The Saints were an Australian rock band, originating in Brisbane, Queensland in 1973. The band was founded by Chris Bailey, Ivor Hay (drummer), and Ed Kuepper (guitarist-songwriter). They were initially labeled a punk band because, like American punk rock band the Ramones, the Saints were employing the fast tempos, raucous vocals and "buzzsaw" guitar that characterised early punk rock – although this only reflects a portion of their overall sound. With their debut single "(I'm) Stranded" in September 1976, they became the first punk band outside the US to release a record, ahead of better-known acts the Damned, the Sex Pistols and the Clash. They are considered one of the first and most influential groups of the genre, particularly within Australia.
Pretenders is the debut studio album by British-American band The Pretenders, released in 1979. A combination of rock and roll, punk and new wave music, this album made the band famous. The album features the singles "Stop Your Sobbing", "Kid" and "Brass in Pocket".
Edmund "Ed" Kuepper is a German-born Australian guitarist, vocalist and songwriter. He co-founded the punk band The Saints (1973–78), the experimental post-punk group Laughing Clowns (1979–85) and the grunge-like The Aints!. He has also recorded over a dozen albums as a solo artist using a variety of backing bands. His highest charting solo album, Honey Steel's Gold, appeared in November 1991 and reached No. 28 on the ARIA Albums Chart. His other top 50 albums are Black Ticket Day, Serene Machine and Character Assassination. At the ARIA Music Awards of 1993 he won Best Independent Release for Black Ticket Day and won the same category in 1994 for Serene Machine.
"Popscene" is a song by English alternative rock band Blur, released as a non-album single on 30 March 1992. Despite its relatively low chart placing, it has since become critically praised and regarded as one of the pioneering songs of the Britpop genre.
Laughing Clowns, sometimes written as The Laughing Clowns, were a post-punk band formed in Sydney in 1979. In five years, the band released three LPs, three EPs, and various singles and compilations. Laughing Clowns' sound is free jazz, bluegrass and krautrock influenced. The band formed to accommodate Ed Kuepper's growing interest in expanding brass-driven elements he had brought to The Saints' third album, Prehistoric Sounds, and by adopting flattened fifth notes in a rock and roll setting while using a modern jazz styled band line-up.
"This Perfect Day" is a single by punk band The Saints . It was produced by Chris Bailey and Ed Kuepper and recorded and mixed at Roundhouse and Wessex Studios, London, in 1977.
(I'm) Stranded is the debut album by Australian punk rock group The Saints which was released by EMI on 21 February 1977. Their debut single, "(I'm) Stranded", was issued ahead of the album in September 1976, which Sounds magazine's reviewer, Jonh Ingham, declared was the "Single of this and every week". "Erotic Neurotic" was the second single, which was released in May 1977 and the group relocated to the United Kingdom.
Eternally Yours is the second album by Australian punk rock band The Saints, released in 1978. Produced by band members Chris Bailey and Ed Kuepper, the album saw the band pursue a bigger, more R&B-driven sound, augmented by a horn section. The album also saw the introduction of bass guitarist Algy Ward, who replaced the band's previous bass player, Kym Bradshaw in mid-1977.
Prehistoric Sounds is the third album by the Australian punk rock group The Saints, released in 1978 via Harvest. This was the final album to feature founding lead guitarist, Ed Kuepper, who left the band shortly after its release. In October 2010, the album was listed in the top 50 in the book, 100 Best Australian Albums with their debut, (I'm) Stranded, at No. 20.
The Monkey Puzzle is the fourth album by the Australian music group The Saints released in January 1981. It was the first album to be released after Ed Kuepper left the band.
Paralytic Tonight, Dublin Tomorrow is a 7" extended play released in March 1980 by Australian Punk band The Saints. It was produced by the group's singer-guitarist, Chris Bailey using the pseudonym L. Lambert. It is their first release after founding guitarist, Ed Kuepper, had left the band. The Saints line-up for the EP was Chris Bailey on lead vocals and guitar; C. Barrington on guitar; Cub Calloway on guitar; Ivor Hay on drums; and Janine Hall on bass guitar. A 12" version with an additional track, "Miss Wonderful", was issued on the French label, New Rose.
Australian musicians played and recorded some of the earliest punk rock, led by The Saints who released their first single in 1976 and subgenres or offshoots of punk music, such as local hardcore acts, still have a strong cult following throughout Australia today.
A Little Madness to Be Free is the sixth album by Australian band The Saints. This time around, frontman Chris Bailey persuaded original members, Kim Bradshaw (bass) and Ivor Hay (drums), to rejoin the band. On the album tour, the bass player was Tracy Pew, formerly of The Birthday Party. The title of the album is a reference to the quote "A person needs a little madness, or else they never dare cut the rope and be free," by Kazantzakis. The album saw the Bailey moving further towards more ambitious arrangements including horns and strings. Bailey stated in a retrospective interview about this approach that he wanted to "make strings as powerful as Les Pauls and Marshalls".
"(I'm) Stranded" is the debut single released by Australian punk rock band the Saints. Issued in September 1976, it has been cited as "one of the iconic singles of the era", and pre-dated vinyl debuts by contemporary punk acts such as the Sex Pistols, Buzzcocks, The Damned and The Clash. In 2001, it was voted among the Top 30 Australian Songs of all time by APRA.
Howling is an album by the Australian band the Saints. The album was their first release after an eight-year recording hiatus. Chris Bailey chose to lose the big production of the 1980s records to make an album that was more akin to the early Saints punk sound. Bailey again employed a new line-up for the band. The album was released in 1996 in Australia and in 1997 everywhere else in the world.
Christopher James Mannix Bailey was an Australian singer, songwriter, musician and producer. He was the co-founder and singer of rock band the Saints.
Brisbane punk rock had its main impact between 1975 and 1984 as part of the overall punk rock scene in Australia. According to rock music historian, Ian McFarlane, the Queensland capital provided "some of the most anarchistic bands" of that era whilst it was "arguably the most conservative city" in the country. The development of the local punk movement differed from other cities because of its relative geographic isolation from other similar trends. The Brisbane scene also received a greater scrutiny by local police where early punk bands formed as "an obvious backlash to an oppressed society". This generated antagonistic and individualistic groups or "snot" driven punk bands.
The Return of the Mail-Order Bridegroom is a covers album by Australian guitarist and songwriter Ed Kuepper released in 2014. Recorded in three days and featuring Kuepper alone with no overdubbing, it contains reworked acoustic versions of songs by his former bands The Saints and Laughing Clowns, as well as new versions of his solo material and songs popularised by artists including Jimi Hendrix and The Walker Brothers. Apart from "No Regrets," all of the songs were selected from those he had played during a 2013 "Solo and By Request" Australian tour.
King of the Sun is the fourteenth and final studio album released by Australian rock music group The Saints. Recorded in Sydney, Australia, the album is a concept album based on a journey home after a hundred-year war.
The Aints is a band name used by Ed Kuepper during his prolific early 1990s period. The group's name relates to Kuepper's first recording group, The Saints, and its initial incarnation concentrated on material from the mid-to-late 1970s. The group then took on a life of its own and produced loud, feedback-drenched recordings of new Kuepper originals. In 2017, Kuepper convened a new iteration, this time adding an exclamation mark to record and tour material he had written between the years 1969-1978, much of which had been in the setlist of the original Saints but which had, with few exceptions, not been recorded or released.
