domestic. [3]

Art

Background

Contemporary Indigenous art of the western desert began when Indigenous men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. [7] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983. [8] By the 1980s and 1990s, such work was being exhibited internationally. [9] The first artists, including all of the founders of the Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting. [10] However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as Kintore, Yuendumu, Balgo, and on the outstations, people were beginning to create art works expressly for exhibition and sale. [9]

Career

Kitty Pultara took up painting in approximately 1986. [11] Napperby Station was one of the first places where modern painting techniques were adopted by Indigenous artists: the movement commenced there in the mid 1980s, about the same time as at Yuendumu, [12] where women began painting in 1983, and men in 1984. [8]

Kitty is closely related to other major Indigenous artists of the region, notably cousin Clifford Possum Tjapaltjarri, whose works set auction price records for Indigenous art, [13] and Tim Leura Tjapaltjarri, who was her brother and a leading figure in the establishment of the painting movement at Papunya in the 1970s. [14]

Paintings can include representations of themes in nature, such as her work Kangaroo Dreaming, exhibited in the major Art Gallery of South Australia's 1996 exhibition, which represents the events of a kangaroo's daily life. [15] Kitty's work is represented in the collections of the Art Gallery of South Australia, [15] and the South Australian Museum. [3]

Collections

Related Research Articles

Yuendumu is a town in the Northern Territory of Australia, 293 km (182 mi) northwest of Alice Springs on the Tanami Road, within the Central Desert Region local government area. It ranks as one of the larger remote communities in central Australia, and has a thriving community of Aboriginal artists. It is home to Pintubi Anmatjere Warlpiri (PAW) Media, which produced the TV series Bush Mechanics.

Biddy Rockman Napaljarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. She has been painting since 1986, and her work is in the collection of the National Gallery of Victoria.

Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.

Peggy Rockman Napaljarri is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Born on what is now Tanami Downs pastoral station in the Northern Territory, she learned English when working as a child with a white mining family; Peggy Rockman and her family were subsequently relocated by government authorities to Lajamanu, a new community west of Tennant Creek. Peggy Rockman is one of the traditional owners of Tanami Downs.

Takariya Napaltjarri is an Indigenous artist from Australia's Western Desert region. She has painted with Papunya Tula artists' cooperative. First exhibited in 1996, her work is held in the collection of the Art Gallery of New South Wales.

Parara Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. Her paintings are included in the collection of the Art Gallery of New South Wales.

Louisa Lawson Napaljarri (Pupiya) (c. 1930–2001) was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Louisa commenced painting at Lajamanu, Northern Territory in 1986. Her work is held by the National Gallery of Victoria.

Lucy Napaljarri Kennedy is a Walpiri and Anmatyerre-speaking Indigenous artist from Australia's Western Desert region. One of the first Indigenous women artists to paint in acrylics, her work has been exhibited at major galleries around Australia, and is held in the collection of the National Gallery of Victoria. She was made a Member of the Order of Australia in 1994 for services to the Yuendumu community.

Helen Nelson Napaljarri, also known as Helen White Napajarri or Helen Spencer Napaljarri, is a Walpiri-speaking Aboriginal artist from Australia's Western Desert region. A literacy worker in Yuendumu, Northern Territory, Napaljarri began painting with Warlukurlangu Artists in the 1980s. Her paintings are held by the Art Gallery of South Australia and South Australian Museum. She has contributed to several bilingual language books in Walpiri and English.

Linda Yunkata Syddick Napaltjarri is a Pintupi- and Pitjantjatjara- speaking Indigenous artist from Australia's Western Desert region. Her father was killed when she was young; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Linda Syddick's painting.

Sheila Brown Napaljarri was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. A contributor to major collaborative paintings by Indigenous communities, her works are also held by the Art Gallery of New South Wales and the South Australian Museum.

Maggie Napaljarri Ross is an Aboriginal Australian artist. Her work has been collected by Artbank and the Kluge-Ruhe Museum in the United States.

Topsy Gibson Napaltjarri, also known as Tjayika or Tjanika, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region.

Nora Andy Napaltjarri is a Warlpiri- and Luritja-speaking Indigenous artist from Australia's Western Desert region. Like her mother Entalura Nangala, Nora has painted for Indigenous artists' cooperative Papunya Tula. Her work has been exhibited at the Gauguin Museum in Tahiti, and is held by Artbank.

Ada Andy Napaltjarri is a Warlpiri– and Luritja–speaking Indigenous artist from Australia's Western Desert region. Ada was born near Haasts Bluff, Northern Territory, and has lived in several Northern Territory communities. She began painting in the early 1980s at Alice Springs and probably played a role in the development of interest in painting in the communities in which she has lived.

Ngoia Pollard Napaltjarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children.

Molly Jugadai Napaltjarri (c.1954–2011) was a Pintupi- and Luritja-speaking Aboriginal artist from Australia's Western Desert region. Her paintings are held in major collections, including the National Gallery of Australia.

Mona Rockman Napaljarri is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Her paintings and pottery are held in the collection of the National Gallery of Victoria.

Norah Nelson Napaljarri is a Warlpiri-speaking Aboriginal artist from Australia's Western Desert region. Norah Nelson began painting in 1986 and has exhibited her works both in Australia and other countries. Her paintings and pottery are held in the collection of the National Gallery of Victoria.

Napaljarri or Napaltjarri is one of sixteen skin names used amongst Indigenous Australian people of Australia's Western Desert, including the Pintupi and Warlpiri. It is one of the eight female skin names. Skin names are often treated by Western cultures as equivalent to a surname; as a result the name is familiar to many as that of prominent Indigenous figures, such as artists Tjunkiya Napaltjarri, her sister Wintjiya Napaltjarri, and Linda Syddick Napaltjarri.

References

  1. Kleinert, Sylvia; Margot Neale (2000). The Oxford Companion to Aboriginal art and culture. Oxford: Oxford University Press. p. 749.
  2. 1 2 Johnson, Vivien (1994). Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. p. 123.
  3. 1 2 3 4 Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 216. ISBN   1-876622-47-4.
  4. Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. pp. 10–12. ISBN   1-876622-47-4.
  5. "Kinship and skin names". People and culture. Central Land Council. Archived from the original on 20 February 2011. Retrieved 23 October 2009.
  6. De Brabander, Dallas (1994). "Sections". In David Horton (ed.). Encyclopaedia of Aboriginal Australia . Vol. 2. Canberra: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977. ISBN   978-0-85575-234-7.
  7. Bardon, Geoffrey; James Bardon (2006). Papunya – A place made after the story: The beginnings of the Western Desert painting movement. University of Melbourne: Miegunyah Press.
  8. 1 2 Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement". Aboriginal History. 30: 156–168.
  9. 1 2 Morphy, Howard (1999). Aboriginal Art. London: Phaidon. pp. 261–316.
  10. Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore / Haasts Bluff Canvas Project: Dancing women to famous painters". Artlink. 26 (4).
  11. "Kitty Pultara Napaltjarri". Dictionary of Australian Artists Online. 2007. Retrieved 21 July 2009.
  12. Johnson, Vivien (2000). "Desert art". In Sylvia Kleinert and Margo Neale (ed.). The Oxford Companion to Aboriginal Art and Culture. Melbourne: Oxford University Press. pp. 211–220.
  13. Hobday, Liz (19 July 2007). "Indigenous artwork tipped to sell for $2.5m". ABC News. Retrieved 5 April 2022.
  14. "Tim Tjapaltjarri Leura". Dictionary of Australian Artists Online. 2007. Retrieved 21 July 2009.
  15. 1 2 3 Johnson, Vivien (1996). Dreamings of the Desert: Aboriginal paintings of the Western Desert. Adelaide: Art Gallery of South Australia. ISBN   0-7308-3065-9.