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In music, a cadenza is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda or ritornello.
A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
The Brandenburg Concertos by Johann Sebastian Bach, are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The original French title, Six Concerts à plusieurs instruments names six concertos for several instruments. Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the Baroque era.
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti:
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role. Sometimes these works are played on the modern piano. For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and pipe organ.
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. A typical performance lasts just under half an hour.
The Cello Concerto No. 1 in C major, Hob. VIIb/1, by Joseph Haydn was composed around 1761-65 for longtime friend Joseph Franz Weigl, then the principal cellist of Prince Nicolaus's Esterházy Orchestra.
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series.
Ludwig van Beethoven's Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. It was possibly first performed by Beethoven at his first public concert in Vienna on 29 March 1795. It was first published in 1801 in Vienna with dedication to his pupil Princess Anna Louise Barbara Odescalchi, known to her friends as "Babette".
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
Joseph Haydn's composed the Concerto per il Clarino in 1796 for the trumpet virtuoso Anton Weidinger. Joseph Haydn was 64 years of age. A favourite of the trumpet repertoire, it has been cited as "possibly Haydn's most popular concerto". Although written in 1796, Weidinger first performed the concerto four years later on March 28, 1800.
The Concerto in C minor for Piano, Trumpet, and String Orchestra, Op. 35, was completed by Dmitri Shostakovich in 1933. The concerto was an experiment with a neo-baroque combination of instruments.
The Symphony No. 54 in G major, Hoboken I/54, is a symphony by Joseph Haydn, composed in 1774.
Saint-Saëns' Cello Concerto No. 2 in D minor, Op. 119, is written in two movements, like his Fourth Piano Concerto. It was composed in 1902 and is dedicated to the Dutch cellist, Joseph Hollman, who gave the first performance on February 5, 1905 in Paris. The Second Concerto is much more virtuosic than the First, but does not possess the thematic inventiveness and harmonic intricacy of the First.
Joseph Haydn's Keyboard Concerto No. 11 in D major was written between 1780 and 1783. It was published in 1784. It is his last concerto for a keyboard instrument.
The Symphony No. 38 in C major, Hoboken I/38, is an early and festive symphony by Joseph Haydn. The symphony was composed some time between 1765 and 1769. Because of the virtuosic oboe parts in the final two movements, it has been suggested that the work's composition may have coincided with the employ of the oboist Vittorino Colombazzo in the fall of 1768. The symphony is popularly called the Echo Symphony, a nickname that, like all other named Haydn symphonies, did not originate with the composer.
Leopold Mozart's Trumpet Concerto in D major was completed in 1762, and is now "popular with trumpeters." The work is in two movements:
- Largo
- Allegro moderato
A trumpet concerto is a concerto for solo trumpet and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day. Although comparatively rare compared to concertos for other instruments, some major composers have contributed to the trumpet concerto repertoire, such as Joseph Haydn in his Trumpet Concerto in E-flat.
Benjamin Britten's Violin Concerto, Op. 15, was written from 1938 to 1939 and dedicated to Henry Boys, his former teacher at the Royal College of Music. It was premiered in New York, on 29 March 1940 by the Spanish violinist Antonio Brosa with the New York Philharmonic conducted by John Barbirolli. A revised version of the concerto appeared in the 1950s, including alterations of the solo violin part prepared with the assistance of Manoug Parikian.
The Concerto no. 4 for Violin and Orchestra is a violin concerto by Soviet and German composer Alfred Schnittke. It was commissioned by the 34th Berlin Festival and written in 1984. Its first performance was given in Berlin on 11 September 1984 with dedicatee Gidon Kremer as soloist and the Berlin Philharmonic Orchestra conducted by Christoph von Dohnányi.
References
- ↑ Edward H. Tarr, booklet for Naxos 8.554375, The Art of the Baroque Trumpet, Vol. 4
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