Kiva Reardon | |
---|---|
Nationality | Canadian, Irish |
Occupation(s) | Programmer, writer, editor, and commentator |
Kiva Reardon is a Canadian film programmer, writer, editor, and commentator. [1] [2]
Reardon grew up in Toronto, and credits watching Elwy Yost's long-running Saturday Night at the Movies as her first introduction to film studies. [3]
Reardon graduated with a bachelor's degree in Cultural Studies from McGill University in 2010. [5] She then entered the Masters of Arts program at the University of Toronto's Cinema Studies Institute, graduating in 2013. During her Masters she interned on a film by John Greyson.
In 2013, Reardon founded cléo: a journal of film and feminism—a publication dedicated to film and film culture and informed by intersectional feminist perspectives. [6] The journal was named for the protagonist of Agnès Varda's 1962 film Cléo from 5 to 7. [7] [4] The journal published a total of 19 issues over six years. [8] In August 2019, following a loss of funding due to cuts to the Ontario Arts Council by the Doug Ford government, the editors announced that the 19th issue of cléo would be the last. [9] In December 2019, the journal published a print compendium titled the cléo reader: 2013-2019. [10]
In 2018, Reardon spoke at the BFI Southbank as part of their season dedicated to Agnès Varda. In December 2019, Reardon gave the keynote address for a film series in Sudbury that opened with Cléo from 5 to 7. [4]
Reardon has worked at a number of film festivals, including the Miami Film Festival, Hot Docs Canadian International Documentary Festival, and the International Film Festival Rotterdam. [11] [12] [13] She was the lead programmer of Contemporary World Cinema at the Toronto International Film Festival from 2017 to 2020. [14] [15] Variety profiled Reardon during TIFF 2019, describing her efforts to curate a more inclusive selection of films. [16]
After relocating to Los Angeles in 2020, Reardon held the position of associate director of Film Programs at the Academy Museum of Motion Pictures. [17] In 2022, Reardon joined Barry Jenkins, Adele Romanski and Mark Ceryak's production company, Pastel, as VP Film. [18]
The Toronto International Film Festival is one of the most prestigious and largest publicly attended film festivals in the world, founded in 1976 and taking place each September. It is also a permanent destination for film culture operating out of the TIFF Bell Lightbox cultural centre, located in Downtown Toronto.
Agnès Varda was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style.
The Thessaloniki International Film Festival (TIFF), organized by the cultural institution of the same name under the auspices of the Greek Ministry of Culture, is held every November in Thessaloniki.TIFF features international competition sections, and its program includes tributes to major filmmakers and national cinemas, as well as sidebar events such as masterclasses, exhibitions, live concerts and workshops. In addition to TIFF, its parent cultural institution holds the annual Thessaloniki Documentary Festival (TDF) in March.
Cléo From 5 To 7 is a 1962 French New Wave drama film written and directed by Agnès Varda.
Caoimhe, pronounced Kweeva, sometimes anglicised as Kiva and pronounced as Keeva in Ulster, is an Irish feminine given name derived from Irish caomh "dear; noble". It means beautiful. It has been well-used in English-speaking countries and particularly in Ireland. from the same root as the masculine name Caoimhín (Kevin).
Le Bonheur ("Happiness") is a 1965 French drama film directed by Agnès Varda. The film is associated with the French New Wave and won two awards at the 15th Berlin International Film Festival, including the Jury Grand Prix.
Hélène Louvart is a French cinematographer. She graduated in 1985 from the prestigious École nationale supérieure Louis-Lumière in Paris. She is a member of French Society of Cinematographers (AFC), the French equivalent of American Society of Cinematographers. She has worked with many French and international directors, such as Wim Wenders, Agnès Varda, Claire Denis, Christophe Honoré, Jacques Doillon, Nicolas Klotz, Sandrine Veysset, Marc Recha, Alice Rohrwacher, and Léos Carax.
The 2nd Toronto International Film Festival (TIFF) took place in Toronto, Ontario, Canada between September 9 and September 18, 1977. Retrospective of Quebec cinema was introduced and also Greek cinema was emphasized. J.A. Martin Photographer directed by Jean Beaudin was selected as the opening film.
Adam Benzine is a British filmmaker and journalist. He received critical appraisal and widespread acclaim for his HBO documentary Claude Lanzmann: Spectres of the Shoah, which examined the life and work of French director Claude Lanzmann. The film earned Benzine an Oscar nomination in the Best Documentary category at the 88th Academy Awards, in addition to nominations from the Grierson Awards, the Canadian Screen Awards, the IDA Documentary Awards, the Banff Rockie Awards and the Cinema Eye Honors.
Faces Places is a 2017 French documentary film directed by Agnès Varda and JR. It was screened out of competition at the 2017 Cannes Film Festival where it won the L'Œil d'or award. The film follows Varda and JR traveling around rural France, creating portraits of the people they come across. It was released on 28 June 2017 in France and 6 October 2017 in the United States. It was nominated for the Academy Award for Best Documentary Feature at the 90th Academy Awards. The film was Varda's second-to-last work, preceding Varda by Agnès in 2019.
The Toronto International Film Festival People's Choice Award for Documentaries is an annual film award, presented by the Toronto International Film Festival to the film rated as the year's most popular documentary film with festival audiences. The award was first introduced in 2009; prior to its introduction, documentary films were eligible for the Toronto International Film Festival People's Choice Award.
The Toronto International Film Festival People's Choice Award for Midnight Madness is an annual film award, presented by the Toronto International Film Festival to the film rated as the year's most popular film in the festival's "Midnight Madness" stream of underground and cult films. The award was first introduced in 2009.
Canada's Top Ten is an annual honour, compiled by the Toronto International Film Festival and announced in December each year to identify and promote the year's best Canadian films. The list was first introduced in 2001 as an initiative to help publicize Canadian films.
Ariane Louis-Seize is a Canadian film director and screenwriter from Quebec. She is most noted for her short films Wild Skin , which was a Canadian Screen Award nominee for Best Live Action Short Drama at the 5th Canadian Screen Awards and a Prix Iris nominee for Best Short Film at the 19th Quebec Cinema Awards, and Little Waves , which was named to the Toronto International Film Festival's annual Canada's Top Ten list in 2018.
Kay Armatage is a Canadian filmmaker, former programmer at the Toronto International Film Festival and Professor emerita at the University of Toronto's Cinema Studies Institute and Women & Gender Studies Institute. Though she attained a B.A. in English Literature from Queen's University, her name is generally linked with the University of Toronto.
Deragh Campbell is a Canadian actress and filmmaker. She is known for her acclaimed performances in independent Canadian cinema. Her collaborations with filmmaker Sofia Bohdanowicz—Never Eat Alone (2016), Veslemøy's Song (2018), MS Slavic 7 (2019), and Point and Line to Plane (2020)—have screened at film festivals internationally. She has also featured in two of Kazik Radwanski's films, How Heavy This Hammer (2015) and Anne at 13,000 Ft. (2019), both of which premiered at the Toronto International Film Festival.
Amil Shivji is a Tanzanian filmmaker. His films generally tackle misrepresentations of Africa and its history, as well as the theme of neocolonialism.
Lkhagvadulam Purev-Ochir is a Mongolian film director. She is most noted for her 2022 short film Snow in September , which was the winner of the Orizzonti award for Best Short Film at the 79th Venice International Film Festival and the award for Best International Short Film at the 2022 Toronto International Film Festival.
Tug of War is a 2021 Tanzanian coming-of-age political drama about love and resistance set in the final years of British colonial Zanzibar. The film was directed by Amil Shivji based on the award-winning novel of the same name by Adam Shafi. Tug of War is Tanzania's second entry ever, and its first in 21 years, for the Academy Award Best International Feature category. In November 2022, it was awarded the Tanit d'Or, the top prize at Tunisia's Carthage Film Festival.
143 Sahara Street(original title: 143 rue du désert) is a 2019 Algerian-French documentary film directed by Hassen Ferhani. It tells the story of a woman named Malika, who runs a small roadside restaurant in the Algerian Sahara Desert.
She is also a programmer at the Miami Film Festival and Hot Docs Canadian International Documentary Festival, the founding editor of cléo journal, and has previously worked at the Doha Film Institute in Qatar.
This week, TIFF's Kiva Reardon and CBC film critic Eli Glasner join host Tom Power to talk about last night's epic movie-length Game of Thrones bonanza. They also share their thoughts on Avengers: Endgame and the latest development in the streaming wars between Netflix and its competitors.
She's a Programmer at the Toronto International Film Festival and the founding editor of cléo, a journal of film and feminism. Reardon lives and breathes movies because cinema has actually shaped the course of her life. In this interview from last fall, we talk about her passion for film, what it's like working at TIFF, and whitewashing in Hollywood.
Reardon has extensive experience in film programming, writing, and digital media. She is the lead programmer of Contemporary World Cinema at the Toronto International Film Festival and programmed the film series "Radical Empathy: The Films of Agnès Varda" for the TIFF Cinematheque.
The semi-formed part turned out to be a misnomer: In the e-mail, she detailed an impressively fleshed out concept for an online film publication produced in the style of an academic journal that would create a space for women and non-binary writers to explore a wide range of films from all over the world through perspectives that most interested them.
'You're not looking hard enough,' says Kiva Reardon, programmer for TIFF's Contemporary World Cinema (CWC) section and founder of the recently shuttered film journal Cléo. She rejects Barbera's notion that programming to quotas will reduce the quality of work shown at festivals.
While curating a retrospective on Arab women filmmakers at the TIFF Cinematheque in Toronto earlier this summer, programmer Kiva Reardon considered how the foregrounding of marginalized and underrepresented cinematic voices could make an impact in 2019.