Maggie Napaljarri Ross

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Maggie Napaljarri Ross
Bornc.1935 or 1940 (1940-08-07UTC16:35)
NationalityAustralian
Known forPainting
Awards Order of Australia

Maggie Napaljarri Ross (born c. 1940) is an Aboriginal Australian artist. Her work has been collected by Artbank and the Kluge-Ruhe Museum in the United States.

Contents

Life

Maggie Ross was born east of Yuendumu, Northern Territory around 1935 [1] or 1940, and worked on Coniston Station, [2] to the east of Yuendumu and north-west of Alice Springs. [3] The ambiguity around the year of birth is in part because Aboriginal Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. [4]

"Napaljarri" (in Warlpiri) or "Napaltjarri" (in Western desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Aboriginal peoples. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. [5] [6] Thus "Maggie Ross" is the element of the artist's name that is specifically hers.

Art

Background

Contemporary Aboriginal art of the Western Desert began when Aboriginal men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon. [7] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Aboriginal communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983. [8] By the 1980s and 1990s, such work was being exhibited internationally. [9] The first artists, including all of the founders of the Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting. [10] However, there was also a desire among many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the Western Desert communities such as Kintore, Yuendumu, Balgo, and on the outstations, people were beginning to create art works expressly for exhibition and sale. [9]

Career

In 1996 Ross was one of the twenty-nine women and five men who collaborated to produce Karrku Jukurrpa, a work commissioned for the collection of John Kluge and exhibited in the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia in the US. The painting assembles a range of mythological symbols and stories associated with the people and country around Yuendumu. [9] Ross was also a collaborator on the 1997 group work Ngapa Jukurrpa (Water Dreaming), held by the Art Gallery of New South Wales. [1] As well as being a collaborator on group works held in the Kluge-Ruhe collection and the Art Gallery of New South Wales, Ross's paintings are also held by Artbank. [2]

Collections

Related Research Articles

Yuendumu is a town in the Northern Territory of Australia, 293 km (182 mi) northwest of Alice Springs on the Tanami Road, within the Central Desert Region local government area. It ranks as one of the larger remote communities in central Australia, and has a thriving community of Aboriginal artists. It is home to Pintubi Anmatjere Warlpiri (PAW) Media, which produced the TV series Bush Mechanics.

Biddy Rockman Napaljarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. She has been painting since 1986, and her work is in the collection of the National Gallery of Victoria.

Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.

Wintjiya Napaltjarri, and also known as Wintjia Napaltjarri No. 1, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.

Takariya Napaltjarri is an Indigenous artist from Australia's Western Desert region. She has painted with Papunya Tula artists' cooperative. First exhibited in 1996, her work is held in the collection of the Art Gallery of New South Wales.

Parara Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. Her paintings are included in the collection of the Art Gallery of New South Wales.

Louisa Lawson Napaljarri (Pupiya) was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Louisa commenced painting at Lajamanu, Northern Territory in 1986. Her work is held by the National Gallery of Victoria.

Lucy Napaljarri Kennedy is a Walpiri and Anmatyerre-speaking Indigenous artist from Australia's Western Desert region. One of the first Indigenous women artists to paint in acrylics, her work has been exhibited at major galleries around Australia, and is held in the collection of the National Gallery of Victoria. She was made a Member of the Order of Australia in 1994 for services to the Yuendumu community.

Helen Nelson Napaljarri, also known as Helen White Napajarri or Helen Spencer Napaljarri, is a Walpiri-speaking Aboriginal artist from Australia's Western Desert region. A literacy worker in Yuendumu, Northern Territory, Napaljarri began painting with Warlukurlangu Artists in the 1980s. Her paintings are held by the Art Gallery of South Australia and South Australian Museum. She has contributed to several bilingual language books in Walpiri and English.

Linda Yunkata Syddick Napaltjarri is a Pintupi- and Pitjantjatjara- speaking Indigenous artist from Australia's Western Desert region. Her father was killed when she was young; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Linda Syddick's painting.

Kitty Pultara Napaljarri is an Anmatyerre-speaking Indigenous artist from Australia's Western Desert region. Born at Napperby Station east of Yuendumu, Northern Territory, she worked on the station and first learned to paint there around 1986. Her work is held in the collections of the Art Gallery of South Australia and South Australian Museum.

Sheila Brown Napaljarri was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. A contributor to major collaborative paintings by Indigenous communities, her works are also held by the Art Gallery of New South Wales and the South Australian Museum.

Topsy Gibson Napaltjarri, also known as Tjayika or Tjanika, is a Pintupi-speaking Indigenous artist from Australia's Western Desert region.

Nora Andy Napaltjarri is a Warlpiri- and Luritja-speaking Indigenous artist from Australia's Western Desert region. like her mother Entalura Nangala, Nora has painted for Indigenous artists' cooperative Papunya Tula. Her work has been exhibited at the Gauguin Museum in Tahiti, and is held by Artbank.

Ada Andy Napaltjarri is a Warlpiri– and Luritja–speaking Indigenous artist from Australia's Western Desert region. Ada was born near Haasts Bluff, Northern Territory, and has lived in several Northern Territory communities. She began painting in the early 1980s at Alice Springs and probably played a role in the development of interest in painting in the communities in which she has lived.

Ngoia Pollard Napaltjarri is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. Ngoia Pollard married Jack Tjampitjinpa, who became an artist working with the Papunya Tula company, and they had five children.

Molly Jugadai Napaltjarri (c.1954–2011) was a Pintupi- and Luritja-speaking Aboriginal artist from Australia's Western Desert region. Her paintings are held in major collections, including the National Gallery of Australia.

Mona Rockman Napaljarri is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Her paintings and pottery are held in the collection of the National Gallery of Victoria.

Norah Nelson Napaljarri is a Warlpiri-speaking Aboriginal artist from Australia's Western Desert region. Norah Nelson began painting in 1986 and has exhibited her works both in Australia and other countries. Her paintings and pottery are held in the collection of the National Gallery of Victoria.

Josepha Petrick Kemarre is an Anmatyerre-speaking Indigenous Australian artist from Central Australia. Since first taking up painting around 1990, her works of contemporary Indigenous Australian art have been acquired by several major collections including Artbank and the National Gallery of Victoria. Her paintings portray bush plum "dreaming" and women’s ceremonies. One of her paintings sold at a charity auction for A$22,800. Josepha Petrick's works are strongly coloured and formalist in composition and regularly appear at commercial art auctions in Australia. Her art appears to have survived the huge contraction of the primary art market in Australia since 2008. There is no existing Catalogue raisonné of Josepha Petrick's artworks, to date, no fakes have been cited.

References

  1. 1 2 3 "Ngapa Jukurrpa (Water Dreaming)". Aboriginal and Torres Strait Islander Art > Paintings. Art Gallery of New South Wales. 1997. Retrieved 6 January 2010.
  2. 1 2 3 Birnberg, Margo; Kreczmanski, Janusz (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 207. ISBN   1-876622-47-4.
  3. Kleinert, Sylvia; Neale, Margot (2000). The Oxford Companion to Aboriginal art and culture. Oxford: Oxford University Press. p. 749.
  4. Birnberg, Margo; Kreczmanski, Janusz (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. pp. 10–12. ISBN   1-876622-47-4.
  5. "Kinship and skin names". People and culture. Central Land Council. Archived from the original on 10 November 2010. Retrieved 23 October 2009.
  6. De Brabander, Dallas (1994). "Sections". In David Horton (ed.). Encyclopaedia of Aboriginal Australia, Vol. 2 . Canberra: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977. ISBN   978-0-85575-234-7.
  7. Bardon, Geoffrey; Bardon, James (2006). Papunya – A place made after the story: The beginnings of the Western Desert painting movement. University of Melbourne: Miegunyah Press.
  8. Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement". Aboriginal History. 30: 156–168.
  9. 1 2 3 4 Morphy, Howard (1999). Aboriginal Art. London: Phaidon. pp. 261–316.
  10. Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore / Haasts Bluff Canvas Project: Dancing women to famous painters". Artlink. 26 (4).