Johann Michael Haydn was an Austrian composer of the Classical period, the younger brother of Joseph Haydn.
Johann Ludwig Bach was a German composer and violinist.
The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Golitsyn; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. It is generally considered one of the composer's supreme achievements and, along with Bach's Mass in B minor, one of the most significant Mass settings of the common practice period.
Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.
The Missa in angustiis, commonly known as the Nelson Mass, is a Mass setting by the Austrian composer Joseph Haydn. It is one of the six masses written near the end of his life that are seen as a culmination of Haydn's composition of liturgical music.
Missa in tempore belli is a setting of the mass by Joseph Haydn. It is catalogued Mass No. 10 in C major. Known also as the Paukenmesse due to the dramatic use of timpani, it is one of the most popular of his fourteen mass settings. The autograph manuscript contains the title "Missa in tempore belli" in Haydn's handwriting.
Joseph Leopold Eybler was an Austrian composer and contemporary of Wolfgang Amadeus Mozart.
The Krönungsmesse, composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass. It can be classified as either a Missa brevis or a Missa solemnis because although it includes all the sections of the Ordinary, it is relatively short.
Missa brevis usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short.
Theresienmesse is a mass in B-flat major written by Joseph Haydn and named after Maria Theresa of the Two Sicilies, empress consort of Francis II. The empress herself was the soprano soloist at private performances of both The Creation and The Seasons in May 1801 at the Viennese Court. The title does not appear on the autograph score, which is labeled simply with the Latin word "Missa".
The Colossal Baroque style is a name which has been coined to describe a number of musical compositions from the 17th and 18th centuries composed in an opulent, magnificent and large-scaled style. Such works frequently make use of polychoral techniques and often feature instrumental forces considerably larger than the norm for the Baroque period. The Colossal Baroque had its roots in Italy, in the resplendent multiple polychoral music of the Venetian School, in the sumptuous, extravagant productions of the Medici court, for example the 40- and 60-voice Missa sopra Ecco sì beato giorno by Alessandro Striggio, and in the large polychoral works of the Roman School, many of which were written long after the Venetian School had vanished. An impetus for this music was the Council of Trent, which marked the beginning of the Counter-Reformation. Some attendees of the Council held the unofficial point of view that music should be subservient to text, as idealized and exemplified in the choral music of Palestrina. Some critics held that this was not as achievable in larger choral textures.
The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber. The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been written for the 1682 commemoration of the 1100th anniversary of the Archbishopric of Salzburg. Hintermaier wrote in 2015 that the evidence rules out both Benevoli and Andreas Hofer, Biber's colleague, and concludes that "... the only possible composer of the Mass and the [companion] motet [for 54 voices, Plaudite Tympana] was Heinrich Ignaz Franz Biber... both the sources and the stylistic analysis clearly point to Biber as the author of the works."
The Missa brevis Sancti Joannis de Deo, Hob. XXII:7, Novello 8, is a mass in B-flat major by Joseph Haydn. The missa brevis was written around 1775 for the order of the Barmherzige Brüder in Eisenstadt, whose patron saint was John of God. Scored modestly for soprano, four-part mixed choir, two violins, organ and bass, it is known as the Kleine Orgelmesse due to an extended organ solo in the Benedictus movement which also includes the only featured solo voice - a soprano.
Austrian composer, Michael Haydn's Missa Hispanica or Missa a due cori, Klafsky I:17, MH 422, was presumably written for Spain, but there is no evidence of its ever having been performed there during Haydn's lifetime. The mass is scored for 2 oboes, 2 bassoons, 2 horns in low C, F and G, 2 trumpets in C, timpani, strings, basso continuo, SATB soloists, and two mixed choirs.
Michael Haydn wrote the Missa pro defuncto Archiepiscopo Sigismondo, or more generally Missa pro Defunctis, Klafsky I:8, MH 155, following the death of the Count Archbishop Sigismund von Schrattenbach in Salzburg in December 1771. Haydn completed the Requiem before the year was over, signing it "S[oli] D[eo] H[onor] et G[loria.] Salisburgi 31 Dicembre 1771." At the beginning of that year, his daughter Aloisia Josefa died. Historians believe "his own personal bereavement" motivated the composition. Contemporary materials which have survived to the present day include the autograph score found in Berlin, a set of copied parts with many corrections in Haydn's hand in Salzburg and another set at the Esterházy castle in Eisenstadt, and a score prepared by the Salzburg copyist Nikolaus Lang found in Munich.
Michael Haydn completed the Missa in honorem Sanctae Ursulae, Klafsky 1:18, MH 546, on August 5, 1793, probably for use at the ceremony in which Ursula Oswald, the daughter of a friend, professed her religious vows at the Benedictine Abbey of Frauenwörth Chiemsee. Because of that fact, the Mass is sometimes known as the Chiemsee Mass.
The Klafsky-Verzeichnis is a thematic-chronological catalogue of choral compositions by Michael Haydn, compiled by Anton Maria Klafsky in 1925.
The St. Francis Mass is the shorter name for the Missa sub titulo Sancti Francisci Seraphici composed by Michael Haydn. He completed it on 16 August 1803, apparently at the request of Empress Maria Theresa for a name day celebration.
Selva morale e spirituale is the short title of a collection of sacred music by the Italian composer Claudio Monteverdi, published in Venice in 1640 and 1641. The title translates to "Moral and Spiritual Forest". The full title is: "Selva / Morale e Spirituale / di Clavdio Monteverde / Maestro di Capella della Serenissima / Republica Di Venetia / Dedicata / alla Sacra Cesarea Maesta dell' Imperatrice / Eleonora / Gonzaga / Con Licenza de Superiori & Priuilegio. / In Venetia M DC X X X X / Appresso Bartolomeo Magni".
Deutsches Hochamt is the title common to several mass compositions by Michael Haydn, setting the mass ordinary in German by Franz Seraph von Kohlbrenner. Three of the works require trained singers and orchestra, while a fourth is kept simple to be sung by the congregation as a Deutsche Singmesse (Betsingmesse). His best-known German High Mass is catalogued as MH 560. Haydn's masses in German are also known by the incipit of the first of ten songs, "Hier liegt vor deiner Majestät".
