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Johann Michael Haydn was an Austrian composer of the Classical period, the younger brother of Joseph Haydn.
Missa solemnis (help·info) is Latin for Solemn Mass, and is a genre of musical settings of the Mass Ordinary, which are festively scored and render the Latin text extensively, opposed to the more modest Missa brevis. In French, the genre is "Messe solennelle". The terms came into use in the classical period.
The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Galitzin; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered one of the composer's supreme achievements and, along with Bach's Mass in B minor, one of the most significant Mass settings of the common practice period.
The Symphony No. 25 in G major, Perger 16, Sherman 25, MH 334 is a classical symphony that was composed by Michael Haydn in 1783, with a completion date of May 23. It is scored for flute, 2 oboes, 2 bassoons, 2 horns and strings.
Michael Haydn's Symphony No. 12 in G major, Perger 7, Sherman 12, MH 108, written in Salzburg in 1768, was at one time mistaken for a symphony by Joseph Haydn.
Michael Haydn's Symphony No. 17 in E major, Perger 44, Sherman 17, MH 151, is believed to have been written in Salzburg after 1771. It is the third of four E major symphonies formerly attributed to Joseph Haydn.
Michael Haydn's Symphony No. 14 in B-flat major, Perger 52, Sherman 14, MH 133, was written in Salzburg between 1768 and 1770 For some reason Lothar Perger believed it to be the last symphony Michael Haydn ever wrote. This work was at one time attributed to Joseph Haydn, the third work in B-flat major so attributed.
Michael Haydn's Symphony No. 9 in D major, Perger 36, Sherman 9, MH 50, was written in Salzburg in 1766. It is the 21st D major symphony attributed to Joseph Haydn in Hoboken's catalog.
Michael Haydn's Symphony No. 6 in C major, Perger 4, Sherman 6, Sherman-adjusted 8, MH 64, was written in Salzburg, completed in 1764. It is the 31st symphony in C major attributed to Joseph Haydn in Anthony van Hoboken's catalog.
Michael Haydn's Symphony No. 13 in D major, Perger 37, Sherman 13, MH 132, believed to have been written in Salzburg in 1768, was at one time mistaken for a symphony by Joseph Haydn.
Michael Haydn's Symphony No. 15 in D major, Perger 41, Sherman 15, MH 150, is believed to have been written in Salzburg after 1771. This work was at one time attributed to Joseph Haydn, the first work in D major so attributed.
Michael Haydn's Symphony No. 16 in A major, Perger 6, Sherman 16, Sherman-adjusted 17, MH 152, was written in Salzburg in 1771. This work was at one time attributed to Joseph Haydn, the ninth work in A major so attributed in Anthony van Hoboken's catalogue.
The Perger-Verzeichnis is a thematic-chronological catalogue of instrumental compositions by Michael Haydn, compiled by Lothar Perger in 1907. Like Ludwig von Köchel's catalog of Mozart's compositions, Perger's catalog uses a single range of numbers, from 1 to 136, but like Hoboken's catalog of Joseph Haydn's music, groups the pieces first into categories and then sorts them chronologically.
Michael Haydn wrote the Missa pro defuncto Archiepiscopo Sigismondo, or more generally Missa pro Defunctis, Klafsky I:8, MH 155, following the death of the Count Archbishop Sigismund von Schrattenbach in Salzburg in December 1771. Haydn completed the Requiem before the year was over, signing it "S[oli] D[eo] H[onor] et G[loria.] Salisburgi 31 Dicembre 1771." At the beginning of that year, his daughter Aloisia Josefa died. Historians believe "his own personal bereavement" motivated the composition. Contemporary materials which have survived to the present day include the autograph score found in Berlin, a set of copied parts with many corrections in Haydn's hand in Salzburg and another set at the Esterházy castle in Eisenstadt, and a score prepared by the Salzburg copyist Nikolaus Lang found in Munich.
Michael Haydn completed the Missa in honorem Sanctae Ursulae, Klafsky 1:18, MH 546, on August 5, 1793, probably for use at the ceremony in which Ursula Oswald, the daughter of a friend, professed her religious vows at the Benedictine Abbey of Frauenwörth Chiemsee. Because of that fact, the Mass is sometimes known as the Chiemsee Mass.
The Sparrow Mass is a mass in C major K. 220/196b, Mass No. 9, Missa brevis No. 5, composed by Wolfgang Amadeus Mozart in 1775 or 1776 in Salzburg. The mass is sometimes termed a missa brevis et solemnis, because it is short in a simple structure as a missa brevis, but festively scored like a missa solemnis with brass and timpani in addition to four soloists, strings and organ. It was possibly first performed on 7 April 1776 in a mass for Easter at the Salzburg Cathedral. The nickname is derived from violin figures in the Hosanna which resemble bird chirping.
The St. Francis Mass is the shorter name for the Missa sub titulo Sancti Francisci Seraphici composed by Michael Haydn. He completed it on 16 August 1803, apparently at the request of Empress Maria Theresa for a name day celebration.
The Chor von St. Bonifatius is a German mixed choir, the church choir of the parish St. Bonifatius, Wiesbaden. It was founded in 1862 as a male choir and was a mixed choir from 1887. From 1981 to 2018, it was conducted by Gabriel Dessauer, who founded two children's choirs. The group sang the first performance in Germany of John Rutter's Mass of the Children and performed in Azkoitia, San Sebastián, Görlitz, Bruges, Macon and Rome. Colin Mawby composed for the choir the Missa solemnis Bonifatius-Messe for the 150th anniversary, celebrated on 3 October 2012. From 2019, the choir has been conducted by Roman Twardy who conducted in his first concert Dvořák's Stabat Mater.
The Missa tempore Quadragesimae, Klafsky 1:19, MH 553, is a mass without a Gloria by Michael Haydn. The work in D minor was written in 1794 in Salzburg, scored for a four-part choir and organ. It is suitable also for Advent.
References
- C. H. Sherman and T. D. Thomas, Johann Michael Haydn (1737 - 1806), a chronological thematic catalogue of his works. Stuyvesant, New York: Pendragon Press (1993): 383
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